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A Novel

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On Sale: April 18, 2006
Pages: 384 | ISBN: 978-0-307-34182-2
Published by : Broadway Books Crown/Archetype

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ABOUT THE BOOK ABOUT THE BOOK
ABOUT THE AUTHOR ABOUT THE AUTHOR
PRAISE PRAISE
READER'S GUIDE READER'S GUIDE
Synopsis|Excerpt

Synopsis

Ridley Jones has been living a lie. A mysterious package showed up on her doorstep one morning and the beautiful lie she used to call her life was over. Suddenly, everyone in she knows feels like a stranger. She has no idea who's on her side and who has something to hide—even her new lover, Jake, might have disturbing secrets of his own.

Now she's determined to find out the truth, even if it means risking her life. Ridley embarks on a breathtaking pursuit where every choice she makes sets off a whirlwind of consequences that are as frightening as they are shocking.

Excerpt

Chapter One


It's dark in that awful way that allows you to make out objects but not the black spaces behind them. My breathing comes ragged from exertion and fear. The only person I trust in the world lies on the floor beside me. I lean into him and hear that he's still breathing but it's shallow and hard won. He's hurt, I know. But I can't see how badly. I whisper his name in his ear but he doesn't respond. I feel his body but there's no blood that I can tell. The sound of his body hitting the floor minutes before was the worst thing I've ever heard.

I feel the floor around him, looking for his gun. After a few seconds I feel the cool metal beneath my fingertips and I almost weep with relief. But there's no time for that now.

I can hear the rain falling outside the burned-out building, its loud, heavy drops smacking on canvas. It's falling inside, too, trickling in through gaping holes in the roof down through floors of rotted wood and broken staircases. He moves and issues a low groan. I hear him say my name and I lean in close to him again.

"It's okay. We're going to be okay," I tell him, even though I don't have any reason to believe this is true. Somewhere outside or up above us a man I thought I loved, along with other men whom I couldn't identify, are trying to kill us, to protect an awful truth that I've discovered. I am hurt myself, in so much pain that I might pass out if I didn't know it meant dying here in this condemned building on the Lower East Side of Manhattan. There's something embedded in my right thigh. It's possibly a bullet, or a large spike of wood, or maybe a nail. It's so dark I can just barely see the large hole in my jeans, and the denim is black with my blood. I'm dizzy, the world tilting, but I'm holding on.

I hear them up above us now, see the beams of their flashlights crossing in the dark through the holes in the floors. I try to control my breathing, which to my own ears sounds as loud as an oncoming train. I hear one of the men say to the others, "I think they fell through. They're on the bottom." There was no answer but I can hear them making their way down over creaking wood.

He stirs. "They're coming," he says, his voice little more than a rasp. "Get out of here, Ridley."

I don't answer him. We both know I'm not leaving. I pull at him and he tries to get up, but the pain registers on his face louder than the scream I know he suppressed to protect us for a few minutes more. If we're not walking out of here together, we're not walking out at all. I drag him, even though I know I shouldn't be moving him, over behind an old moldy couch that lies on its back by the wall. It's not far but I can see his face white and gritted in terrible pain. As I move him, he loses consciousness again and in an instant feels fifty pounds heavier. But I've seen all four of his limbs move and that's something. I realize that I'm praying as I pull him, my leg on fire, my strength waning. Please God, please God, please God, over and over again like a mantra.

The way the couch is lying, it forms a crawl space against the wall just big enough for the two of us. I pull him in there and lie on my belly beside him. I pull an old crate over toward the edge of the couch and look through the wooden slats. They're closer now and I'm sure they've heard us because they've stopped talking and turned their flashlights off. I hold the gun in both hands and wait. I've never fired a gun before and I don't know how many bullets are left in this one. I think we're going to die here.

"Ridley, please, don't do this." The voice echoes in the dark and comes from up above me. "We can work this out."

I don't answer. I know it's a trick. Nothing about this can be worked out now; we're all too far gone. There have been plenty of chances to close my eyes and go back to the sleep of my life as it was, but I haven't taken any of them. Do I wish now that I had? It's hard to answer that question, as the wraiths move closer.

"Six," he whispers.

"What?"

"You have six bullets left."


From the Hardcover edition.
Lisa Unger

About Lisa Unger

Lisa Unger - Beautiful Lies

Photo © Tanya Sharkey

Lisa Unger is an award-winning New York Times and international bestselling author. Her novels have sold over one million copies in the U.S. and have been translated into 26 different languages.
Praise

Praise

“A tightly written thriller…. The action is depicted with satisfying breathlessness.” —San Francisco Chronicle

“Suspenseful, sensitive, sexy, subtle.” —Lee Child

“A high-wire balance of tension and resolution.” —The Baltimore Sun

“This mystery's surprising twists will make your jaw drop.” —Cosmopolitan

“Perfect pitch, characters we can recognize as versions of ourselves. . . . Lip-smacking good.” —Chicago Tribune
Reader's Guide|About the Book|Author Biography|Discussion Questions|Suggestions

About the Book

“Suspenseful, sensitive, sexy, subtle. The best nail-biter I have read for ages.” —Lee Child

The introduction, discussion questions, and suggestions for further reading that follow are intended to enhance your group's discussion of Lisa Unger's debut novel, Beautiful Lies.

