Random House: Bringing You the Best in Fiction, Nonfiction, and Children's Books
Authors
Books
Features
Newletters and Alerts

Buy now from Random House

  • The Prince and the Pauper
  • Written by Mark Twain
    Adapted by Corey Finkle
    Illustrated by Manish Singh
  • Format: Trade Paperback | ISBN: 9789380028453
  • Our Price: $9.99
  • Quantity:
See more online stores - The Prince and the Pauper

Buy now from Random House

See more online stores - The Prince and the Pauper

Buy now from Random House

  • The Prince and the Pauper
  • Written by Mark Twain
  • Format: Paperback | ISBN: 9780553212563
  • Our Price: $3.95
  • Quantity:
See more online stores - The Prince and the Pauper

Buy now from Random House

  • The Prince and the Pauper
  • Written by Mark Twain
  • Format: eBook | ISBN: 9780553903560
  • Our Price: $2.99
  • Quantity:
See more online stores - The Prince and the Pauper

The Prince and the Pauper

    Select a Format:
  • Book
  • eBook

Written by Mark TwainAuthor Alerts:  Random House will alert you to new works by Mark Twain
Introduction by Christopher Paul CurtisAuthor Alerts:  Random House will alert you to new works by Christopher Paul Curtis

eBook

List Price: $2.99

eBook

On Sale: March 27, 2007
Pages: | ISBN: 978-0-553-90356-0
Published by : Bantam Classics Bantam Dell
The Prince and the Pauper Cover

Bookmark,
Share & Shelve:

  • Add This - The Prince and the Pauper
  • Email this page - The Prince and the Pauper
  • Print this page - The Prince and the Pauper
ABOUT THE BOOK ABOUT THE BOOK
ABOUT THE AUTHOR ABOUT THE AUTHOR
PRAISE PRAISE
READER'S GUIDE READER'S GUIDE
» see more tags
Synopsis|Excerpt

Synopsis

Set in sixteenth-century England, Mark Twain’s classic “tale for young people of all ages” features two identical-looking boys—a prince and a pauper—who trade clothes and step into each other’s lives. While the urchin, Tom Canty, discovers luxury and power, Prince Edward, dressed in rags, roams his kingdom and experiences the cruelties inflicted on the poor by the Tudor monarchy. As Christopher Paul Curtis observes in his Introduction, The Prince and the Pauper is “funny, adventurous, and exciting, yet also chock-full of . . . exquisitely reasoned harangues against society’s ills.”

This Modern Library Paperback Classic is set from the Mark Twain Project edition, which is the approved text of the Center for Scholarly Editions of the Modern Language Association.

Excerpt

Chapter I

The Birth of the Prince and the Pauper


In the ancient city of London, on a certain autumn day in the second quarter of the sixteenth century, a boy was born to a poor family of the name of Canty, who did not want him. On the same day another English child was born to a rich family of the name of Tudor, who did want him. All England wanted him, too. England had so longed for him, and hoped for him, and prayed God for him, that now that he was really come, the people went nearly mad for joy. Mere acquaintances hugged and kissed each other and cried; everybody took a holiday, and high and low, rich and poor, feasted and danced, and sang, and got very mellow?and they kept this up for days and nights together. By day, London was a sight to see, with gay banners waving from every balcony and house-top, and splendid pageants marching along. By night it was again a sight to see, with its great bonfires at every corner and its troops of revelers making merry around them. There was no talk in all England but of the new baby, Edward Tudor, Prince of Wales, who lay lapped in silks and satins, unconscious of all this fuss, and not knowing that great lords and ladies were tending him and watching over him?and not caring, either. But there was no talk about the other baby, Tom Canty, lapped in his poor rags, except among the family of paupers whom he had just come to trouble with his presence.

Chapter II

Tom's Early Life


Let us skip a number of years.

