A story of reliance and resilience.Did you call out to us, Johnny, before your small body was dragged down under the water? Why didn't we hear you? I am sorry! I'll never forget.
Louisa Gardener is the fourteen-year-old nursemaid to the young daughters of a wealthy, titled family living in London, England, in 1912.
Despite the bullying Nanny Mackintosh, for whom she is an extra pair of hands, she loves her work and her young charges. Then everything changes. The family decides to sail to New York aboard the Titanic. An accident to the children's nanny, only days prior to the sailing, means that Louisa must go in her stead. She cannot refuse, although she dreads even the mention of the ocean. Memories she has suppressed, except in nightmares, come crowding back.
When Louisa was five and her sister seven years old, their two-year-old brother died on an outing to the seaside. Since that time, Louisa has had a fear of the ocean. She blames herself for the accident, though she has been told it wasn't her fault.
If Louisa refuses to go on the voyage, she will be dismissed, and she will never get beyond the working-class life she has escaped from.
How Louisa learns self-reliance, overcomes her fears, and goes beyond what is expected of a girl makes No Moon an unforgettable story.
About Irene N.Watts
Born in Berlin, Germany, Tundra author IRENE N.WATTS is a writer and playwright who has worked throughout Canada and Europe. She is a life member of the Playwrights Guild of Canada, and her play “Lillie” based on her novel,
Flower, was awarded first prize in UNESCO’s Biennial Playwriting Award. Watts’s three award-winning novels, Good-bye Marianne, Finding Sophie, and Remember Me, have all been published in the United Kingdom and translated into Italian. Irene N. Watts lives by the ocean in Vancouver, BC. She is currently working with Kathryn E. Shoemaker on turning Remember Me — the next book documenting the events of the Kindertransporte — into graphic novel form.
PRAISE FOR GOOD-BYE MARIANNE, THE GRAPHIC NOVEL:
"... Based on true events, this fictional account of hatred and racism speaks volumes about both history and human nature. "
— MultiCultural Review