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A Novel

Written by Jonathan TropperAuthor Alerts:  Random House will alert you to new works by Jonathan Tropper



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List Price: $11.99

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On Sale: March 29, 2005
Pages: | ISBN: 978-0-440-33528-3
Published by : Bantam Bantam Dell

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Synopsis|Excerpt

Synopsis

Jonathan Tropper’s novel The Book of Joe dazzled critics and readers alike with its heartfelt blend of humor and pathos. Now Tropper brings all that–and more–to an irresistible new novel. In Everything Changes, Tropper delivers a touching, wickedly funny new tale about love, loss, and the perils of a well-planned life.

EVERYTHING CHANGES

To all appearances, Zachary King is a man with luck on his side. A steady, well-paying job, a rent-free Manhattan apartment, and Hope, his stunning, blue-blooded fiancée: smart, sexy, and completely out of his league. But as the wedding day looms, Zack finds himself haunted by the memory of his best friend, Rael, killed in a car wreck two years earlier–and by his increasingly complicated feelings for Tamara, the beautiful widow Rael left behind.

Then Norm–Zack’s freewheeling, Viagra-popping father–resurfaces after a twenty-year absence, looking to make amends. Norm’s overbearing, often outrageous efforts to reestablish ties with his sons infuriate Zack, and yet, despite twenty years of bad blood, he finds something compelling in his father’s maniacal determination to transform his own life. Inspired by Norm, Zack boldly attempts to make some changes of his own, and the results are instantly calamitous. Soon fists are flying, his love life is a shambles, and his once carefully structured existence is spinning hopelessly out of control.

Charged with intelligence and razor sharp wit, Everything Changes is at once hilarious, moving, sexy, and wise–a work of transcendent storytelling from an exciting new talent.


From the Hardcover edition.

Excerpt

Chapter One


The night before everything changes, an earthquake jolts me out of my sleep and I instinctively reach over for Tamara, but it isn’t Tamara, of course, it’s Hope. There was never even a time when it might have been Tamara. And yet, lately, whenever I wake up, my first, dazed instinct, before real life comes back into focus, is to assume it’s Tamara in the bed beside me. I suppose that in my dreams, not the one or two that I can recall, but the millions that vanish into oblivion like flies when you’ve barely even begun to move your cupped, ready hand in their direction, in those dreams, she must be mine, over and over again. So there’s always this vaguely troubling notion when I wake up like this, this sense that I’ve somehow been transported to an alternate universe where my life took a left instead of a right because of some seemingly insignificant yet cosmically crucial choice I made, about a girl or a kiss or a date or a job or which Starbucks I went into . . . something.

Meanwhile, back in real life, the Upper West Side of Manhattan trembles like a subway platform, rattling windows and uprooting corner trash cans, the shrill wail of multiple car alarms rising up over Broadway, piercing the night at its stillest, in the hour just preceding dawn.

“Zack!” Hope shouts, reaching out urgently for me, the volume of her voice almost as startling as the quake, her manicured nails slicing painfully into my shoulder. Hope, not Tamara. That’s right. Beautiful Hope. I open my eyes and say, “What the hell?” It’s the best I can manage under the circumstances. We look up at the ceiling as the bed shimmies lightly under us, and then quickly climb out of bed. My trusty Felix the Cat boxers and her satin Brooks Brothers pajamas belie the postcoital nature of our broken slumber. The tremors have stopped by the time we run downstairs to the living room, where we find Jed, my roommate, standing naked and peering out the window with mild curiosity.

“What happened?” I say.

“I don’t know,” Jed says, rubbing his toned abdomen absently. “I think it was an earthquake.” He turns from the window and moves lazily toward the couch.

“Oh my God!” Hope cries, simultaneously spinning around and covering her eyes.

“Oh,” Jed says, first noticing her. “Hi, Hope.”

“Can you put that thing away for a minute?” I say on Hope’s behalf.