London was fifteen hundred years old, and was a great town-for that day. It had a hundred thousand inhabitants-some think double as many. The streets were very narrow, and crooked, and dirty, especially in the part where Tom Canty lived, which was not far from London Bridge. The houses were of wood, with the second story projecting over the first, and the third sticking its elbows out beyond the second. The higher the houses grew, the broader they grew. They were skeletons of strong criss-cross beams, with solid material between, coated with plaster. The beams were painted red or blue or black, according to the owner's taste, and this gave the houses a very picturesque look. The windows were small, glazed with little diamond-shaped panes, and they opened outward, on hinges, like doors.

The house which Tom's father lived in was up a foul little pocket called Offal Court, out of Pudding Lane. It was small, decayed, and ricketty, but it was packed full of wretchedly poor families. Canty's tribe occupied a room on the third floor. The mother and father had a sort of bedstead in the corner, but Tom, his grandmother, and his two sisters, Bet and Nan, were not restricted-they had all the floor to themselves, and might sleep where they chose. There were the remains of a blanket or two and some bundles of ancient and dirty straw, but these could not rightly be called beds, for they were not organized; they were kicked into a general pile, mornings, and selections made from the mass at night, for service.

Bet and Nan were fifteen years old-twins. They were good-hearted girls, unclean, clothed in rags, and profoundly ignorant. Their mother was like them. But the father and the grandmother were a couple of fiends. They got drunk whenever they could; then they fought each other or anybody else who came in the way; they cursed and swore always, drunk or sober; John Canty was a thief, and his mother a beggar. They made beggars of the children, but failed to make thieves of them. Among, but not of, the dreadful rabble that inhabited the house, was a good old priest whom the king had turned out of house and home with a pension of a few farthings, and he used to get the children aside and teach them right ways secretly. Father Andrew also taught Tom a little Latin, and how to read and write; and would have done the same with the girls, but they were afraid of the jeers of their friends, who could not have endured such a queer accomplishment in them.

All Offal Court was just such another hive as Canty's house. Drunkenness, riot and brawling were the order, there, every night and nearly all night long. Broken heads were as common as hunger in that place. Yet little Tom was not unhappy. He had a hard time of it, but did not know it. It was the sort of time that all the Offal Court boys had, therefore he supposed it was the correct and comfortable thing. When he came home empty handed at night, he knew his father would curse him and thrash him first, and that when he was done the awful grandmother would do it all over again and improve on it; and that away in the night his starving mother would slip to him stealthily with any miserable scrap or crust she had been able to save for him by going hungry herself, notwithstanding she was often caught in that sort of treason and soundly beaten for it by her husband.

No, Tom's life went along well enough, especially in summer. He only begged just enough to save himself, for the laws against mendicancy were stringent, and the penalties heavy; so he put in a good deal of his time listening to good Father Andrew's charming old tales and legends about giants and fairies, dwarfs and genii, and enchanted castles, and gorgeous kings and princes. His head grew to be full of these wonderful things, and many a night as he lay in the dark on his scant and offensive straw, tired, hungry, and smarting from a thrashing, he unleashed his imagination and soon forgot his aches and pains in delicious picturings to himself of the charmed life of a petted prince in a regal palace. One desire came in time to haunt him day and night: it was, to see a real prince, with his own eyes. He spoke of it once to some of his Offal Court comrades; but they jeered him and scoffed him so unmercifully that he was glad to keep his dream to himself after that.

He often read the priest's old books and got him to explain and enlarge upon them. His dreamings and readings worked certain changes in him, by and by. His dream-people were so fine that he grew to lament his shabby clothing and his dirt, and to wish to be clean and better clad. He went on playing in the mud just the same, and enjoying it, too; but instead of splashing around in the Thames solely for the fun of it, he began to find an added value in it because of the washings and cleansings it afforded.

Tom could always find something going on around the May-pole in Cheapside, and at the fairs, and now and then he and the rest of London had a chance to see a military parade when some famous unfortunate was carried prisoner to the Tower, by land or boat. One summer's day he saw poor Anne Askew and three men burned at the stake in Smithfield, and heard an ex-Bishop preach a sermon to them which did not interest him. Yes, Tom's life was varied and pleasant enough, on the whole.

