Wild

About Cheryl Strayed

Cheryl Strayed is the author of the critically acclaimed novel Torch. Her stories and essays have been published in The New York Times Magazine, The Washington Post Magazine, Allure, The Rumpus, The Missouri Review, The Sun, The Best American Essays, and elsewhere. She lives in Portland, Oregon.
 
www.cherylstrayed.com

Praise

“Unsentimental memoir of the author’s solo hike from California to Washington along the Pacific Crest Trail. Following the death of her mother, Strayed’s life quickly disintegrated. . . . While waiting in line at an outdoors store, [she] read the back cover of a book about the Pacific Crest Trail. Initially, the idea of hiking the trail became a vague apparition, then a goal. Woefully underprepared for the wilderness, out of shape and carrying a ridiculously overweight pack, the author set out from the small California town of Mojave, toward a bridge (‘the Bridge of the Gods’) crossing the Columbia River at the Oregon-Washington border. Strayed’s writing admirably conveys the rigors and rewards of long-distance hiking. Along the way she suffered aches, pains, loneliness, blistered, bloody feet and persistent hunger. Yet the author also discovered a newfound sense of awe . . . stunned by how the trail both shattered and sheltered her. Most of the hikers she met along the way were helpful, and she also encountered instances of trail magic . . . A candid, inspiring narrative of the author’s brutal physical and psychological journey through a wilderness of despair to a renewed sense of self.” —Kirkus Reviews (starred)

“No one can write like Cheryl Strayed. Wild is one of the most unflinching and emotionally honest books I've read in a long time. It is about forgiveness and grief, bravery and hope. It is unforgettable.” —Ann Hood, author of The Knitting Circle

“While reading Cheryl Strayed’s stunning book about her arduous solo journey along the Pacific Crest Trail, I kept asking myself—what would I do if I were stripped bare of everything—money, job, community, even family and love? Thoreau once said, ‘In wildness is the preservation of the world.’ For Strayed, it is clear that in wildness was the preservation of her soul. She reminds us, in her lyrical and courageous memoir Wild, of what it means to be fully alive, even in the face of catastrophe, physical and psychic hardship, and loss." —Mira Bartók, author of The Memory Palace

“Cheryl Strayed can sure tell a story. In Wild, she describes her journey from despair to transcendence with honesty, humor, and heart-cracking poignancy. This is a great book.” —Mary Pipher, author of Reviving Ophelia and Seeking Peace

“A courageous and transforming journey—spirit and body.” —Ursula Hegi, author of Stones from the River
 
“Arresting . . . So many heal-myself memoirs are available that initially I hesitated about [Wild]. Then I considered the source: Cheryl Strayed, the author of a lyric yet tough-minded first novel [called] Torch—a Great Lakes Book Award finalist . . . Wild [is] Strayed's account of her 1,100-mile solo hike along the Pacific Crest Trail, from the Mojave Desert to Washington State. Shattered at 26 by her mother’s death, her family’s fragmenting, and the end of her marriage, Strayed upped and decided to do something way out of the realm of her experience; here she confronts snowstorms and rattlesnakes even as she confronts her personal pain. Wish I had her guts!” —Barbara Hoffert, LibraryJournal.com

“This is a big, brave, break-your-heart-and-put-it-back-together-again kind of book. Cheryl Strayed is a courageous, gritty, and deceptively elegant writer. She walked the PCT to find forgiveness, came back with generosity—and now she shares her reward with us. I snorted with laughter, I wept uncontrollably; I don’t even want to know the person who isn’t going to love Wild. This is a beautifully made, utterly realized book.” —Pam Houston, author of Contents May Have Shifted and Cowboys Are My Weakness
 
 “Spectacular!” —Elizabeth McCracken, author of The Giant’s House
 
“Cheryl Strayed is one of the most exciting writers I’ve come across in a long time.” —Hope Edelman, author of Motherless Daughters
 
“Smart, funny, and often sublime, Wild has something for everyone—a fight for survival in the wilderness, a bad girl’s quest for redemption—all in the hands of a brilliant and evocative writer.” —Chelsea Cain, author of Heartsick
 
“Stunning . . . An incredible journey, both inward and outward.” —Garth Stein, author of The Art of Racing in the Rain
 

About the Book

The questions, discussion topics, and reading list that follow are intended to enhance your reading group’s discussion of Wild, Cheryl Strayed’s powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again.