“I didn’t know she was here,” Jed says, making no move to conceal his kinetic nakedness.

“Well, you do now,” Hope says in that high, aristocratic whine that never fails to bug me.

I love Jed, but he’s been pulling this naked shit more and more lately. I can’t recall the last time I saw him wearing a shirt. One of the few downsides to living with an unemployed millionaire is that he has nothing to do but watch television and cultivate eccentricities. On the other hand, I live in a newly renovated brownstone on the Upper West Side and haven’t paid rent in over three years. In Manhattan, this makes me nothing less than fortune’s son. When you do the math, I am being highly compensated to tolerate the occasional flapping phallus. I grab a pillow off the giant leather sectional that runs the perimeter of our ridiculously large living room in a wide crescent, and throw it at him. “Cover yourself, Jed. For the sake of the nation.”

Jed sits down on the couch and wipes the crust out of his eyes while I gag inwardly at the thought of his naked ass on the mushroom-colored Italian leather. He crosses his legs and perches the pillow comically over his genitals, flashing me his trademark laid-back grin. Hope sniffs, audibly and with great inflection, before walking over to the window. Jed has made a lot of money, but Hope comes from money, which carries with it a distinctly different flavor. Having done neither, all I can do is sigh a this-is-my-life kind of sigh, resigned, but not without some trace of contentment. Jed is my best friend, and sometimes a bit of an asshole. Hope is my fiancée, and while I don’t think she’s a snob, I can see why Jed might. They are polar opposites, triangulated by my central presence between them. Physically, though, they could be siblings. Both are effortlessly beautiful, tall and lean, with thick hair and chiseled features. Jed’s prominent forehead and thick nose lend him a vaguely European look, like a Calvin Klein model, and he cuts his hair short so he doesn’t have to brush it. Hope’s hair is thick, obedient, and often suspiciously similar to Gwyneth Paltrow’s latest style, although she would never admit to such pedestrian influences. I stand between these two attractive people as something of an oddity, like the guy taking the light readings at a photo shoot, miraculously connected to both of them, conspicuously average; the man in the middle.

Jed and I met in Columbia and became roommates after we graduated, in a run-down junior four on 108th and Amsterdam. At the time, he was working as an analyst at Merrill Lynch and I was writing long, boring press releases full of disclaimers for a PR firm specializing in pharmaceuticals. Then Jed quit his job to join a hedge fund investing in Internet start-ups and, like everyone else except me, became a millionaire on stock options by the year 2000. By the time the bubble had burst, he’d already bought the brownstone, inviting me to move in with him, and sold enough stock before the fall to bank a healthy few million to boot. For a while he talked about going back to work in the financial sector or maybe starting his own hedge fund, but then our buddy Rael got killed and Jed pretty much forgot about all that, and announced that he was going to just stay home and watch television for a while. That was almost two years ago, and as far I can tell, he seems to have found his true calling. The nudity is more of a hobby.

Rael, my best friend since the third grade, lost control of his BMW on his way home from a night of gambling in Atlantic City. The car swerved up an embankment on the Garden State Parkway and crashed through the woods before flipping over into a gully. It was two in the morning and the parkway was empty when it happened, so it took a while for help to show up, and by then he was dead. I doubt they could have saved him anyway, since his internal organs were pretty much crushed on impact when he was impaled on the steering wheel. It would be comforting to think he died instantly, but it actually took a while. I know, because I was sitting next to him.

“Did we really have an earthquake?” Hope says, sounding like a little girl as she peers out at Eighty-fifth and Broadway. Her whine is gone, and I love her again.

“So it would seem,” Jed says.

He turns the television to one of the local channels while we gaze out the window, considering the possibility of terrorist actions. Since 9/11, we take nothing for granted. The din of the car alarms is starting to lessen, and a few hardy souls have ventured out onto the street to assess the situation. They’re showing an old Clint Eastwood film on channel 55—urban Clint, as opposed to grizzled Western Clint—and after another minute, the crawl appears at the bottom of the screen confirming that yes, in fact, we did have a minor earthquake. No injuries or damages have been reported.

“Since when does Manhattan have earthquakes?” Hope says in a tone that suggests she’s inclined to write a letter to someone’s supervisor about this. “I’ve lived here my whole life, and I don’t recall there ever being one before.”

“Maybe not on the East Side,” Jed says. “Here in the West, we get them all the time.” He never misses a chance to needle Hope about her privileged roots. “Teach you to go slumming.” He winks at me, a quick, effortless wink that I have fruitlessly tried to cultivate from time to time. My facial muscles apparently lack the required flexibility, and my cheek always manages to get dragged into the fray, lending the gesture a ticlike quality guaranteed not to impress.

Hope looks down her perfect nose at Jed. “You are an ass,” she declares sincerely.

“No,” he says, standing up briefly to bend over and flash her some moon. “This is an ass.”

“Oh, for God’s sake,” she squeals exasperatedly, turning to me like it’s my fault and flashing me her what-lovely-friends-you-have smirk. Her genteel origins did not prepare her for guys like Jed, or me for that matter, and I have to say that she’s adjusted rather admirably in the name of love. “Let’s go back to bed,” I say, taking her hand. Jed plops back down on the couch, the leather farting as it scrapes against his skin, or else he’s actually let one rip, which would hardly be out of character. We won’t wait around to find out. He flips on the television, surfing aimlessly through the vast desert of late-night programming. “Night, Jed,” I call to him from the stairs, but he’s already gone, swallowed up in the numbing blue-green glow of the fifty-two-inch plasma screen, his true home for the last two years.

“X-Files,” he announces exuberantly. “Damn. I saw this one.” He’ll sit there until morning, watching reruns and infomercials, effectively doubling his odds of encountering Chuck Norris. At some point he’ll take a nap and a shower, order in some breakfast, and, thus replenished, resume his mindless vigil.

Back in my room, I try to capitalize on our unscheduled wakefulness and extract Hope from her pajamas, but although she lets my hands roam blissfully under her shirt, she obstinately refuses to relinquish it. “I have to be at work early,” she says.

I gently rub her left breast in what’s intended to be a seductive motion, running my hand across her nipple and down to where the softness disappears into her ribs and then back up again, her breast filling my palm, overflowing against my fingers like a rising cake when I press inward. Hope has the greatest body of anyone I’ve ever been allowed to touch. Her long, toned torso is crowned with two remarkably pert, grapefruit-size breasts whose tall, barrel-shaped nipples jump to attention at the slightest manipulation. Her legs are lean and toned from her thrice-weekly spinning workouts at the Reebok Club, and above them sits a Magritte apple of an ass, firm but deliciously yielding. “Come on,” I say, already popping out of my Felix the Cat fly. “Earthquake sex.”
Jonathan Tropper

About Jonathan Tropper

Jonathan Tropper - Everything Changes

Photo © Spencer Tropper

Jonathan Tropper is the author of Everything Changes, The Book of Joe, which was a BookSense selection, and Plan B. He lives with his wife, Elizabeth, and their children in Westchester, New York, where he teaches writing at Manhattanville College. How to Talk to a Widower was optioned by Paramount Pictures, and Everything Changes and The Book of Joe are also in development as feature films.
Praise

Praise

“Jonathan Tropper is the new breed of novelist who writes for men and women with equal ease and grace. Everything Changes is a wonderful and engaging comic novel about the possibility of new life in the midst of emotional disaster.”—-Haven Kimmel, author of The Solace of Leaving Early

“Women: Want to know how men think? Here's a smart, funny, brutally honest, much-needed guy's point of view on how messy love can be. Jonathan Tropper makes me laugh and breaks my heart at the same time.” —-Lolly Winston, bestselling author of Good Grief
Reader's Guide|Discussion Questions

About the Book

Jonathan Tropper's novel The Book of Joe wowed critics with its wry humor and stirring portrait of a homecoming. His next novel, Everything Changes, takes Tropper's talent to imaginative new levels, delivering his signature blend of zany characters and poignant turns of fate.

In Everything Changes we meet Zachary King, a guy who seems to have it all: a stable job, a rent-free apartment (with round-the-clock access to a Lexus), and an approaching wedding date with a woman from one of Manhattan's most elite families. He's made all the right choices, but for all the wrong reasons. His high-paying job is far from gratifying. His free apartment comes with a frequently nude roommate—a despondent dotcom millionaire who has lost interest in everything but TV. Zach's fiancée may seem perfect, but his heart belongs to his best friend's widow. And who steps in to help Zach with a life that feels so wrong? His long-lost, Viagra-popping, fast-talking father who thought child support was optional. Despite twenty years of bad blood, Zack finds something compelling in his father's maniacal determination to transform his own life and is inspired to make some changes of his own–and the results are instantly calamitous.

With a razor-sharp wit reminiscent of Nick Hornby's, Everything Changes is a rollicking ride with a man who used to dream in black and white but is about to start living in Technicolor.

The questions and discussion topics that follow are intended to enhance your reading of Jonathan Tropper's Everything Changes. We hope they will enrich your experience of this irresistible novel.

Discussion Guides

1. Everything Changes begins with an earthquake, in New York City no less. How does Zach interpret this event? What does it lead you to expect from the novel?

2. Several times, Zach refers to himself as the man in the middle—among friends, in his family, and especially at work. To what extent is this true? To what extent is he also expected to be the man in charge?

3. When Norm arrives for his surprise reunion, the first thing Zach notices is his father's bulge. What was your reaction to this theme of virility in comic proportions? How do the novel's characters view their own sexiness, including Pete (who wanted the Mustang to be his chick magnet)?

4. Zach's health scare gives him a quick lesson in urology, and mortality. What else does his experience with Dr. Sanderson teach him about himself, physically and emotionally?

5. In chapter Seven Zach recalls the wreck that took Rael's life. How do you picture Zach before the accident? In what way does it seem to have changed him? Were Rael and Tamara a good match?

6. In your opinion, what is the novel's turning point? What spurs Zach to face his true self? Can it be attributed to one event, or was it a gradual process that would have happened no matter what?

7. Chapters Ten and Eleven give us a glimpse of Matt as a performer, while Zach is botching a one-night stand with Jesse. What do Matt and Zach have in common at that point in their lives, besides being brothers?

8. How do Lela's sons perceive her? How does she compare to the other women in their lives?

9. Discuss the choices Jonathan Tropper made in crafting a storytelling voice for Zach. How does he weave new plot twists with Zach's memories? What is the effect of the passages that begin "this is what happens" and are written in the second person?

10. How does Zach's family compare to Hope's in ways that extend beyond material wealth? Does her overzealous father share any personality traits with Norm? Do Vivian and Lela have similar burdens to bear?

11. Zach shirks responsibility and fools around with other women. Does this mean he is following in his father's footsteps?

12. Zach and his family take on a number of bullies in the novel: bosses, snobs, a country club that Norm believes to be anti-Semitic, rude doctors, and Satch, who sold the car to Pete. How many of these battles do they win? How do they define victory?

13. Though Tamara didn't initially want children, she is devoted to her daughter. What is Sophie's role in Zach’s life? How does her presence shape the narrative?

14. What stays the same in Everything Changes? What are the constants in Zach's life?

15. What did Norm mean at the end of chapter Thirty-nine when he writes, "If all it took was the love in my heart, I'd be father of the year"? Was Henry the only reason he came back to his family? Could anything have made him stay? Could anyone have made him honest?

16. Why were Tamara and Zach so hesitant to acknowledge their attraction? Was it simply an issue of timing, or were they both afraid of something deeper?

17. What do you predict for Henry's new life with Zach? What will Henry's role be among his three colorful brothers?


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