By and by Tom's reading and dreaming about princely life wrought such a strong effect upon him that he began to act the prince, unconsciously. His speech and manners became curiously ceremonious and courtly, to the vast admiration and amusement of his intimates. But Tom's influence among these young people began to grow, now, day by day; and in time he came to be looked up to, by them, with a sort of wondering awe, as a superior being. He seemed to know so much! and he could do and say such marvelous things! and withal, he was so deep and wise! Tom's remarks, and Tom's performances, were reported by the boys to their elders, and these also presently began to discuss Tom Canty, and to regard him as a most gifted and extraordinary creature. Full grown people brought their perplexities to Tom for solution, and were often astonished at the wit and wisdom of his decisions. In fact he was become a hero to all who knew him except his own family-these, only, saw nothing in him.

Privately, after a while, Tom organized a royal court! He was the prince; his special comrades were guards, chamberlains, equerries, lords and ladies in waiting, and the royal family. Daily the mock prince was received with elaborate ceremonials borrowed by Tom from his romantic readings; daily the great affairs of the mimic kingdom were discussed in the royal council, and daily his mimic highness issued decrees to his imaginary armies, navies, and viceroyalties.

After which, he would go forth in his rags and beg a few farthings, eat his poor crust, take his customary cuffs and abuse, and then stretch himself upon his handful of foul straw, and resume his empty grandeurs in his dreams.

And still his desire to look just once upon a real prince, in the flesh, grew upon him, day by day, and week by week, until at last it absorbed all other desires, and became the one passion of his life.

One January day, on his usual begging tour, he tramped despondently up and down the region round about Mincing Lane and Little East Cheap, hour after hour, barefooted and cold, looking in at cookshop windows and longing for the dreadful pork-pies and other deadly inventions displayed there - for to him these were dainties fit for the angels; that is, judging by the smell, they were - for it had never been his good luck to own and eat one. There was a cold drizzle of rain; the atmosphere was murky; it was a melancholy day. At night Tom reached home so wet and tired and hungry that it was not possible for his father and grandmother to observe his forlorn condition and not be moved?after their fashion; wherefore they gave him a brisk cuffing at once and sent him to bed. For a long time his pain and hunger, and the swearing and fighting going on in the building kept him awake; but at last his thoughts drifted away to far, romantic lands, and he fell asleep in the company of jeweled and gilded princelings who lived in vast palaces, and had servants salaaming before them or flying to execute their orders. And then, as usual, he dreamed that he was a princeling himself.

All night long the glories of his royal estate shone upon him; he moved among great lords and ladies, in a blaze of light, breathing perfumes, drinking in delicious music, and answering the reverent obeisances of the glittering throng as it parted to make way for him, with here a smile, and there a nod of his princely head.

And when he awoke in the morning and looked upon the wretchedness about him, his dream had had its usual effect-it had intensified the sordidness of his surroundings a thousand fold. Then came bitterness, and heartbreak, and tears.

Chapter III

Tom's Meeting with the Prince


Tom got up hungry and sauntered hungry away but with his thoughts busy with the shadowy splendors of his night's dreams. He wandered here and there in the city, hardly noticing where he was going or what was happening around him. People jostled him, and some gave him rough speech, but it was all lost on the musing boy. By and by he found himself at Temple Bar the furthest from home he had ever traveled in that direction. He stopped and considered a moment, then fell into his imaginings again and passed on, outside the walls of London. The Strand had ceased to be a country road then, and regarded itself as a street-but by a strained construction, for though there was a tolerably compact row of houses on one side of it, there were only some scattering great buildings on the other, these being palaces of rich nobles, with ample and beautiful grounds stretching to the river grounds that are now closely packed with grim acres of brick and stone.

