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  • Written by John Burdett
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A Royal Thai Detective Novel (3)

Written by John BurdettAuthor Alerts:  Random House will alert you to new works by John Burdett


List Price: $11.99


On Sale: June 05, 2007
Pages: 0 | ISBN: 978-0-307-26695-8
Published by : Vintage Knopf
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Sonchai Jitpleecheep, the devout Buddhist Royal Thai Police detective who led us through the best sellers Bangkok 8 and Bangkok Tattoo, returns in this blistering novel.

Sonchai has seen virtually everything on his beat in Bangkok's District 8, but nothing like the snuff film he's just been sent anonymously. Furiously fast-paced and laced through with an erotic ghost story that gives a new dark twist to the life of our hero, Bangkok Haunts more than lives up to the smart and darkly funny originality of its predecessors.


Chapter OneFew crimes make us fear for the evolution of our species. I am watching one right now.In a darkened room in the District 8 Police Station with my good friend FBI agent Kimberley Jones, a forty-two-inch Toshiba LCD monitor hangs high up on a wall, out of the reach of villains.The video I’m sharing with the FBI uses two industrial-quality cameras that between them seamlessly provide all the tricks of zoom, angle, pan, et cetera, and I am told that at least two technicians must have been involved in its production. The color is excellent, thanks to however many millions of pixels that contribute to their subtle shading; we are looking at a product of high civilization unknown to our forefathers. At the end of the movie, though, tough-guy Kimberley bursts into tears, as I’d rather hoped she would. I did. She turns her head to stare at me wild-eyed.“Tell me it isn’t real.”“We have the body,” I say.“Oh, god,” Kimberley says. “Oh, sweet Jesus, I’ve seen things bloodier, but never anything this demonic. I thought I’d seen everything.” She stands up. “I need air.”I think, In Bangkok? But I lead her through a couple of corridors, then out into the public area, where brown men and women not much more than half her size wait to tell a cop of their homely grievances. It’s not exactly a festive atmosphere, but it’s human. An American extrovert, Kimberley doesn’t mind dabbing her red eyes with a tissue in front of an audience, who naturally assume I’ve just busted this female farang on some minor drug charge—cannabis, perhaps. Like my own, her eyes naturally seek out any attractive young women sitting in the plastic seats. There are three, all of them prostitutes. (No respectable Thai woman dresses like that.) They resent the attention and glare back. I think Kimberley would like to hug them in gratitude that they’re still alive. I take her out into the street: not quite what the words fresh air normally invoke, but she fills her lungs anyway. “My god, Sonchai. The world. What monsters are we creating?”We have achieved that rare thing, Kimberley and I: a sexless but intimate rapport between a man and a woman of the same age who are mutually attracted to each other but, for reasons beyond analysis, have decided to do nothing about it. Even so, I was surprised when she simply got on a plane in response to a frantic telephone call from me. I had no idea she was specializing in snuff movies these days; nor did I realize they were flavor of the month in international law enforcement. Anyway, it’s great to have a top-notch pro familiar with the latest technology on my side. She’s not intuitive, as I am, but owns a mind like a steel trap. So do I treat her like a woman or a man? Are there any rules about that where she comes from? I give her a comradely embrace and squeeze her hand, which seems to cover most points. “It’s great to have you here, Kimberley,” I say. “Thanks again for coming.”She smiles with that innocence that can follow an emotional catastrophe. “Sorry to be a girl.”“I was a girl too, the first time I saw it.”She nods, unsurprised. “Where did you get it, in a raid?”I shake my head. “No, it was sent to me anonymously, to my home.” She gives me a knowing look: a personal angle here.“And the body, where was it found? At the crime scene?”“No. It had been returned to her apartment, laid neatly on the bed. Forensics says she must have been killed somewhere else.”Now the American Hero emerges. “We’re gonna get them, Sonchai. Tell me what you need, and I’ll find a way of getting it to you.”“Don’t make promises,” I say. “This isn’t Iraq.”She frowns. I guess a lot of Americans are tired of hearing those kinds of jibes. “No, but that movie had a certain style, a certain professionalism about it, and if that alpha male isn’t North American, I’ll turn in my badge.”“A Hollywood production?”“For something like that, frankly the U.S. is the first place I would start looking. Specifically California, but not Hollywood. San Fernando Valley, maybe, with international connections. This could tie in with what I’m doing stateside.”“What would you look for? He was wearing a gimp mask.”“The eyeholes are quite large—light had to get in. You have isometric surveillance at all points of entry to this country. Give me a copy of the DVD—I’ll get our nerds on the case. If they can make a good still of his eyes and enlarge it, it’s as good as a fingerprint. Better. Are you going to let me see the body?”“If you want. But how deeply involved do you want to get?”“Look, I don’t know much, but Chanya told me you’re very upset. That touches me too. If I can help, then that’s what I want to do.”“Chanya spilled her guts?”“She loves you. She hinted that you need a little moral support from a fellow professional. I said okay, I’ll do what I can, so long as he lets me in.”The FBI has no idea how many points she’s accumulated with me for treating a pregnant third-world ex-prostitute as a friend and equal. That kind of heroism leaves us slack-jawed in these parts. Chanya loves her too, of course, and when a Thai girl loves, she tells all.A tuk-tuk passes, spilling black pollution from its two-stroke engine. They used to be a symbol of Thailand: three wheels, a steel roof on vertical struts, and a happy smiling driver. Now they’re a tourist gimmick catering to a diminishing number of tourists. So far the new millennium has not delivered much in the way of new; instead we have a certain foreboding that a return to old-fashioned grinding poverty might be our share of globalism. Kimberley hasn’t noticed this yet—she’s been here only two days, and already the work ethic has gripped her. She’s not seeing the tuk-tuk or even its pollution.“I’m not going to use our guys to copy the DVD,” I say. She looks at me. “That kind of thing is produced in very limited numbers, sold to a specialized international market.” She is still looking at me. I feel blood rising up my neck, into facial blood vessels. “This is a poor country.” Still the look: I have to come clean. “They would sell it.”She turns away to save me from her contempt. A couple of beats pass, then briskly: “I’m okay now. How are you going to copy it?”“I’m not. I’ll put it in my pocket. You can use the business center at the Grand Britannia to e-mail it straight from the disk.”She waits in the public area while I go back to retrieve the disk: five point seven megabytes of distilled evil. Out on the street she pauses to stare at a young monk in his early to mid-twenties. He is tall, and there is an exotic elegance about him incongruous with the Internet café he is about to enter.“Using the Net is frowned on by the Sangha, especially in public areas, but it’s not a serious offense. Often monks use it to check Buddhist websites,” I explain, glad to talk about something lighter than a snuff movie.“Is he a regular around here? Somehow this doesn’t seem like the kind of place a monk would want to hang out.” Kimberley feels the need for small talk too.“I saw him for the first time yesterday. I don’t know which wat he’s attached to.”