About the Guide

An expertly crafted literary thriller, Beautiful Lies introduces a compelling young heroine as she unravels how the choices she's made have turned her into the woman she's become.

Ridley Jones knows that the smallest coincidences can have more impact than the big decisions: She steps off the curb to save a child from being run over, and suddenly her face is plastered on every TV screen and newspaper in the country. When an unexpected note is left in her mailbox and a mysterious stranger appears, eager to help her solve the puzzle, her beautiful life is soon shattered.

About the Author

Lisa Unger was born in Hartford, Connecticut, but grew up in Holland and England. A graduate of The New School for Social Research, Unger spent many years living and working in New York City. In 2000, she left a career in publicity to pursue her dream of becoming a full-time writer. She lives with her husband and daughter in Florida.

Discussion Guides

1. One of the novel's main themes is choice, and how both big choices and little ones can have a profound impact on a person's life. Did Ridley have a choice in finding out the truth about her past? If she'd chosen to ignore the first picture and note, could she have avoided all the questions and secrets that arose?

2. Would it have been possible for Ridley to ignore the events of the past and still have developed a true sense of self? Would you be able to?

3. On page 17, Ridley says, “Freedom, I'd have to say, is probably the most important thing to me, more important than youth, beauty, fame, money.” Does this freedom Ridley craves influence the lies she's been told to her entire life? Or is this freedom what could have protected her from asking questions about her past?

4. Throughout the story, the author compares Jake to Zack. Are there any similarities between the two men? In the beginning, what does Ridley admire about each of them?

5. Why did Jake keep the truth from Ridley for so long? Would it have been easier to tell her who he was from the start? Would she have believed him? Would you?

6. The author brings up the idea of parental (and adult) control over children, even after these children have grown up. Is there a control parents will always have over their child? Or at some point is control relinquished to the child to live his/her own life? How could Ridley's parents have handled the situation differently? Would it have worked?

7. On page 58, Ridley says, “When you love someone, it doesn't really matter if they love you back or not. Having love in your heart for someone is its own reward. Or punishment, depending on the circumstances.” By the end of the novel, has Ridley's view of her family and Jake altered this idea of love? How has it altered? If her family and Jake followed the same definition of love, would their views have been changed by the events of the story?

8. What do you think of the nature of Project Rescue before Teresa Stone's murder? Was there another or better way to protect children from abuse or neglect? What do you think of the systems in place to protect children today in your own society?

9. Do you believe Ridley's father and Max should both be penalized or blamed for what happened? What about Ridley's mother and Ace? Did any of these people have a responsibility to tell Ridley what happened to her? Why or why not?

10. If you were Jake or Ridley, would you have looked into all the cases of missing children, as they did, or would you have focused solely on finding the truth of your own past? What was to gain by looking at all the cases? Could they have found the truth about their own life without looking at the others?

11. Do you think Ace's drug addiction and problems with his parents were related to Ridley's history, which he overheard their father and Max discussing one day? How do you think Ridley would have handled the truth had she been told by her parents instead of finding out the way she did?

12. On page 298, Ridley says, “I was operating under a faith that the universe conspires to reveal the truth, that lies are unstable elements that tend toward breaking down.” Do you think the truth would have revealed itself to Ridley without Jake's involvement? Would it have been easier or more difficult to take without Jake?

13. On page 436, Ridley asks, “Isn't that so often true with family, that we see them through the filters of our own fears, expectations, and desire to control?” How does this apply to each of her family members? How is it affected by the truth that's come out, and how will it affect their relationships moving forward? Can Ridley, or anyone, project fear, expectation, or desire to control onto how she views anyone else now?

14. By the end of the story, what do you think of Zack's and Esme's role in Project Rescue? Was it right for Esme to help Max as she did because of her love for him?

15. On page 437, Ridley says, “We don't have control, we have choices.” And on page 439, she says, “In life, there are only good and bad choices. And sometimes even choices can only be judged by their consequences. And sometimes not even then.” Is it really as simple as a matter of choice? How would any of the characters agree or disagree with these ideas?

16. When Ridley confronts Jake on the Brooklyn Bridge, she wants to know how he found her to begin with. He tells her that he saw her picture in the Post, just like Christian Luna. Can this be the truth? Or is Jake hiding more than Ridley ever realizes even as the book ends?

Suggested Readings

Gillian Flynn, Sharp Objects; Laura Lippman, What the Dead Know; Donna Tartt, The Secret History; Kevin Guilfoile, Cast of Shadows; Jennifer Egan, The Keep; Harlan Coben, The Woods; Kate Atkinson, Case Histories; Lee Child, Bad Luck and Trouble; Lee Vance, Restitution; Ruth Rendell, The Water's Lovely.

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