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Written by Marthe JocelynAuthor Alerts:  Random House will alert you to new works by Marthe Jocelyn


List Price: $8.99


On Sale: May 11, 2010
Pages: 256 | ISBN: 978-0-375-89451-0
Published by : Wendy Lamb Books RH Childrens Books
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Three fates intertwine in this moving and passionate love story set in Victorian London. 

Mary Finn: country girl, maid to a lord in London

Caden Tucker: liar, scoundrel, and heart's delight

James Nelligan: age six, tossed into a herd of boys

When Mary Finn falls into the arms of handsome Caden Tucker, their frolic changes the course of her life. What possesses her? She's been a girl of common sense until now. Mary's tale alternates with that of young James Nelligan, a new boy in an enormous foundling home.

In Folly, Marthe Jocelyn's breathtaking command of language, detail, and character brings Victorian London to life on every page, while the deep emotions that illuminate this fascinating novel about life-changing moments are as current as today's news.

From the Hardcover edition.


MARY 1893  


I began exceeding ignorant, apart from what a girl can learn through family mayhem, a dead mother, a grim stepmother, and a sorrowful parting from home. But none of that is useful when it comes to being a servant, is it? And nothing to ready me either, for the other surprises a girl might stumble over. Let no one doubt that I've learned my lesson and plenty more besides.  

Imagine me back then, not knowing how silverware is to be laid out on a table, nor how to swill a stone floor or slice up the oddness of a pineapple; I did not know that tossing old tea leaves on the carpet works wonders toward collecting up the dust, nor how bluing keeps your white things white; I did not know how to write a letter and I had never had one come for me; I did not know what a man and a girl might do on a gravestone when they are crazy for each other; I did not know the heart were like a china teacup hanging in the cupboard from a single hook, that it could chip and crack and finally smash to the ground under a boot heel. And I did not know that even smithereens could reassemble into a heart. I did not know any of this.  

This leads to that, Mam used to say. The trick is knowing where this begins and which that it might be leading to.   The kiss may not have been the start of things, but it led straight on to the rest of it, me without the slightest idea--well, maybe the slightest--of where it could end up. But one thing is certain; I were as ready for that first kiss as a girl can be. My hair were clean, my neck were washed, and my heart were banging away like a baby's fist on a pile of dirt.    

That's jumping ahead of things, so I'll go back and tell what I do know--before and after the kiss, since we won't be hearing anything from Mr. Caden Tucker, will we?  

Caden Tucker--scoundrel, braggart, and heart's delight. He'll never be seen again, not ever, so don't you waste your time. The officers claimed they couldn't find him and neither could I, for all I looked till my bosom would split with holding the ache. He'd have nothing to tell you that I can't, that I promise. He were cocky, but he weren't one to rely on for a true story, as it turned out.  

I'll confess there were a part of me that shone bright in the sunshine cast by Caden Tucker as it never did elsewhere. A part of me that were me, the true Mary Finn, when I were walking out with him.        

MARY 1876  

Telling About Home in Pinchbeck, Lincolnshire    

Our dad had his vegetables, grown for market or trade, or else he planted others' gardens. Winter times, when the ground were sleeping, he'd cut firewood or dig privies or whatever were asked for. Mam were kept busy with us, and the house, but we all helped,as a family does, you know. Though I suppose you're not familiar with the workings of a family.  

We went each week to St. Bartholomew's, me taking the boys out to the graveyard when the sermon got them twitching.  

"How many now?" I'd ask, and they'd tear up and down the rows, tapping the tops of each stone, shouting out the numbers, not thinking about Sunday or stomping on bones under the grass. But then it were Mam who changed the count and the game weren't so merry anymore.  

Mam had four of us before birthing Nan, fifth and last. Mam died a week later, leaving me, just turned thirteen, to be mother as best I could. Until our dad went and found that Margaret Huckle a year after and put her in Mam's bed, thinking he were giving us a present somehow. Really it were like drowning nettles in the bottom of our tea mugs so every time we swallowed there were a sore patch, a blister, hurting deep inside in a way that couldn't be soothed.   That were the kind of talk that would have got me thrashed if anyone heard it, so it stayed quiet, right?  

It were me, then Thomas, Davy, Small John, and the baby. Tall John Finn being our dad, meaning the one named for him could only be small.  