From the Hardcover edition.
John Burdett|Author Q&A

About John Burdett

John Burdett - Bangkok Haunts

Photo © Jerry Bauer

John Burdett is the author of A Personal History of Thirst, The Last Six Million Seconds, Bangkok 8, Bangkok Tattoo, Bangkok Haunts, The Godfather of Kathmandu and Vulture Peak. He divides his time between Thailand and France.

Author Q&A

Q: The hero of your Bangkok stories, detective Sonchai Jitpleecheep, alludes to an age of “functional barbarism.” What does he mean by this?

“Functional barbarism” is Sonchai’s epithet for the modern age, globalism in the most general sense. To his Buddhist eyes, the whole construct of modern society, which of course includes the modern parts of Asia, is based not only on illusion in the sense that the material world is a mere trick of perspective, but on a kind of moral illusion: we Westerners tend to think of ourselves as humane, sensitive, educated, enlightened, generous, only wanting the best for the Third World etc. To Sonchai this is grotesque nonsense. Behind the undoubted success of applied science, our motives are essentially barbaric, and as a consequence we are producing a barbaric world driven by greed and militarism, despite all our good intentions.
Q: Is sex good or evil in Sonchai’s world? Or is it merely a matter of perspective?
A: May I suggest you ask yourself why our culture expects something as fundamental as copulation to be either good or evil? Is eating good or evil, do you think? In Buddhism there is no good or evil as such, there are levels of ignorance ranging from the most dense to the almost enlightened. Sex has a different aspect, and a different function, at each level.
Q: You present Lek, Sonchai’s trusted, cross-dressing assistant, as asexual, despite several other katoeys in the book who are clearly anything but. Why?
A: I cannot agree that he’s asexual. He doesn’t have sex, but he talks about it a lot, and associates with other katoeys who talk about it all the time. Sonchai points this out somewhere: it is a well known characteristic of many katoeys that they talk dirty whenever they get the chance, but can be quite prudish when it comes to the act itself.

