Random House: Bringing You the Best in Fiction, Nonfiction, and Children's Books
Authors
Books
Features
Newletters and Alerts

Buy now from Random House

  • The Custom of the Country
  • Written by Edith Wharton
  • Format: Trade Paperback | ISBN: 9780307949547
  • Our Price: $10.95
  • Quantity:
See more online stores - The Custom of the Country

Buy now from Random House

  • The Custom of the Country
  • Written by Edith Wharton
    Introduction by Diane Johnson
  • Format: Trade Paperback | ISBN: 9780375758072
  • Our Price: $13.00
  • Quantity:
See more online stores - The Custom of the Country

Buy now from Random House

  • The Custom of the Country
  • Written by Edith Wharton
  • Format: Paperback | ISBN: 9780553213935
  • Our Price: $5.95
  • Quantity:
See more online stores - The Custom of the Country

Buy now from Random House

  • The Custom of the Country
  • Written by Edith Wharton
  • Format: Hardcover | ISBN: 9780679423010
  • Our Price: $20.00
  • Quantity:
See more online stores - The Custom of the Country

Buy now from Random House

  • The Custom of the Country
  • Written by Edith Wharton
  • Format: eBook | ISBN: 9780307950581
  • Our Price: $5.99
  • Quantity:
See more online stores - The Custom of the Country

Buy now from Random House

  • The Custom of the Country
  • Written by Edith Wharton
  • Format: eBook | ISBN: 9780553904444
  • Our Price: $1.99
  • Quantity:
See more online stores - The Custom of the Country

The Custom of the Country

    Select a Format:
  • Book
  • eBook

Written by Edith WhartonAuthor Alerts:  Random House will alert you to new works by Edith Wharton

eBook

List Price $5.99

On Sale: June 05, 2012
Pages: 432 | ISBN: 978-0-307-95058-1
List Price $1.99

On Sale: December 26, 2007
ISBN: 978-0-553-90444-4
The Custom of the Country Cover

Bookmark,
Share & Shelve:

  • Add This - The Custom of the Country
  • Email this page - The Custom of the Country
  • Print this page - The Custom of the Country
ABOUT THE BOOK ABOUT THE BOOK
ABOUT THE AUTHOR ABOUT THE AUTHOR
PRAISE PRAISE
READER'S GUIDE READER'S GUIDE
Synopsis|Excerpt

Synopsis

Edith Wharton’s lacerating satire on marriage and materialism in turn-of-the-century New York features her most selfish, ruthless, and irresistibly outrageous female character.
 
Undine Spragg is an exquisitely beautiful but ferociously acquisitive young woman from the Midwest who comes to New York to seek her fortune. She achieves her social ambitions—but only at the highest cost to her family, her admirers, and her several husbands. Wharton lavished on Undine an imaginative energy that suggests she was as fascinated as she was appalled by the alluring monster she had created. It is the complexity of her attitude that makes The Custom of the Country—with its rich social and emotional detail and its headlong narrative power—one of the most fully realized and resonant of her works.

Excerpt

Book One

1

"Undine Spragg!-how can you?" her mother wailed, raising a prematurely wrinkled hand heavy with rings to defend the note which a languid "bell-boy" had just brought in.

But her defense was as feeble as her protest, and she continued to smile on her visitor while Miss Spragg, with a turn of her quick young fingers, possessed herself of the missive and withdrew to the window to read it.

"I guess it's meant for me," she merely threw over her shoulder at her mother.

"Did you ever, Mrs. Heeny?" Mrs. Spragg murmured with deprecating pride.

Mrs. Heeny, a stout professional-looking person in a waterproof, her rusty veil thrown back, and a shabby alligator bag at her feet, followed the mother's glance with good-humored approval.

"I never met with a lovelier form," she agreed, answering the spirit rather than the letter of her hostess's inquiry.

Mrs. Spragg and her visitor were enthroned in two heavy gilt armchairs in one of the private drawing rooms of the Hotel Stentorian. The Spragg rooms were known as one of the Looey suites,and the drawing room walls, above their wainscoting of highly varnished mahogany, were hung with salmon-pink damask and adorned with oval portraits of Marie Antoinette and the Princess de Lamballe. In the center of the florid carpet a gilt table with a top of Mexican onyx sustained a palm in a gilt basket tied with a pink bow. But for this ornament, and a copy of The Hound of the Baskervilles which lay beside it, the room showed no traces of human use, and Mrs. Spragg herself wore as complete an air of detachment as if she had been a wax figure in a show-window. Her attire was fashionable enough to justify such a post, and her pale soft-cheeked face, with puffy eye-lids and drooping mouth, suggested a partially melted wax figure which had run to double-chin.

