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The Life and Legends

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Synopsis

This first fully documented biography of Simon Wiesenthal, the legendary Nazi hunter, is also a brilliant character study of a man whose life was part invention but wholly dedicated to ensuring both that the Nazis be held responsible for their crimes and that the destruction of European Jewry never be forgotten.

Like most Jews in Eastern Europe on the eve of Hitler’s invasion of Poland, twenty-four-year-old Simon Wiesenthal did not grasp the nature of the Nazi threat. But six years later, when a skeletal Wiesenthal was liberated from the concentration camp at Mauthausen, he fully fathomed the crimes of the Nazis. Within days he had assembled a list of nearly 150 Nazi war criminals, the first of dozens of such lists he would make over a lifetime as a Nazi hunter. A hero in the eyes of many, Wiesenthal was also attacked for his unrelenting pursuit of the past, when others preferred to forget.

For this new biography, rich in newsworthy revelations, historian and journalist Tom Segev has obtained access to Wiesenthal’s private papers and to sixteen archives, including records of the U.S., Israeli, Polish, and East German secret services. Segev is able to reveal the intriguing secrets of Wiesenthal’s life, including his stunning role in the capture of Adolf Eichmann, his relationship with Israel’s Mossad, his controversial investigative techniques, his unlikely friendships with Kurt Waldheim and Albert Speer, and the nature of his rivalry with Elie Wiesel.

Segev’s challenge in writing this biography was Wiesenthal’s own complicated relationship to truth. Wiesenthal told many versions of his life, his suffering in the camps, and his involvement with the arrest of individual Nazis. Segev shows that in order to gain the information he sought and twist the arms of reluctant government figures, Wiesenthal needed to seem more influential than he really was.

For two generations of Americans, Simon Wiesenthal was a Jewish superhero—depicted on film by Ben Kingsley and Laurence Olivier—and the muse for a Frederick Forsyth thriller. Now Segev demonstrates that the truth of Wiesenthal’s existence is as compelling as the fiction. Simon Wiesenthal is an unforgettable life of one of the great men of the twentieth century.


From the Hardcover edition.

Excerpt

Introduction
 
The Glass Box
 
Never before had there been such a funeral. Never before had the remains of so many people been buried in one grave. The procession began in Tel Aviv, on June 26, 1949. The horror enveloping the city’s Great Synagogue was almost unbearable, and hysterical shrieks rose from people crowding around the building. The newspapers reported that there were tens of thousands present and described heartbreaking scenes. There were cries of “Mama! Papa!” and many fainted. Small children were also to be seen.
 
In the main hall of the synagogue stood a glass box, five feet long. In it were thirty porcelain urns, painted with blue and white stripes. According to the newspapers, they contained the ashes of 200,000 Jews who had been murdered in the Holocaust. The mayor was there, as well as other dignitaries and rabbis. Speeches were made and prayers intoned, and then the glass box was loaded onto a police vehicle, to be carried through some of the city’s streets; the vehicle had trouble making its way through the crowds. Along the route that the box traveled, people closed their shops and workshops and lined the sidewalks, watching the procession in silent awe.
 
The first stop on the route was Rehovot, where President Chaim Weizmann had his home. Classes were canceled in the town’s schools, and the students were sent to see the box. Weizmann, aged and frail and almost blind, said a few words. Then the box was taken to Jerusalem, and at the entrance to the city there were once again thousands, waiting and weeping. Some of them brought bars of soap. They mistakenly believed that the soap had been made out of the bodies of Jews and wanted to bury it with the glass box, in the soil of the ancient cemetery of Sanhedria, among graves that had been hewn out of rock two thousand years before.
 
The man who organized this historic spectacle was Simon Wiesenthal, then forty-one years old. From the day he was released from the Mauthausen concentration camp in Austria he had lived in the nearby city of Linz and occupied himself with searching out Nazi war criminals. The ashes of the dead had been collected at his initiative at concentration camps and other detention sites across Austria.
 
“The glass box,” he wrote later, “had suddenly become a kind of looking-glass, in which the faces of many, many were reflected—friends from the ghetto, companions from the concentration camps, people who had been beaten to death, died of starvation, been hounded into the electrified fence. I could see the panicked faces of Jews who were whipped and clubbed into the gas chambers, chased from behind by human animals devoid of conscience or feelings, who would not hear their lone plea: to let them live.”
 