Also, in the literature on transsexuals generally, there are some references to the fact that true transsexuals normally feel that they belong in a different body long before puberty and when they have successfully had the operation they tend to live quiet, often chaste, lives. Where their survival depends on participation in the sex trade, however, as is often the case in Thailand, then they are more or less compelled to talk dirty. An interesting take on this occurred after I wrote the book and took a trip to a very remote part of Isaan which is almost as pagan as it is Buddhist. There I found it a pastime amongst respectable women, who were scrupulously faithful to their husbands and dedicated mothers, to talk dirty–and I mean filthy–to each other all the time “just to keep from being bored.”
Q: Pornography is nothing new, so what do you think is the catalyst for the burgeoning porn market? Surely it cannot be something so mundane as a renewed interest in fidelity?
A: I think if we read the article from the New York Times, appended to the book, the answer is clear: porn is a massive growth industry because digital media permits it to be viewed in secret. Porn was negligible when it came in the form of postcards and bulky “men’s” magazines, started to take off with video shops, then when total anonymity was available in the form of downloads from the Net the shame factor was eliminated and porn exploded - and is continuing to do so.

I admire your unquenchable optimism when you ask if porn is a consequence of “a renewed interest in fidelity”. Don’t you think you are being slightly too literal? It’s like asking if the media’s fascination with violence is a “consequence of renewed interest in security”. How faithful would you feel if your mind was on the girl in the porn video while you made love to your betrothed? (How faithful would you feel your partner was being if her mind was on the jock in the porn clip?) I think to Sonchai porn is simply part of the ‘functional barbarism” of our times–an abuse of applied science which allows us to cop out emotionally, and even erotically. That’s why he prefers prostitution.
Q: On what do you base your portrayal of the film industry as literally fueled by narcotics?
A: The timeline is important here. Not very long ago–certainly during the eighties and nineties–your question would have seemed naïve. I am, I confess, simply using the popular wisdom that coke and celluloid were inextricably linked in many ways for a very long time and it was during this period that the now-incarcerated filmmaker Yammy was learning his trade. Another point to make is that pundits tend to agree that a huge proportion of the money on the international market originates in the black economy, especially narcotics; perhaps as much as one third. This amounts to many trillions of dollars which have literally built whole towns in the U.S. and other countries. How likely is it that the film industry, with its unlimited access to international finance, is unaffected?
Q: In BANGKOK HAUNTS, as in earlier Bangkok books, spirituality plays an important role for many characters. What is the difference between Thai Theravada and Khmer “sorcery”?
A: There is no comparison between the two. Theravada is the “orthodox” form of Buddhism which pervades SE Asia, except Vietnam and Japan which are Mahayana. It is very austere and seeks to follow the Buddha’s life in meticulous detail. It follows a simple but well-tried form of meditation technique. [Mahayana, best known in the West for its practice in Tibet and Japan, allows for more liberal interpretation and greater evolution.]

Khmer sorcery is probably a corrupt amalgam of Hinduism, early (pre-17th century) Buddhism, and local shamanism/animism. It has been very popular at grass roots level throughout Southeast Asia, and certainly has influenced those countries which share a border with Cambodia. We have to remember that in the past Khmer was the dominant culture of Indo China and a great deal of that culture still informs the subconscious. The classical Thai architecture of the Sukotai/Ayutia period which is so famous is derived from Khmer architecture, especially of course Ankor Wat.
Q: Has the violence of the yaa baa (methamphetamines) trade waned in southeast Asia? Perhaps the rise in Afghan poppy cultivation following the US invasion has caused a greater demand for more sedative drugs, like opium and heroin?
A: I wish it had, but I don’t think so. As far as I can tell, most if not all the poppy product from Afghanistan and Burma is sent West. Government suppression of the opiates at street level is quite successful in most of Southeast Asia. On the other hand, yaa baa–methamphetamine–is very easy to produce in bulk, very cheap, and very difficult if not impossible to suppress because it can be manufactured anywhere. It is therefore the ideal “poor farmer’s” drug. A great deal of production and abuse takes place in the countryside where so many families live in a state of constant despair. Young men in particular are vulnerable. Destructive though opium derivatives can be, I do not think they are as destructive to life and brain as yaa baa.

