Halloween is near, the one day of the year when the ghostly plane is close enough to the human plane to allow mischief and mayhem. But the ghosts who have their eye on Zack aren't thinking mischief, they are thinking murder.
In the fourth volume of Chris Grabenstein's popular Haunted Mysteries series, Zack must yet again do battle with malevolent spirits. And with perseverance and pluck, and the assistance of three dotty aunts, he must save his town from a 200-year-old threat.
Once again Chris Grabenstein proves his mastery of the frightening and funny tale. Young readers, especially reluctant ones, have been inspired to read by Grabenstein's quirky characters and deadly situations.
About Chris Grabenstein
Sometimes a good ghost story creeps its way into existence just like, well, a ghost slipping through a brick wall!
Have you ever been walking your dog, doing the dishes, taking a shower, or mindlessly minding your own business when, all of a sudden, just like that, an idea snuck up behind you and whomped you in the head?
Well, stories have a way of doing that. They can tiptoe up from your subconscious, seize your brain, and demand to be told.
They’re a lot like Frankenstein’s monster: They’re aliiiiive!!
When I’m not writing, I might be washing the dishes while walking my dog (something that requires a great deal of training, by the way), when a great What If? will leap up out of the shadows. I find that’s how most of my stories get started: a big What If? followed by several intriguing And Thens.
For instance, there I was one summer morning up in the Berkshire Mountains of western Massachusetts, out for my early morning jog. Fred the dog did not join us on this weekend trip so it was just the chirping birds, the crackled asphalt, a couple pickup trucks, this one cow, and me. The cow eyed me suspiciously as I trotted past her meadow. I don’t blame her. My running jacket is neon yellow, the color of antifreeze. Or Mountain Dew.
Anyway, huffing and puffing along, I passed a makeshift roadside memorial. Not much, really. Just a white wooden cross, its paint chipped and flaking. The simple cross was nailed into the thick bark of a massive oak tree. Some faded artificial flowers were tied to it with frayed ribbon that had long since lost its color.
Usually, you find this kind of roadside memorial at the scene of a tragic traffic accident. So, as I swatted flies and trotted up the deserted country road, the first thought to flit through my brain was: I wonder who died back there? What kind of accident was it?
And then a clever little What If? crept on cat paws into the story telling sector of my brain: What if the ghost of whoever the tree memorializes eternally haunts that particular stretch of road?
Oooh, I thought. Creepy.
But wait–what if the spirit of whoever died back there was trapped inside the tree? Trees have deep roots–usually as deep as the tree is tall. A tree like that could really anchor a soul to the earth.
And what if the person who died in the car wreck didn’t really want to leave right away? After all, it wasn’t as if they had been bedridden and sick for a long time. They died in an accident. That usually means you die before your time, before you’re ready to “shuffle off this mortal coil,” as Shakespeare said.
Okay. I had a pretty big What If? Time to add in a couple And Thens.
And then a boy with a very vivid imagination, the kind of boy who might see faces and demons where other people see gnarly knotholes, moves into a house where the backyard includes a certain tree.
And then the ghost in the tree isn’t the only one haunting this particular stretch of the highway.
And then the boy starts meeting these ghosts.
Real ghosts, not just the imaginary kind he’s used to seeing.
And then–they all want him to do something scary and dangerous!
Well, I think you get the point.
That’s how my first Middle Grades book The Crossroads got its start–during an early morning run along the shoulder of a country road in western Massachusetts. While I was thinking about nothing in particular, a big What If? jumped up out of the weeds and demanded that I tell its story.
It’s the same way my award-winning adult mysteries and thrillers got their starts. What If? And Then. It’s the same way you can think the next time you have a writing assignment of any kind.
I think we all develop our storytelling talent when we’re two or three years old and enthusiastically relate a tale to our parents: “And then, you know what? And then . . . and then . . .”
So, the next time you need to write a story, find yourself a fascinatingly mesmerizing What If? Follow it up with some twisting, turning And Thens. You’ll find that stories will effortlessly pour out of you like the swirling crowd of phantoms haunting the crossroads near this one very creepy tree you can read about in my new book!