Now, come Sundays, Dad said Thomas and Davy were big enough to stay plunked in the pew with him, so it'd be Small John and Nan in the churchyard with me. John were always coughing, not eager to run around. I devised other games for him. We picked out the letters on the stones, me knowing how to show him that much.  

"Here's an A," he'd shout. "I found a B!" And after a while he made sense of the words.  

"Crick!" he'd cry, or "M for Mason!" and I'd know he were right because Walter Crick were dead from pneumonia and Pauline Mason were the butcher's wife who died from a lump in her neck that stopped her swallowing.  

Mam's stone were small next to some of the others, about the size of the church Bible, dawn-gray granite with pink flecks, traded for a year of potatoes.    

Mary Ann Boothby Finn, it said. Wife of John A Mother on Earth An Angel in Heaven b. 1843 d. 1876    

Our dad, knowing Mam's favorites, planted bluebells and lily-of-the-valley. Come springtime they flourished so lush and pretty, even after that Margaret Huckle were thistling about at home, that I know he kept tending Mam's stone, though he never said.  

I didn't go there often, not wanting to look sappy, talking to ghosts. I were leery too, of telling Mam only our miseries, so I'd wait till I had other news.  

"Thomas lost another tooth," I'd say. "He looks a right fiend, pushing his tongue through the front, with his eyeballs crossed over. And Davy, he might be one of those Chinese monkeys that came with the fair, the way he jumps on chairs and swings abouton gates. . . ."  

Then I'd come to Small John and the worries would start. "He coughs, Mam, all night sometimes, though I make a warm garlic plaster like you showed me. I don't know if . . . well, I just don't."  

My hands would go numb with me praying so hard she'd answer. I'd take a two-minute scolding if it meant she'd be there for two minutes. But the swallows would swoop, and the sun would sink, and the evening would sound hollow as an old bucket. The weight of things were on me alone. Along with our dad, of course.

From the Hardcover edition.
Marthe Jocelyn

About Marthe Jocelyn

Marthe Jocelyn - Folly

Photo © Tom Slaughter

When I was a child, I liked to read books about ordinary children who stumbled across enchantment. I really thought that if I looked hard enough, I might find a magic nickel or a secret room behind the bookcase or a gnarled gnome whom only I could see. As I grew older, I felt the same thrill of seeing mysteries unveiled when I went to the theatre or read a book. In my childhood activities, I played with dolls way past the normal age, made dioramas out of junk scraps, directed backyard plays with casts of neighborhood kids, and was always, always reading–only as an adult can I clearly see my pursuit of illusion.
When I was 14, I spent a year in a Quaker boarding school in England, encountering a world utterly different from my own, no magic necessary. I learned the advantage of being a stranger; I created a new character for myself, far from my family and not dependent on anyone’s preconceptions. This later fed my approach to fiction: My heroines are small part “me” and large part invention of who I’d like to be, or to have been.
My earliest chapter books (the Invisible trilogy) were about an ordinary child who stumbles across enchantment. My next several books were historical novels (Earthly Astonishments, Mable Riley, and How It Happened in Peach Hill), set in worlds utterly different from my own. It’s easy to see in retrospect that exploring alternate realities began as a game in childhood and eventually became a consuming pastime, otherwise known as research. I love doing research. I depend on what I learn not only for flavor and accuracy of details, but also for the occasional serendipitous discovery that alters the plot of a story.
But then we come to my most recent novel, Would You. It is a complete departure from any of my other stories, because its inception was in the accident that gravely injured my sister when I was 20 years old and she was 27. Paula was hit by a car and remained comatose for several weeks. When she emerged, she was severely brain-damaged and a paraplegic. Ten years later, she was again hit by a car–in her wheelchair–and killed.
Friends were concerned that Would You would be too difficult to write. In fact, it was the easiest book I’ve tackled yet. I didn’t have to worry about plot! The characters are teenagers and the main challenge was to capture their irreverence and humor alongside the tragedy.
The friendship between the sisters, Natalie and Claire, is inspired by that of my own two daughters. As a mother, I delight in the love they have for each other. It is impossible not to think about my own sister and what I have lost. But here I am, 30 years later, having a fine life, and surrounded with the alternate reality that only teenagers can provide. I hope that I have written an elegy for my sister and an homage to my children.


FINALIST Bank Street Child Study Children's Book Award
NOMINEE New York State Charlotte Master List

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