Tom discovered Charing village, presently, and rested himself at the beautiful cross built there by a bereaved king of earlier days; then idled down a quiet, lovely road, past the great cardinal's stately palace, toward a far more mighty and majestic palace beyond-Westminster. Tom stared in glad wonder at the vast pile of masonry, the wide-spreading wings, the frowning bastions and turrets, the huge stone gateway with its gilded bars and its magnificent array of colossal granite lions and the other signs and symbols of English royalty. Was the desire of his soul to be satisfied at last? Here, indeed, was a king's palace-might he not hope to see a prince, now, a prince of flesh and blood, if heaven were willing?

At each side of the gilded gate stood a living statue-that is to say, an erect and stately and motionless man-at-arms, clad from head to heel in shining steel armor. At a respectful distance were many country folk, and people from the city waiting for any chance glimpse of royalty that might offer. Splendid carriages with splendid people in them and splendid servants outside were arriving and departing by several other noble gateways that pierced the royal enclosure.

Poor little Tom, in his rags, approached, and was moving slow and timidly past the sentinels, with a beating heart and a rising hope, when all at once he caught sight, through the golden bars, of a spectacle that almost made him shout for joy. Within was a comely boy, tanned and brown with sturdy out-door sports and exercises, whose clothing was all of lovely silks and satins, shining with jewels; at his hip a little jeweled sword and dagger; dainty buskins on his feet, with red heels, and on his head a jaunty crimson cap with drooping plumes fastened with a great sparkling gem. Several gorgeous gentlemen stood near his servants, without a doubt. O, he was a prince! a prince! a living prince, a real prince, without the shadow of a question, and the prayer of the pauper-boy's heart was answered at last!

Tom's breath came quick and short with excitement, and his eyes grew big with wonder and delight. Everything gave way in his mind, instantly, to one desire; that was, to get close to the prince and have a good, devouring look at him. Before he knew what he was about, he had his face against the gate-bars. The next instant one of the soldiers snatched him rudely away and sent him spinning among the gaping crowd of country gawks and London idlers. The soldier said:

"Mind thy manners thou young beggar!"
Mark Twain|Christopher Paul Curtis

About Mark Twain

Mark Twain - The Prince and the Pauper
Mark Twain, born Samuel Langhorne Clemens in 1835, led one of the most exciting of literary lives. Raised in the river town of Hannibal, Missouri, Twain had to leave school at age 12 and was successively a journeyman printer, a steamboat pilot, a halfhearted Confederate soldier, and a prospector, miner, and reporter in the western territories. His experiences furnished him with a wide knowledge of humanity, as well as with the perfect grasp of local customs and speech which manifests itself in his writing.

With the publication in 1865 of The Celebrated Jumping Frog of Calaveras County, Twain gained national attention as a frontier humorist, and the bestselling Innocents Abroad solidified his fame. But it wasn't until Life on the Mississippi (1883), and finally, The Adventures of Huckleberry Finn (1885), that he was recognized by the literary establishment as one of the greatest writers America would ever produce.

Toward the end of his life, plagued by personal tragedy and financial failure, Twain grew more and more pessimistic—an outlook not alleviated by his natural skepticism and sarcasm. Though his fame continued to widen—Yale & Oxford awarded him honorary degrees—Twain spent his last years in gloom and exasperation, writing fables about "the damned human race."

About Christopher Paul Curtis

Christopher Paul Curtis - The Prince and the Pauper

Photo © University of Michigan Flint.

“To me the highest accolade comes when a young reader tells me, ‘I really liked your book.’ The young seem to be able to say ‘really’ with a clarity, a faith, and an honesty that we as adults have long forgotten. That is why I write.”—Christopher Paul Curtis

Christopher Paul Curtis made an outstanding debut in children’s literature with The Watsons Go to Birmingham—1963. His second novel, Bud, Not Buddy, is the first book ever to receive both the Newbery Medal and the Coretta Scott King Author Award.


