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The American Fairy Trilogy Book 1

Written by Sarah ZettelAuthor Alerts:  Random House will alert you to new works by Sarah Zettel

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List Price: $9.99

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On Sale: June 26, 2012
Pages: 304 | ISBN: 978-0-375-98318-4
Published by : Random House Books for Young Readers RH Childrens Books
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Synopsis|Excerpt

Synopsis

Fans of Libba Bray’s The Diviners will love the blend of fantasy and twentieth-century history in this stylish series.

Callie LeRoux is choking on dust. Just as the biggest dust storm in history sweeps through the Midwest, Callie discovers her mother's long-kept secret. Callie’s not just mixed race—she's half fairy, too. Now, Callie's fairy kin have found where she's been hidden, and they're coming for her.

While dust engulfs the prairie, magic unfolds around Callie. Buildings flicker from lush to shabby, and people aren’t what they seem. The only person Callie can trust may be Jack, the charming ex-bootlegger she helped break out of jail.

From the despair of the Dust Bowl to the hot jazz of Kansas City and the dangerous beauties of the fairy realm, Sarah Zettel creates a world rooted equally in American history and in magic, where two fairy clans war over a girl marked by prophecy.

A strong example of diversity in YA, the American Fairy Trilogy introduces Callie LeRoux, a half-black teen who stars in this evocative story full of American history and fairy tales.

Supports the Common Core State Standards.

Excerpt

1

In a Month Called April, a County Called Gray

Once upon a time, I was a girl called Callie. That, however, ended on Sunday, April 14, 1935. That was the day the worst dust storm ever recorded blew across Kansas. That was the day Mama vanished.

That was the day I found out I wasn't actually a human being.

Now, mind, I didn't know any of this when my cough woke me up that morning. Hot, still air, damp with my own breath, pressed against my face, and my tongue felt as stiff and strange as the sole of somebody else's shoe inside my mouth. Unwinding the muslin scarf, which Mama made me wear over my mouth and nose when I slept, didn't help much. It was already too hot and too dusty to breathe easy. Through the layers of sackcloth and muslin that we used for curtains, I could see the sun hovering like a rotten orange over the straight black Kansas horizon. Dust carried by the wind scratched and pattered against the windowpane, trying to get inside.

I lived with my mama in the Imperial Hotel in Slow Run, Kansas. Once, it was the finest hotel in the county, with its Moonlight Room, and the smoking lounge all decked out in red velveteen and gold fringe, and a ladies' parlor sporting an Italian marble fireplace so big I could stand up in it. Even empty, it was the biggest, grandest home imaginable.

Slow Run itself was not a place you ever heard of, unless you had to live there or stop overnight on your way somewhere else. Used to be a lot of people did stay overnight. A lot of things used to happen in Slow Run. The trains used to bring in travelers and take out carloads of wheat from the grain elevator. Mama used to make plenty of money running the hotel her parents started.

It used to rain. But now Kansas was part of the Dust Bowl, along with Oklahoma, Texas, Arkansas, and Indiana, and had been for five, maybe six years. I could just about remember the time when I looked out my window to see the green wheat rippling all around the straight lines of clapboard buildings that made up Slow Run. Now there was nothing but the blowing dirt under that rotten orange sun.

I jumped off my brass bed, ran to the bathroom, and switched on the tap. Water came out in a thin gray stream, but at least it came. It didn't always. I drank a little to rinse my mouth. It tasted like old tin. I plugged the basin drain and ran about an inch of water into the sink so I could scrub my face and hands with the little piece of store-bought soap. I wiped myself down with the washrag so the soap wouldn't get into the basin water. I got store-bought soap because of my good skin, Mama said. My skin was cream-colored and soft with not too many freckles. But that meant I had to take special care of it, and always wear a hat and gloves when I went outdoors so I wouldn't turn brown. I had good eyes too, she said, a stormy blue-gray color that people said turned steel gray when I got mad. My hair was another story. My black hair was my mother's worst enemy. "So coarse," she'd mutter while she combed the tangles out. She'd wash it in lye water and lemon juice, when we could get them. But even when we couldn't, it had to be brushed a hundred strokes every night and kept done up in tight braids so it would be nicely wavy.

