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  • Ella May and the Wishing Stone
  • Written by Cary Fagan
    Illustrated by Genevieve Cote
  • Format: Trade Paperback | ISBN: 9781770494107
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  • Ella May and the Wishing Stone
  • Written by Cary Fagan
    Illustrated by Genevieve Cote
  • Format: Hardcover | ISBN: 9781770492257
  • Our Price: $17.95
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Ella May and the Wishing Stone

Written by Cary FaganAuthor Alerts:  Random House will alert you to new works by Cary Fagan
Illustrated by Genevieve CoteAuthor Alerts:  Random House will alert you to new works by Genevieve Cote

Ella May and the Wishing Stone Cover

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ABOUT THE BOOK ABOUT THE BOOK
ABOUT THE AUTHOR ABOUT THE AUTHOR
PRAISE PRAISE
Synopsis

Synopsis

One day, Ella May finds a stone that has a line going all-all-all the way around it. Surely a stone this special must grant wishes, she decides. Soon she is busy making wishes and bragging about them. When her friends want to share the fun, Ella May objects. But she soon learns that keeping the stone for herself is a sure way to lose friends. By using her imagination – much more powerful than any stone – she is able to grant everybody’s wishes, including her own.

Cary Fagan’s witty and sharply observed story will delight young readers who are beginning to explore the pleasures and challenges of sharing and friendship.
Cary Fagan|Genevieve Cote

About Cary Fagan

Cary Fagan - Ella May and the Wishing Stone

Photo © Josh Levine

Tundra author CARY FAGAN has written award-winning books for both adults and children. Cary has won the City of Toronto Book Award, the Jewish Book Committee Prize for Fiction, and the Mr. Christie Silver Medal. His picture books are Gogol’s Coat, The Market Wedding, Ten Old Men and a Mouse, and My New Shirt. His novels
for children include Daughter of the Great Zandini, The Fortress of Kaspar Snit (Silver Birch Honor Book), and Directed by Kaspar Snit (Silver Birch nominee). Cary Fagan lives in Toronto.

About Genevieve Cote

Genevieve Cote - Ella May and the Wishing Stone
GENEVIÈVE CÔTÉ has illustrated a number of children’s books, including The Lady of Shalott, by Tennyson, La petite rapporteuse de mots, by Danielle Simard, and her own What Elephant? and With you always, Little Monday. Her editorial art has appeared in The New York Times, The Wall Street Journal and l’Actualité, among others. She graduated from Concordia University in 1987, and she was president of Quebec’s Association des Illustrateurs from 1993-1995. Côté has won several honors, including the Elizabeth Mrazik-Cleaver Award and the Governor General’s Award for Illustration. She lives in Montreal, Quebec.
Praise

Praise

“…Fagan believably captures the delicate balance of friendship in the very young and lets the story play out with welcome complexity. Côté's illustrations are simple without being cartoonish, demonstrating the same warm understanding of childhood. Thoughtful and Touching”
Kirkus Reviews
 
 “…Cary Fagan… does a great job here with both the fun, engaging story, and the fine tricks of repetition and structure that make Ella May and the Wishing Stone ideal for early reader. Geneviève Côté’s watercolour illustrations are lively and simple, focusing on the kids themselves and hewing closely to the narrative…. The net result is an original and imaginative treatment of one of the hardest lessons of early childhood –sharing –in a colourful package that’s likely to charm kids and adults alike.”
Quill & Quire

“Côté’s…illustrations drive the story along with light and expressive outlines and wash effects… children won’t have any difficulty following the action, and they’ll recognize Ella’s conflicting impulses.”
—Publishers Weekly

“…the little girl uses her imagination to reconnect with her friends, and realizes that they are far more important than wishes. Ultimately, she is able to grant everyone’s wishes, including her own.”
The Waterloo Region Record

“…The charming drawings by Geneviève Côté depict a late summer’s day on the sidewalk. It’s easy to forgive Ella May when she finally comes to her senses and realizes that friends are much more important than possessions….”
Montreal Review of Books

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