It is, of course, symptomatic of the problem–and an expression of the “functional barbarism”–that by vigorously suppressing other drugs, we end up with widespread dependence of the poorest and most vulnerable on the worst narcotics of all: yaa baa, alcohol, paint and glue etc. I fear this is all about governments–and perhaps some NGO’s–spinning reality to try to show the war on drugs can still be won, when in truth it was lost long ago. Where’s the value in saving someone from heroin if they go on to die from meths or in an alcohol-induced car crash?
Q: Why is Damrong’s family so cursed? Put another way: why doesn’t the impoverished town, Isakit, produce more intense, demonic individuals like Damrongs? After all, her parents’ neighbors seem just as poor, and they didn’t turn out to be demons.

A: I think the point is not poverty so much as the values a family is able to maintain in spite of it. As refugees from Cambodia, who had in some way been damaged by the civil war, Damrong’s family lacked the inner security, or–if you like–culture, to survive grinding poverty without being thoroughly corrupted by it. The weak character of her parents is of course also a factor. But isn’t it part of our universal experience that people from the same background can turn out so differently, even when they are identical twins?
Q: How has your study of the Thai language affected your writing?
A: Thai is an extremely efficient form of communication that tends to go straight to the point without fancy grammar or bloated vocabulary. I leave it to you to decide if my writing has benefited. I fear not.
Q: You document your inspiration for the elephant game. How about Dr. Supatra’s ghost porn?
A: A fan at a reading on a book tour of the U.S. asked me to include more ghosts in my next book. He was Southeast Asian, from Malaysia, where there are even more ghosts than in Thailand. When I thought about it I realized he was right–ghosts form an extremely important part of local culture and it is literally very difficult to find a Thai woman who has not seen at least one in her life. Men are slightly more reticent but will come clean under questioning: ghosts are everywhere. My problem, though, was that I had not–and still have not–come across any myself. So I made them up and saw no reason why my ghosts should not have a hi tech dimension.
Q: Chanya, Sonchai’s wife, makes the surprising suggestion that structural change of some sort is needed in Thailand. Is she alone in this?
There was a revolution here last year, and nothing but debate about structural change ever since. Yes, there are many reasons why Thailand is in a state of transition, one of them being a stronger independence amongst women. This is not generally feminism–Asian women tend voluntarily to adhere to a “feminine” identity and eschew what they see as “mannishness” –so much as a sense that the old structures are not working and cannot be made to apply to a modern state when they are almost exclusively the product of an agricultural society. A woman might be happy leading a tough life as a country housewife, because of the relaxed rhythms, social intercourse with other women, extended family, organic sense of belonging that country life brings. She may be much less tolerant when she is cooped up in Bangkok in a small flat with young children while her husband is permanently stressed, and therefore irritable, because the economy has forced him into a slave-like position. In addition, it is my own take that Thailand is having quite a problem reconciling its very honorable Buddhist principles with capitalist democracy as practiced in the West and elsewhere in Asia.

From the Hardcover edition.



“Who knew that . . . those sizzling thrillers . . . Bangkok 8 and Bangkok Tattoo were just the warm-up acts? Bangkok Haunts opens up new avenues of awe.” —The New York Times Book Review"Bangkok Haunts is a book to be gobbled up at top speed, preferably while wearing sunglasses and drinking through a twisty straw."—The New York Times"Captivating. . . . A wonderful mystery series." —The Washington Post"Spellbinding. . . . [These] characters are scintillating." —The Boston Globe

  • Bangkok Haunts by John Burdett
  • June 10, 2008
  • Fiction - Mystery & Detective
  • Vintage
  • $14.95
  • 9781400097067

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