ABOUT THE AUTHOR
Born in Flint, Michigan, Christopher Paul Curtis spent his first 13 years after high school on the assembly line of Flint’s historic Fisher Body Plant # 1. His job entailed hanging car doors, and it left him with an aversion to getting into and out of large automobiles—particularly big Buicks.

Curtis’s writing—and his dedication to it—has been greatly influenced by his family members. With grandfathers like Earl “Lefty” Lewis, a Negro Baseball League pitcher, and 1930s bandleader Herman E. Curtis, Sr., of Herman Curtis and the Dusky Devastators of the Depression, it is easy to see why Christopher Paul Curtis was destined to become an entertainer.

The Watsons Go to Birmingham—1963 tells the story of 10-year-old Kenny and his family, the Weird Watsons of Flint, Michigan, and their unforgettable journey that leads them into one of the darkest moments in American history. It is by turns a hilarious, touching, and tragic story about civil rights and the impact of violence on one family.

Curtis’s novel Bud, Not Buddy focuses on 10-year-old Bud Caldwell, who hits the road in search of his father and his home. Times may be hard in 1936 Flint, Michigan, but orphaned Bud’s got a few things going for him; he believes his mother left a clue of who his father was—and nothing can stop Bud from trying to find him.

PRAISE

THE WATSONS GO TO BIRMINGHAM—1963

—A Newbery Honor Book
—A Coretta Scott King Honor Book
—An ALA Best Book for Young Adults
—An ALA Notable Children’s Book
—A Booklist 25 Top Black History Picks for Youth
—An NCSS-CBC Notable Children’s Trade Book in the Field of Social Studies
—A Children’ s Book Committee at Bank Street College Best Book of the Year
—A New York Times Best Book
—A Publishers Weekly Best Book
—A Horn Book Fanfare
—A Bulletin Blue Ribbon
—The California Young Reader Medal

“An exceptional first novel.”—Starred, Publishers Weekly

“Ribald humor . . . and a totally believable child’s view of the world will make this book an instant hit.”—Starred, School Library Journal

“Startling, innovative, and effective.”—Starred, The Bulletin

BUD, NOT BUDDY

—A Newbery Medal Winner
—A Coretta Scott King Author Award Winner
—An ALA Best Book for Young Adults
—An ALA Notable Children’s Book
—An IRA Children’s Book Award Winner
—An NCSS-CBC Notable Children’s Trade Book in the Field of Social Studies
—A School Library Journal Best Book
—A Publishers Weekly Best Book
—A New York Times Notable Book

“Curtis has given a fresh, new look to a traditional orphan-finds-a-home story that would be a crackerjack read-aloud.”—Starred, School Library Journal

“Bud’s journey, punctuated by Dickensian twists in plot and enlivened by a host of memorable personalities, will keep readers engrossed from first page to last.”—Starred, Publishers Weekly



Praise

Praise

"I highly recommend Campfire’s comics. They do what they are intended to do and do it in  a way that excites kids about classic literature."

— Chris Wilson, The Graphic Classroom (a resource for teachers and librarians)
Discussion Questions

Discussion Guides

1. The Prince and the Pauper is set in sixteenth-century Tudor England during the reign of Henry VIII. This time was marked by a great social and economic disparity between the rich and the poor. How does Twain tackle this issue in the novel? What did you learn from this time period about democracy and monarchy?

2. Some might say Miles Hendon acts as the "hero" in this novel. What heroic qualities does he possess? Is he lacking any that prevent him from being a true hero?

3. What are some of the similarities between Tom's and Edward's lives? What makes the other's life more appealing to Tom and Edward, respectively? How do they grow through their experiences?

4. In the novel, children believe that Edward is the king while the adults do not. Are there other examples where children have greater knowledge than adults? Consider Twain's implications here.

5. The Prince and the Pauper has been compared in style to works of Dickens. What aspect of the novel stands out to you most?


Your E-Mail Address
send me a copy

Recipient's E-Mail Address
(multiple addresses may be separated by commas)

A personal message: