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  • Godmother
  • Written by Carolyn Turgeon
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  • Godmother
  • Written by Carolyn Turgeon
  • Format: eBook | ISBN: 9780307452603
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The Secret Cinderella Story

Written by Carolyn TurgeonAuthor Alerts:  Random House will alert you to new works by Carolyn Turgeon

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List Price: $9.99

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On Sale: March 03, 2009
Pages: | ISBN: 978-0-307-45260-3
Published by : Broadway Books Crown Trade Group
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ABOUT THE BOOK ABOUT THE BOOK
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READER'S GUIDE READER'S GUIDE
Tags for this book (powered by Library Thing)
fiction (16) fantasy (14) fairy tale (11) fairies (10)
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Synopsis

Synopsis

Lil is an old woman who spends her days shelving rare books in a tiny Manhattan bookstore and lonely nights at home in her apartment. But Lil has an intriguing secret. Tucked and bound behind her back are white feathery wings–the only key to who she once was: the fairy godmother responsible for getting Cinderella to the ball to unite with her Prince Charming.

But on that fateful night, something went terribly and beautifully wrong. Lil allowed herself the unthinkable: to feel the emotions of human beings and fall in love with the prince herself, going to the ball in place of Cinderella in her exquisitely gorgeous human guise. For her unforgivable mistake, she was banished to live among humans, far from her fairy sisters and their magical underwater world. But then one day she meets Veronica–a young, fair-skinned, flame-haired East Village beauty with a love of all things vintage and a penchant for falling in love with the wrong men–and suddenly it becomes clear to Lil that she’s been given a chance at redemption. If she can find a soul mate for Veronica, she may right her wrong and return to the fairy world she so deeply longs for. . . .
Carolyn Turgeon

About Carolyn Turgeon

Carolyn Turgeon - Godmother

Photo © stagerightphoto.com

CAROLYN TURGEON is the author of Rain Village. She is working on her third book about a mermaid.
Praise

Praise

“A terrific book, sweet, touching and great fun. I loved it.”
—Joanne Harris

Godmother is earthy, lyrical, sensual and deeply, intelligently romantic. Carolyn Turgeon has a gift for mingling the magical and the mundane. Her earthy, sensual and richly imagined take on the fair folk should appeal to fans of Holly Black.”
—Alisa Kwitney/Sheckley, author of Flirting in Cars and The Better to Hold You

Godmother is a transcendent little gem of a book.”
—Novelist Cherie Priest for Subterranean Magazine

"Turgeon's work is haunting and hypnotic, blending the line of reality and magic into a gorgeous flowing narrative.  Set against a modern day backdrop, this tale reexamines an all-too familiar story and breathes new life into it."
—Anton Strout, author of Dead to Me

“With a fairy's touch, Carolyn Turgeon expands the familiar Cinderella story into something deeper, richer and darker than we've ever been allowed. A stunning reminder that enchantment -- both its pleasures and dangers -- is as human as we are.”
—Daphne Gottlieb, author of Kissing Dead Girls

"Godmother is a true exploration of the dark vitality of city life and the hidden horrors of the fantastic."
—Nick Mamatas, author of Under My Roof

“Turgeon must have a magic wand for a pen–these haunting, dazzling pages turn themselves.”
—Jennifer Belle, author of High Maintenance and Little Stalker





Discussion Questions

Discussion Guides

1. Talk about Lil as a narrator. How does your opinion of her change throughout the book? Do you like her? Is she a reliable narrator?

2. Describe the relationship between Lil and Veronica. What brings the women together? What do you think of their friendship?

3. Fairies are a constant presence in the novel, in the human world as well as in the world of Lil’s past: in the fairytales in George’s shop, in the fairy paintings in the Frick, in Veronica’s book about the Cottingley fairies. Talk about other representations of fairies you’ve come across. What do you think accounts for the popularity of these representations in our culture? What makes fairies such a robust subject for the imagination?

4. Lil is often hungry. What does this mean? What does her relationship to food say about her emotional state generally?

5. What are the differences between the fairy world and the human world? What does each world offer to Lil? What is attractive and unattractive about each world? Do you agree with the way Lil characterizes the human world?

6. How does the Cinderella in this book differ from more traditional representations? How would you describe this Cinderella? What do you believe accounts for the choices she makes?

7. Characterize the relationship between Lil and Cinderella, and how it progresses and shifts throughout the book. What do you make of those shifts?

8. Retellings of the Cinderella story, as well as of other stories and myths, are more popular than ever. Why do you think is? Why are these stories so powerful? What function, if any, do you think they serve for us?

9. Why is the prince so attractive to Lil? What do you think of her emphasis on him seeing her? Is Lil in love with the prince in your opinion? Why or why not?

10. Two phrases are repeated through the novel, both from books Lil sees in George’s shop: “What happens in the world of faerie is manifested in the world of men” and “All my old loves will be returned to me.” What do these phrases mean? How would you explain the import of each within the novel?

11. Lil, Veronica, George, and Cinderella have all experienced significant losses. What has each of them lost? How do they deal with those losses? Is there anyone in the book who has not experienced some kind of loss?

12. Several of the characters are preoccupied with the past, their own and/or the past in general. Why? What does it mean for them?

13. Another theme in the book is physical beauty, and the deterioration of physical beauty. How does the aging of Lil’s physical body affect her? Can you relate to Lil’s relationship to her body?

14. How do you explain the events at the end of the book? Do they change your opinion of Lil? Do they change your reading of the story?

15. Fast-forward six months after the book ends. Where do you see each character? Are they better or worse off than they were before?


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