The luminous novella and stories in The Age of Griefexplore the vicissitudes of love, friendship, and marriage with all the compassion and insight that have come to be expected from Jane Smiley, the Pulitzer Prize—winning author of A Thousand Acres.
In “The Pleasure of Her Company,” a lonely, single woman befriends the married couple next door, hoping to learn the secret of their happiness. In “Long Distance,” a man finds himself relieved of the obligation to continue an affair that is no longer compelling to him, only to be waylaid by the guilt he feels at his easy escape. And in the incandescently wise and moving title novella, a dentist, aware that his wife has fallen in love with someone else, must comfort her when she is spurned, while maintaining the secret of his own complicated sorrow. Beautifully written, with a wry intelligence and a lively comic touch, The Age of Grief captures moments of great intimacy with grace, clarity, and indelible emotional power.
Jane Smiley is the author of numerous novels, including A Thousand Acres, which was awarded the Pulitzer Prize, as well as five works of nonfiction and a series of books for young adults. In 2001 she was inducted into the American Academy of Arts and Letters, and in 2006 she received the PEN USA Lifetime Achievement Award for Literature. She lives in Northern California.
Jane Smiley is available for select readings and lectures. To inquire about a possible appearance, please contact Random House Speakers Bureau at email@example.com or visit www.rhspeakers.com.
“A glorious achievement. . . . Infinitely satisfying. . . . A triumph.” –The New York Times Book Review
“A fine collection, with a resonating and particularly rewarding novella.” –San Francisco Chronicle
“Impressive . . . brilliant . . . engrossing. . . . This is a book that will last and last.” –The Philadelphia Inquirer
“Thrilling to read. . . . The prose has about it the effortlessness only effort can produce.” –USA Today
“Thoroughly familiar moments are captured by Ms. Smiley with such immediacy and precision that we are left with a sense of having participated in her characters’ lives.” –The New York Times