Mrs. Heeny, in comparison, had a reassuring look of solidity and reality. The planting of her firm black bulk in its chair, and the grasp of her broad red hands on the gilt arms, bespoke an organized and self-reliant activity, accounted for by the fact that Mrs. Heeny was a "society" manicure and masseuse. Toward Mrs. Spragg and her daughter she filled the double role of manipulator and friend; and it was in the latter capacity that, her day's task ended, she had dropped in for a moment to "cheer up" the lonely ladies of the Stentorian.

The young girl whose "form" had won Mrs. Heeny's professional commendation suddenly shifted its lovely lines as she turned back from the window.

"Here-you can have it after all," she said, crumpling the note and tossing it with a contemptuous gesture into her mother's lap.

"Why-isn't it from Mr. Popple?" Mrs. Spragg exclaimed unguardedly.

"No-it isn't. What made you think I thought it was?" snapped her daughter; but the next instant she added, with an outbreak of childish disappointment: "It's only from Mr. Marvell's sister-at least she says she's his sister."

Mrs. Spragg, with a puzzled frown, groped for her eye-glass among the jet fringes of her tightly girded front.

Mrs. Heeny's small blue eyes shot out sparks of curiosity. "Marvell-what Marvell is that?"
Edith Wharton

About Edith Wharton

Edith Wharton - The Custom of the Country

The upper stratum of New York society into which Edith Wharton was born in 1862 provided her with an abundance of material as a novelist but did not encourage her growth as an artist. Educated by tutors and governesses, she was raised for only one career: marriage. But her marriage, in 1885, to Edward Wharton was an emotional disappointment, if not a disaster. She suffered the first of a series of nervous breakdowns in 1894. In spite of the strain of her marriage, or perhaps because of it, she began to write fiction and published her first story in 1889.

 Her first published book was a guide to interior decorating, but this was followed by several novels and story collections. They were written while the Whartons lived in Newport and New York, traveled in Europe, and built their grand home, The Mount, in Lenox, Massachusetts. In Europe, she met Henry James, who became her good friend, traveling companion, and the sternest but most careful critic of her fiction. The House of Mirth (1905) was both a resounding critical success and a bestseller, as was Ethan Frome (1911). In 1913 the Whartons were divorced, and Edith took up permanent residence in France. Her subject, however, remained America, especially the moneyed New York of her youth. Her great satiric novel, The Custom of the Country was published in 1913 and The Age of Innocence won her the Pulitzer Prize in 1921.

 In her later years, she enjoyed the admiration of a new generation of writers, including Sinclair Lewis and F. Scott Fitzgerald. In all, she wrote some thirty books, including an autobiography. A Backwards Glance (1934). She died at her villa near Paris in 1937.

Praise

Praise

"Edith Wharton's finest achievement."
--Elizabeth Hardwick
Discussion Questions

Discussion Guides

1. Some critics consider The Custom of the Country an epic tale, complete with a hero (in this case, a heroine) and various battles (that is, her marriages). Do you agree? What aspects make the novel epic? Which aspects refute this idea?

2. What do the novel’s descriptions of marriage and divorce tell us about Wharton’s views on the subject?

3. Are we to look at Undine as a sympathetic character? Consider women’s roles at the time of the novel. Was Undine forced to be the person she was?

4. In contrast to Wharton’s other New York—set novels, there is no dominant moral character in The Custom of the Country to oppose the selfish Undine. Why did Wharton let Undine go unchallenged? What is she saying about New York–and, by extension, American–society?

5. Wharton consistently presents Undine as monstrously acquisitive, yet Undine seems to get these characteristics from her father, who uses them in business. Does Wharton approve of these behaviors at all? What is she saying about the gender differences of the time? If Undine had been allowed to use these characteristics in business, would she be a different person in her personal life?

6. Do you think Wharton hates Undine? If she does, how does this affect the narrative?


Your E-Mail Address
send me a copy

Recipient's E-Mail Address
(multiple addresses may be separated by commas)

A personal message: