In Osaka in the years immediately before World War II, four aristocratic women try to preserve a way of life that is vanishing. As told by Junichiro Tanizaki, the story of the Makioka sisters forms what is arguably the greatest Japanese novel of the twentieth century, a poignant yet unsparing portrait of a family–and an entire society–sliding into the abyss of modernity.
Tsuruko, the eldest sister, clings obstinately to the prestige of her family name even as her husband prepares to move their household to Tokyo, where that name means nothing. Sachiko compromises valiantly to secure the future of her younger sisters. The unmarried Yukiko is a hostage to her family’s exacting standards, while the spirited Taeko rebels by flinging herself into scandalous romantic alliances. Filled with vignettes of upper-class Japanese life and capturing both the decorum and the heartache of its protagonist, The Makioka Sisters is a classic of international literature.
From the Hardcover edition.
About Junichiro Tanizaki
Junichiro Tanizaki was born in Tokyo in 1886 and lived in the city until the earthquake of 1923, when he moved to the Kyoto-Osaka region, the scene of one of his most well-known novels, The Makioka Sisters (1943-48). The author of over twenty books, including Naomi (1924), Some Prefer Nettles (1928), Arrowroot (1931), and A Portrait of Shunkin (1933), Tanizaki also published translations of the Japanese classic, The Tale of Genji in 1941, 1954, and 1965. Several of his novels, including Quicksand (1930), The Key (1956), and Diary of a Mad Old Man (1961) were made into movies. He was awarded Japan’s Imperial Prize in Literature in 1949, and in 1965 he became the first Japanese writer to be elected as an honorary member of the American Academy and the National Institute of Arts and Letters. Tanizaki died in 1965.
Praise for Junichiro Tanizaki's The Makioka Sisters
“A masterpiece of great beauty and quality.” –Chicago Tribune
“Skillfully and subtly, Tanizaki brushes in a delicate picture of a gentle world that no longer exists.” –San Francisco Chronicle