By then Wiesenthal already knew several Israelis, but not many Israelis knew him. The mayor of Tel Aviv, Yisrael Rokach, for one, didn’t know who he was when Wiesenthal first contacted him, in Yiddish, a few months before. But Rokach seems to have been impressed by Wiesenthal’s assertive style. It was more like an order than a query, request, or suggestion: the Association of Former Concentration Camp Inmates in Austria had decided to transfer the ashes of the martyrs to Israel and to honor the city of Tel Aviv by making it the recipient, Wiesenthal wrote. There was no way to refuse, and Rokach replied that Tel Aviv would accept the urns with a “tremor of sanctity,” although he had no idea what to do with them.
 
The annihilation of the Jews haunted many of the inhabitants of Israel. They were tormented by the pain. Already in 1946, ashes brought from a camp in Poland had been interred in Israel. But even in 1949, nobody really knew the right way to go about mourning six million dead or how to perpetuate their memory. The law on prosecuting Nazis and their collaborators would only be enacted a year later; the official Holocaust Memorial Day would be designated two years later, and the law establishing the State Memorial Authority, Yad Vashem, would be passed only in 1953.
 
When Wiesenthal came to Israel, the Holocaust was still wrapped in silence. Parents never told their children what they had experienced; the children never dared to ask. Holocaust survivors made people flinch with anxiety, embarrassment, and feelings of guilt. They were not easy to live with: How can you share an apartment building with them, work with them, go to the movies or the beach with them? How can you fall in love with them and marry them? How can their children go to school with yours? It’s doubtful that any other society ever faced so difficult or painful an encounter with “the Other,” to use a phrase that came into currency later.
 
Many of the Israelis who had settled in the country before World War II, or were born there, tended to relate condescendingly to Holocaust victims and survivors, identifying them with the Jews of the Diaspora, whom they despised as the polar opposite of the “new Hebrews” they were trying to create in the Land of Israel, in the spirit of the Zionist vision. It was customary to blame the victims for not coming to the country beforehand, remaining in Europe instead and waiting to be slaughtered without doing anything to prevent it.
 
They were despised for their weakness, because most of them had not fought against the Nazis but had gone to their deaths “like lambs to the slaughter.” Many Holocaust survivors found neither a sympathetic ear nor any compassion; often they were not even believed when they related what had happened to them.
 
For their part, the survivors had plenty to say to the Israelis. Why, they would ask, had the Zionist movement not made greater efforts to rescue them from the Nazis? Implicit in this question was a terrible accusation, and the leaders of the movement found it difficult to explain their powerlessness. Besides the question of what they could have done, there was the far more embarrassing one of whether they had taken any interest at all in the plight of European Jews. Many survivors of the Holocaust were shocked to discover after the war that Jews in the United States and in Palestine had lived through the war in relative complacency; reports about the destruction of their brethren concerned them only to the extent that their day-to-day lives were affected.
 
Wiesenthal once described how, soon after the war, he had seen Jewish newspapers from America and Palestine printed in the summer of 1943, when he was a concentration camp inmate. “And what I read was terribly depressing to me,” he wrote. For the papers described the routines of community life, politics, economic prosperity, culture, entertainment, and family celebrations. Only here and there did Wiesenthal find items about the murder of the Jews in Poland, based usually on BBC reports. In the papers from Palestine, he found big headlines about Arabs who attacked a kibbutz and killed two cows. A report about what was happening in Poland, by a refugee who had made it to Palestine, was relegated to page seven. “I started asking myself, are we still one people, the same people?” he wrote.
 
In 1946, Wiesenthal attended the first Zionist Congress since the Holocaust, held in Basel, Switzerland, and the thought ran through his mind that the leaders of the Zionist movement deserved to be put on trial, like the heads of the Nazi regime who were tried in Nuremberg. “I took a good look at those who were our ‘leadership’ and had done very little to save Jews,” he related. He was referring to Israel’s first prime minister, David Ben-Gurion, among others. By bringing the ashes of the victims to Jerusalem for burial, Wiesenthal was demanding of the Israelis that they at long last confront the Holocaust, in the same way that in days to come he was to demand it of the other nations of the world.
 
The institutions and the officials involved in organizing the funeral tended to look upon the matter as a nuisance, but Wiesenthal would not let them alone. At first he had written to Yad Vashem, but at that time it was only a private society operating out of a three-room office and having a hard time paying the rent. “We regret that our project is as yet unable to receive this sacred consignment,” the organization wrote to Wiesenthal, and so he turned to the Tel Aviv municipality. The heads of Yad Vashem had no choice but to acquiesce, but they soon changed their minds and demanded that the glass box be buried in Jerusalem. Wiesenthal went along with that as well: “We believe that for diplomatic and national reasons at this time we must do everything to concentrate in Jerusalem all things and all projects that symbolize the link between the Diaspora of our people and the State of Israel,” he wrote, using the first-person plural, as was his custom.
 
But now the need arose to decide who would finance the project. Wiesenthal assured Mayor Rokach that the organization he was acting for would cover all the shipping costs, but he requested funding for airplane tickets and a ten-day stay for himself and one companion. Yad Vashem replied immediately that it had no money. The request led to a lengthy correspondence, and eighteen months went by. It was a dramatic and bloody period. Between his first letter to Yad Vashem in January 1948 and the funeral, a war had been waged and the State of Israel had been declared. Wiesenthal, who was a keen stamp collector, had an idea: the Israeli Postal Service should issue stamps in memory of the Holocaust, and the revenue would be used to cover the expenses of the memorial project.
 
But it was not only the issue of funding that held up his initiative. The fledgling state needed an aura of heroic glory, and some of the officials handling the matter thought the remains of Theodor Herzl, the founder of the Zionist movement, should be brought from Vienna for reinterment in Jerusalem before the ashes of the Holocaust victims from Austria; Herzl was a symbol of triumph, the Holocaust represented defeat. So this is what was done. An argument also arose as to the respective roles of the state and the Chief Rabbinate in burying the ashes of those who perished in the Holocaust, an echo of the ever present confrontation between the secular and the religious. And out of this arose the question of whether the urns that Wiesenthal wanted to bury in a Jewish cemetery in Israel really contained only the ashes of Jews, or whether there were also ashes of gentiles mixed in with them.
 
In the end, Wiesenthal lost his patience. He cabled Yad Vashem that he was on his way to Rome, where he would board an Italian airliner with the ashes and fly to Israel. Please make all the preparations, he demanded. Only now did Yad Vashem convene a committee, which hastily organized the ceremony as mutual recriminations flew through the air between the various parties involved. These found their way into the newspapers. There was a scandal, but at the last minute the speaker of the Knesset managed to read into the parliamentary record a state declaration of mourning, and the papers gave the event extensive coverage.
 
This was Wiesenthal’s first visit to Israel. He entered the country on a Polish passport. He was welcomed respectfully and no one troubled him with the obvious questions: Where exactly were the ashes collected? How can we know if they are really the ashes of the victims? And how did you determine that the number of Jews who were killed in Austrian concentration camps was 200,000? One newspaper apparently thought this wasn’t enough, and wrote 250,000. The papers tended to conceal the fact that these were in fact symbolic samples of ash and described the urns as containing all the ashes of the hundreds of thousands of victims.
 
Wiesenthal was very emotional. “As I followed the box of ashes,” he wrote, “I remembered my family members, my friends and companions, and all those who paid with their lives for one single sin—being born Jewish. I looked at the box, and I saw my mother’s face the way it looked the last time I saw her on that fateful day when I left home in the morning for forced labor outside the ghetto and I did not know that I would not see her when I returned in the evening, nor ever again.”
 
The burial of the ashes was meant to be only the first stage in a much more ambitious program: Wiesenthal hoped to have a huge structure erected in memory of the Jews who perished in the Holocaust, what he called a mausoleum. Before the Nazi occupation of Poland, he had studied architecture, and he designed a memorial site that he proposed should be built in a forest outside Jerusalem, to which the ashes should eventually be moved from Sanhedria. He sketched a kind of platform paved with marble, topped with two menacing towers, an exact replica of the gate of the Mauthausen camp, and a stone dome over a round memorial hall with a black floor.
 
This was the first time he tackled what was to become a vast enterprise. He radiated resourcefulness, self-confidence, and conviction. He was already revealing his innate skill at public relations. Before leaving for Israel he had sent the design for the mausoleum to a large number of Jewish organizations and individuals in various countries. The project was also meant to mark the closing of the Jewish displaced persons’ camps in Austria, and the migration of their inmates to Israel. He received many pledges of help. When he sent a copy of the plan to Ben-Gurion in April 1952, he asserted: “We can raise the sum of money needed for this within two years.” The prime minister’s office informed him politely that it had conveyed his proposal to Yad Vashem.
 
Wiesenthal did not demand to be appointed the architect of the project, but probably assumed that he would be. If his proposal had been accepted, he might have settled in Israel and practiced architecture, instead of remaining in Austria. Ohel Yizkor—the Tabernacle of Remembrance, which would eventually be built at the Yad Vashem complex in Jerusalem—resembles the memorial hall that Wiesenthal had sketched. Some of the ash that he had brought was later transferred from Sanhedria to Ohel Yizkor, but he was not given a role in its design, and he never returned to architecture.
 
The drama of Simon Wiesenthal’s life is stored in hundreds of files containing some 300,000 pieces of paper: letters he received and, mainly, copies of letters he wrote in his sixty years of work as a “Nazi hunter.” The first file begins in 1945, when he was a walking skeleton, weighing ninety-seven pounds, who had just left Mauthausen with no hope and no future. About sixty feet down on the same shelf, there’s a file from the 1980s, containing the following handwritten note: “Darling Simon, Take good care of yourself and stay happy. I love you and we all need you, Elizabeth Taylor.”
 
A tireless warrior against evil and a central figure in the struggle for human rights, Wiesenthal enjoyed worldwide admiration. Hollywood adopted him as a cultural hero, as did the scores of universities that awarded him honorary degrees. American presidents hosted him in the White House. Wiesenthal relished every moment of acclaim, but when he said that President Jimmy Carter needed him more than he needed Carter, he was right. One of the officials of the Wiesenthal Center in Los Angeles observed that if he had not existed, Wiesenthal would have had to be invented, because people all over the world, both Jews and gentiles, needed him as an emblem and a source of hope.
 
He sparked their imaginations, he enchanted them, thrilled them, and frightened them, weighed on their consciences, and granted them a consoling faith in good. A lone Jew, he had taken it upon himself to make sure that even the last of the Nazis would not die free, or at least free of anxiety, because he, the Jew Wiesenthal, would hunt him down and do his very best to have him brought to trial and punished. And justice would prevail.
 
A quixotic romantic with a James Bond image and a soaring ego, a tendency to fantasize, and a penchant for crude jokes in Yiddish, he was a brave man who launched some breathtaking ventures. But contrary to the myth he spun around himself, he never operated a worldwide dragnet, but worked almost on his own from a small apartment, surrounded by high piles of old newspapers and yellowing index cards. This was the Documentation Center that he established in Vienna, not far from where the Nazis had set up the headquarters of the Gestapo secret police in the luxurious Hotel Metropol.
 
On one of the walls of his office hung a large map of Europe, with the names of all the hundreds of Nazi death and concentration camps on it; Wiesenthal himself had been held in some of them. He used historical documents, municipal population registries, and even telephone books in order to gather personal details about Nazi criminals and information about their possible whereabouts. This was his life’s goal. Sometimes he would go out on small detective missions, extracting leads from talkative neighbors or barmen, mailmen, waiters, and barbers. An acquaintance compared him to Inspector Clouseau, the bumbling detective in The Pink Panther.
 
His faith in the liberal system of justice and in America, combined with his communication skills, made him very much a man of the twentieth century. The concept of Holocaust commemoration that he developed was a broad, humanistic one. In contrast to the memorializing of only the Nazis’ Jewish victims fostered in Israel and by the Jewish establishment in the United States, Wiesenthal tended to view the murder of the Jews as a crime against the whole of humanity, and he tied it in with the atrocities committed by the Nazis against other groups, such as incurable invalids, Gypsies, homosexuals, and Jehovah’s Witnesses. In his eyes, the Holocaust was not only a Jewish tragedy, but a human one.
 
Wiesenthal’s broad humanity was anchored in the story of his life. He always lived within more than one sphere of identity. He was born in a Jewish shtetl and until his dying day he defined himself first and foremost as a Jew. But he grew up in the Austro-Hungarian Empire and chose to live in Austria, which he saw as his cultural and political homeland. He kept one foot within the Israeli sphere, too; he looked upon Israel as a second homeland. And with the passage of time he developed a deep sense of identity with America. Living within different circles of identity gave him a certain cosmopolitan openness.
 
On more than one occasion he had to show great courage. One of the rooms in his office housed hundreds of files containing threatening letters and anti-Semitic abuse that he received. Wiesenthal marked these files with the letter m for meshuganers—lunatics, in Yiddish. Once a letter addressed to “The Jew Pig, Austria” was delivered to his office. Wiesenthal phoned the posts minister to ask how they knew that it was meant for him. But they knew, always. Nonetheless, Wiesenthal chose to live in Austria and to tie his life and fate to that country. It is not easy to explain why he did so.
 
In 1953 Wiesenthal discovered and reported to the Israeli authorities that Adolf Eichmann, one of the main Nazi criminals, was hiding in Argentina. Seven years later, Israel sent its agents to Buenos Aires to seize Eichmann and bring him to Jerusalem. He was put on trial, convicted, and executed. Wiesenthal’s role in the affair gave him a heroic aura, as if he had captured Eichmann single-handedly. Some Israelis never forgave him for this,
and one of them compared him to a hitchhiker who took over the driver’s seat. Others likened him to the legendary liar Baron Munchhausen. Actually, Wiesenthal worked for years in the service of Israel’s secret intelligence agency, the Mossad.
 
He was involved in efforts to locate and prosecute hundreds of Nazi criminals, and assisted in the conviction of dozens. His endeavors were remarkable, especially in view of the fact that after the defeat of the Third Reich, most of those involved in Nazi atrocities had gone unpunished. They had integrated themselves into the lives of their communities in Germany and Austria and other countries and were not called upon to answer for their crimes. Some of them had done well in politics, in the civil service, in the judiciary, and in the educational and economic systems.
 
This happened not only because the Germans and the Austrians took an indulgent attitude toward the criminals, but also because of the Cold War. More than once Wiesenthal saw that offenders he had located and wanted to prosecute were employed as secret agents in the service of the United States or other countries and, in at least one case, of Israel. “The Nazis lost the war, but we lost the postwar period,” Wiesenthal used to say.
 
Wiesenthal died in September 2005, at the age of ninety-six. His daughter, Paulinka Kreisberg, was flooded with consolation messages. Beatrix, queen of the Netherlands, and Abdullah, king of Jordan, were among those who wrote, as were Laura and George Bush, as well as presidents and prime ministers, legislators and mayors from all over the world. The U.S. Senate unanimously passed a resolution commemorating his life and accomplishments.
 
Someone sent condolences on behalf of Muhammad Ali, the legendary boxer. That may have happened because of the constant and repeated pressure that Wiesenthal had exerted on the city of Berlin until it gave in to him and named a street after Jesse Owens, the black sprinter who defeated Hitler’s athletes in the “Nazi Olympics” in Berlin in 1936.
 
From Jerusalem, Prime Minister Ariel Sharon wrote: “The State of Israel, the Jewish people and all of humankind owe a great debt to Simon Wiesenthal who devoted his life to ensuring that the Nazi atrocities will not be repeated and that the murderers will not go unpunished.”
 
But his daughter’s heart was touched most by the private letters she received from innumerable individuals, among them hundreds of members of the “second generation”—the children of survivors, for whom the heritage of the Holocaust was a key part of their identity. Many of those children felt a deep identification with Wiesenthal. Esti Cohen, a native of Israel, wrote to Paulinka Kreisberg, “At the age of six, I used to have shoes ready next to my bed so that if the Nazis came in the night, at least I would have shoes, and not be like my mother in the ‘death march’ from the concentration camps at the end of World War II.” She attached to her letter a photocopy of her Israeli ID card, with a yellow star stuck onto it.
 
Wiesenthal related that once when he was a prisoner at the Janowska concentration camp in Lvov, in Ukraine, he was in a group of inmates ordered to dig a deep ditch. “We knew that soon the ditch would be full of bodies,” he said. “The victims were already being marched up. Women and girls. Then I caught the desperate eye of one of the girls. ‘Don’t forget us,’ is what that look said to me.” On another occasion, he said, he imagined meeting with the victims in heaven, and he was determined to say only four words, “I didn’t forget you,” the phrase that became his personal motto.
 
More than anything else, Wiesenthal deserves to be remembered for his contribution to the culture of memory and the belief that remembering the dead is sanctifying life. Ironically, the more years went by and the more unlikely it became that the surviving Nazi criminals would be brought to justice, the more the Holocaust became a universal synonym for evil, a warning sign for every nation and every person. This happened, to a large extent, thanks to the efforts of Simon Wiesenthal. Nobody did more than he did in this respect. But even at the height of his fame as a “Nazi hunter” and as a humanist authority, he remained a lonely man, haunted throughout his adult life by memories of the horror. He was a tragic hero, always cloaked in the mysteries of his life; it is no easy task to decipher his secrets.
 
As he walked behind the glass box in Jerusalem, Wiesenthal thought not only about the murdered millions, but also about the murderers: “I was reminded of Eichmann,” he wrote later. “That it was possible that the following day he would read in the newspaper about the ceremony and that a smile of satisfaction would come to his lips. . . . In my mind’s eye, I foresaw the day when my silent prayer would be heard, the day on which the murderer of my people would be taken to the land of the Hebrews. I swore that I would not remain silent and I would not rest until that longed-for day came.” This was a statement that was both true and untrue, like much of what Wiesenthal wrote.

Table of Contents

Contents
 
Introduction: The Glass Box 
1. “Eichmann Is My Passion” 
2. “During That Period, We Never Took Hitler Seriously” 
3. “See You on the Soap Shelf”
4. “Who Knows Her? Who Has Seen Her?”
5. “The Duty of an Austrian Patriot”
6. “That’s How I Became a Stamp Collector”
7. “I Hope You’re Not Coming to See Me” 
8. “I Always Said He’s in Buenos Aires”
9. “Sleuth with 6 Million Clients”
10. “You May Have Thought He Was Happy, But He Also Cried Sometimes”
11. “A Huge Mass of Rotten Flesh”
12. “Auschwitz Lines”
13. “What Would You Have Done?”
14. “Kreisky Is Going Mad”
15. “Better Than Any Monster”
16. “Mr. Wiesenthal, I Claim, Had Different Relations with the Gestapo from Mine”
17. “It’s Not Easy to Be My Wife”
18. “The Children . . . Were Actually the Same Children”
19. “Only So That Mengele’s Name Would Not Be Forgotten”
20. “As If I Were Already Dead”
21. “Sleazenthal”
22. “We All Made Mistakes in Our Youth” 
Acknowledgments
Notes
Tom Segev

About Tom Segev

Tom Segev - Simon Wiesenthal

Photo © © Dan Porges

Tom Segev is the award-winning author of seven works of nonfiction. A columnist for Haaretz, Israel’s leading daily newspaper, he lives in Jerusalem.

Praise

Praise

"Mr. Segev, justly celebrated for his histories of formative moments of the state of Israel, is as careful a biographer as he is an historian. . . . Gripping yet sober, this meticulous portrait of a complicated man is unlikely to be bettered."
The Economist 

"[A] meticulous yet forceful new biography . . . [Segev's] book delivers not merely an intimate account of Wiesenthal's life and times, but also judicious examinations of the many controversial and little-known aspects of that life. . . . It is a serious pleasure to imagine a new generation of readers discovering his life in this careful telling."
The New York Times

“Segev sticks to the ‘true story,’ [which is] what makes all of his work so compelling. Telling the unvarnished truth ultimately honors the man he is writing about, and Wisenthal emerges from Segev’s book as an even richer and more consequential character than the one he invented for himself.”
—Los Angeles Times

“Segev is one of the world’s great investigative reporters—in a class with bloodhounds like Seymour Hersh and the late David Halberstam. . . . The real achievement of this warts-and-all biography [is] that truth, justice, and memory are the province not of saints, but of flawed human beings.”
—Susan Jacoby, The Washington Post

"Tom Segev has produced a biography that is a model of fascinating description and measured analysis."
—The Sunday Times (UK)

"Segev paints a vivid portrait of this human dynamo who made it his life’s work to make people not only confront and remember the Nazi genocide but also to punish as many of its perpetrators as possible."
San Francisco Chronicle

"A brilliant and gripping account of an extraordinary life. It draws upon extensive research to offer new insights into the complex personality as well as the notable achievements of Simon Wiesenthal."
—Sir Ian Kershaw, author of Hitler: A Biography

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