"When you're older, Callie, we'll put it up in a proper chignon," Mama told me. "It'll be so pretty. Until then, we'll just have to do our best."

Doing our best meant a lot of things to Mama. It meant keeping ourselves and the hotel clean, and minding our manners even when there was no one to see or care. It meant being patient, even on the worst days when my lungs felt so heavy from breathing in the blow dust all the time that they dragged my whole body down.

My workday dress used to be yellow, but wash soap and dust had turned it a kind of pale brown. I looped my scarf over my arm and carefully carried my wash water down the short, narrow hallway. Our staff quarters at the back of the hotel had two bedrooms, the kitchen, and a little sitting room. As expected, the kitchen was empty. Mama would be somewhere in the main part of the hotel, trying to chase Gray County back outside.

I scooped one cup of water out of my basin and poured slow drips onto the tomatoes growing in soup cans on the windowsill. The rest went into the tin bucket by the door for the chickens. Before opening the door, though, I pulled on my canvas work hat and gloves and tied my scarf securely over my face.

As soon as I stepped off the porch, sweat prickled on the back of my neck and at the edges of my scarf. The stems from our dead garden rattled in the hot wind. A brown grasshopper clung to one broken twig, waiting for a chance to get into the house and between my sheets.

I tried not to hate the hoppers, even when they got into the water basin or my shoes. The only reason we still had chickens was that the birds could live on hoppers and the little green worms that crawled out of the sunbaked fence posts.

The hens fought each other over the water while I helped myself at the nesting boxes. We were lucky today. Six warm brown eggs went into my pockets. My mouth watered. Maybe we could sell a few at the store for flour, or milk, or even butter, if there was any at Van Iykes's Mercantile. The mercantile was the last store in town. There used to be a choice between Van Iykes's and Schweitzer's Emporium. But last week, Mr. and Mrs. Schweitzer locked their doors, tossed the key in the dust, climbed into their truck with their babies, Sophie and Todd, and drove away. Mama and I stood out on the porch and watched them leave.

"Cowards," I muttered, because I didn't want to think about how much I wanted to leave with them.

As if that thought was a signal, my cough started up again, in sharp little bursts. It hurt, but not as much as knowing Mama would never leave Slow Run.

The truth was, Mama was kind of crazy, and had been for years, but there was nothing anybody could do about it. Especially not me. She acted normal about most things. About everything, really, except my papa. My papa, Daniel LeRoux, had run out on Mama before I was born. He'd promised he would come back, and she'd promised she would wait for him. That promise kept us both pegged to this place while the state of Kansas dried up and blew away.

The wind swirled dust across the tops of my shoes and tugged at my skirts.

Look shhhhaaaarrrrp, said a slow, soft voice. Look -shhhhaaaarrrrp. Shhhheeee's nearrrr. . . .

"Who's that!" I spun around. But there was nobody there.

Shhhheeee's nearrrr . . . shhhheeee'ssss closssse. . . .

"Casey Wilkes, if that's you . . ." I ran around the corner of the hotel.

From here, the whole of Slow Run spread out stark and plain: the square clapboard and brick buildings marking out the straight, dust-filled streets; the four church steeples weathered a pale gray; the dusty tumbleweeds leaning lazily against the walls. Farther out, sagging barbed-wire fences ran alongside the black lines of the railroad tracks all the way to the hazy outline of the grain elevator, with the -spindly windmills standing sentry in between.

What there wasn't was any person close enough to whisper in my ear. Except I could still hear the soft, deep, strangely beautiful voice.

Closssser, closssser. Look shhhhaaaarrrrp. . . .

I turned and ran for the kitchen door.
Sarah Zettel

About Sarah Zettel

Sarah Zettel - Dust Girl
SARAH ZETTEL is an award-winning science fiction and fantasy author. She has written 18 novels and multiple short stories over the past 17 years in addition to practicing tai chi, learning to fiddle, marrying a rocket scientist, and raising a rapidly growing son. The American Fairy Trilogy is her first series for teens.
Praise | Awards

Praise

Kirkus Reviews Best of Teen's Books 2012

Awards

ALA Best Books for Young Adults
WINNER 2013 ALA Best Books for Young Adults

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