About the Guide

“Cheryl Strayed reminds us, in her lyrical and courageous memoir Wild, of what it means to be fully alive, even in the face of catastrophe, physical and psychic hardship, and loss.” —Mira Bartók, author of The Memory Palace
 
“Stunning . . . An incredible journey, both inward and outward.” —Garth Stein, author of The Art of Racing in the Rain
 
At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life: to hike the Pacific Crest Trail from the Mojave Desert through California and Oregon to Washington State—and to do it alone. She had no experience as a long-distance hiker, and the trail was little more than “an idea, vague and outlandish and full of promise.” But it was a promise of piecing back together a life that had come undone.
 
Strayed faces down rattlesnakes and black bears, intense heat and record snowfalls, and both the beauty and loneliness of the trail. Told with great suspense and style, sparkling with warmth and humor, Wild vividly captures the terrors and pleasures of one young woman forging ahead against all odds on a journey that maddened, strengthened, and ultimately healed her.

About the Author

Cheryl Strayed is the author of the critically acclaimed novel Torch. Her stories and essays have been published in The New York Times Magazine, The Washington Post Magazine, Allure, The Rumpus, The Missouri Review, The Sun, The Best American Essays, and elsewhere. She lives in Portland, Oregon.

Discussion Guides

1. “The Pacific Crest Trail wasn’t a world to me then. It was an idea, vague and outlandish, full of promise and mystery. Something bloomed inside me as I traced its jagged line with my finger on a map” (p. 4). Why did the PCT capture Strayed’s imagination at that point in her life?

2. Each section of the book opens with a literary quote or two. What do they tell you about what’s to come in the pages that follow? How does Strayed’s pairing of, say, Adrienne Rich and Joni Mitchell (p. 45) provide insight into her way of thinking?

3. Strayed is quite forthright in her description of her own transgressions, and while she’s remorseful, she never seems ashamed. Is this a sign of strength or a character flaw?

4. “I knew that if I allowed fear to overtake me, my journey was doomed. Fear, to a great extent, is born of a story we tell ourselves, and so I chose to tell myself a different story from the one women are told” (p. 51). Fear is a major theme in the book. Do you think Strayed was too afraid, or not afraid enough? When were you most afraid for her?

5. Strayed chose her own last name: “Nothing fit until one day when the word strayed came into my mind. Immediately, I looked it up in the dictionary and knew it was mine . . . : to wander from the proper path, to deviate from the direct course, to be lost, to become wild, to be without a mother or father, to be without a home, to move about aimlessly in search of something, to diverge or digress” (p. 96). Did she choose well? What did you think when you learned she had assigned this word to herself—that it was no coincidence?

6. On the trail, Strayed encounters mostly men. How does this work in her favor? What role does gender play when removed from the usual structure of society?

7. What does the reader learn from the horrific episode in which Strayed and her brother put down their mother’s horse?

8. Strayed writes that the point of the PCT “had only to do with how it felt to be in the wild. With what it was like to walk for miles for no reason other than to witness the accumulation of trees and meadows, mountains and deserts, streams and rocks, rivers and grasses, sunrises and sunsets” (p. 207). How does this sensation help Strayed to find her way back into the world beyond the wilderness?

9. On her journey, Strayed carries several totems. What does the black feather mean to her? And the POW bracelet? Why does she find its loss (p. 238) symbolic?

10. Does the hike help Strayed to get over Paul? If so, how? And if not, why?

11. Strayed says her mother’s death “had obliterated me. . . . I was trapped by her but utterly alone. She would always be the empty bowl that no one could fill” (p 267). How did being on the PCT on her mother’s fiftieth birthday help Strayed to heal this wound?

12. What was it about Strayed that inspired the generosity of so many strangers on the PCT?

13. “There’s no way to know what makes one thing happen and not another. . . . But I was pretty certain as I sat there that night that if it hadn’t been for Eddie, I wouldn’t have found myself on the PCT” (p. 304). How does this realization change Strayed’s attitude towards her stepfather?

14. To lighten her load, Strayed burns each book as she reads it. Why doesn’t she burn the Adrienne Rich collection?

15. What role do books and reading play in this often solitary journey?

Suggested Readings

The Dream of a Common Language by Adrienne Rich; Motherless Daughters by Hope Edelman; As I Lay Dying by William Faulkner; The Ten Thousand Things by Maria Dermout; My First Summer in the Sierra by John Muir; The Land of Little Rain by Mary Austin; The Pacific Crest Trailside Reader by Rees Hughes and Corey Lewis; Into the Wild by Jon Krakauer; Half Broke Horses by Jeannette Walls; A Walk in the Woods by Bill Bryson; Eat, Pray, Love by Elizabeth Gilbert.

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