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The Lord Chandos Letter

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And Other Writings

Written by Hugo Von HofmannsthalAuthor Alerts:  Random House will alert you to new works by Hugo Von Hofmannsthal
Translated by Joel RotenbergAuthor Alerts:  Random House will alert you to new works by Joel Rotenberg
Introduction by John BanvilleAuthor Alerts:  Random House will alert you to new works by John Banville

eBook

List Price: $14.95

eBook

On Sale: May 16, 2012
Pages: | ISBN: 978-1-59017-543-9
Published by : NYRB Classics New York Review Books
The Lord Chandos Letter Cover

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ABOUT THE BOOK ABOUT THE BOOK
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Synopsis

Synopsis

Hugo von Hoffmannsthal made his mark as a poet, as a playwright, and as the librettist for Richard Strauss’s greatest operas, but he was no less accomplished as a writer of short, strangely evocative prose works. The atmospheric stories and sketches collected here—fin-de-siècle fairy tales from the Vienna of Klimt and Freud, a number of them never before translated into English—propel the reader into a shadowy world of uncanny fates and secret desires. An aristocrat from Paris in the plague years shares a single night of passion with an unknown woman; a cavalry sergeant meets his double on the battlefield; an orphaned man withdraws from the world with his four servants, each of whom has a mysterious power over his destiny.

The most influential of all of Hofmannsthal's writings is the title story, a fictional letter to the English philosopher Francis Bacon in which Lord Chandos explains why he is no longer able to write. The "Letter" not only symbolized Hofmannsthal's own turn away from poetry, it captured the psychological crisis of faith and language which was to define the twentieth century.
Praise

Praise

The dread of the coming dehumanization, the dread of the coming silence of humanity, the dread of human suffering that proclaimed itself everywhere, this precompassion lay deep within Hofmannsthal and made him more poetic than Joyce.
— Hermann Broch

The Lord Chandos Letter states the problem of modern literature with a clarity and audacity which have surely never been surpassed.
— Stephen Spender, The New York Times

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