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  • Montaro Caine
  • Written by Sidney Poitier
  • Format: eBook | ISBN: 9780385531122
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Montaro Caine

A Novel

Written by Sidney PoitierAuthor Alerts:  Random House will alert you to new works by Sidney Poitier

eBook

List Price: $13.99

eBook

On Sale: May 07, 2013
Pages: 320 | ISBN: 978-0-385-53112-2
Published by : Spiegel & Grau Random House Group
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Synopsis|Excerpt

Synopsis

A baby is born with a coin in her hand. An orphan crafts a mysterious wooden object. The CEO of a large corporation finds himself under extraordinary pressure at work and at home. And on a remote hilltop on a Caribbean island, a medicine man seems to understand the meaning of all these events and to hold the key to the future.
 
Montaro Caine, CEO of the Fitzer Corporation, is losing control of the company he built just as his teenage daughter is experiencing her own difficulties. At this moment of crisis, a man and woman appear at his office with a coin of unknown provenance, composed of a metal unknown on Earth. Montaro immediately recognizes it as the companion of a coin he analyzed as a graduate student working in a lab at MIT, which was later returned to its unidentified owner. The coin’s appearance draws the attention of scientists, collectors, financiers, and thieves, all of whom vie to get their hands on it, and Montaro himself hopes that the discovery of the coin will save his company. But the value of the coin lies not in its monetary worth but in its hold on the people who come into contact with it. These include the young woman who is not aware of the object that was found in her hand at birth; an old man who, as a boy, crafted a wooden compact as a gift for a young Montaro Caine; and the elusive healer Matthew Perch, who, from his hut on a small Caribbean island, knows precisely why these people have been brought together and what wisdom the coin imparts.
 
In his first novel, the beloved actor and director Sidney Poitier takes us on a wild and unexpected adventure—from New York to Europe to the Caribbean and beyond. The novel offers Poitier’s heartfelt message about the potential each of us has within ourselves, and about being open to the possibility that there are mysteries in the universe, and here on Earth, far greater than we can imagine. An enthralling journey into the magic of existence, Montaro Caine is a radiant debut from an American legend.

Praise for Montaro Caine
 
“Some might feel it’s quintessentially Poitier. Elegant, if a book can be elegant, with a bit of mystery and Caribbean flavor thrown in for good measure. Like his famed movie roles in Lilies of the Field and Guess Who’s Coming to Dinner, he once again offers up a moving performance.”USA Today
 
“An intricate, electrifying journey. Academy Award winner Poitier creates multifaceted characters, with Montaro in particular exhibiting a rare realism; Montaro’s encounters with others are at once honest, intense, and mesmerizing. While the narrative has an urgency that will keep readers anticipating, it is also poetic. . . . Part mystery, part science fiction, this book excites like Agatha Christie’s Murder of Roger Ackroyd and will appeal especially to lovers of suspense.”Library Journal

“[A] captivating blend of corporate intrigue and science fiction . . . a thought-provoking tale of caution and hope that is as elegant and riveting as the legendary actor and director himself.”Booklist
 
“Surprisingly intricate . . . sure to please his many fans.”Publishers Weekly

“Elegantly written and keenly observed . . . a Little Prince for grown-ups.”Kirkus Reviews

Excerpt

1

For a man whose adult life would come to be marked by so many strange and miraculous events, Montaro Caine had a comparatively unremarkable childhood. In fact, during the times when Montaro would look back upon his earliest years—before his father died, before the arrival of the Seventh Ship, before a deformed black boy only a few years older than Montaro himself would make him a gift that would change Montaro’s life forever—he would remember his youth as if it had taken place in some distant galaxy light-years away. He was born in Hyde Park, a Kansas City neighborhood that was home to many academics such as his father, Robert, a professor of mathematics at the University of Missouri. Back then, the neighborhood was one of spacious front porches and vast backyards, just an easy bike ride away from frog-filled creeks and thrillingly perilous ravines.

To Montaro, childhood was a time of endless summers, a time when the things he loved most were close at hand—baseball, the end of school, staying up late to watch the stars with his father, the annual Ozark Mountains hiking trip with his dad and granddad Philip, and most of all, the time he spent with his Kansas City pals. Fueled by seemingly unlimited energy, his wild pack of friends would race across each priceless day in search of adventure, mischief, and fun, until hunger, exhaustion, or weather drove Montaro home, where his mother, Sarah, would always be there to feed him or order him to take a nap or read a book.

But that idyllic childhood would end suddenly and far too early, in fact not long after he turned eight. For Montaro, life would forever be divided between the time before his father arrived home from a meeting of his university’s personnel committee bearing an important letter, and everything that happened afterward.

The odd part about the letter and all that it would come to represent to Montaro for his entire life was that it seemed to promise good news.

“Sarah?” Montaro heard his father call out upon entering his family’s sprawling ranch house on that Monday afternoon; in Montaro’s memory, his father’s voice always seemed to echo throughout the house, but this time it sounded uncharacteristically cheerful. “Where are you, honey?” he asked.

Dr. Robert Caine was a gentle yet intimidating man, stocky and handsome. He was the son of Jewish immigrants from Austria and he counted both bankers and mathematicians like himself among his ancestors. The family name had once been Cohen, until Robert’s father, Philip, who left Europe not long before the outbreak of World War II, had changed it at Ellis Island. Though at eight years old Montaro was too young to understand the true nature of his father’s brilliance or the fact that he himself would inherit his father’s scientific mind, he was always aware on some level of his father’s great knowledge and kind authority.

“In here, Robert,” Sarah Caine replied from the kitchen where she was cooking dinner—roast chicken with apples, which was both Montaro and his father’s favorite. Sarah was a graceful woman—beautiful, warmhearted, and generous; to Montaro, she was the personification of love, which seemed to radiate from her, casting its glow everywhere, yet most directly upon her husband and son.

Robert Caine entered the kitchen, embraced his wife, and then presented the letter. “It arrived today. Out of the blue,” he said.

“What is it?” She was already able to detect an unusual enthusiasm coming from a man who usually tried hard to downplay his emotions.

The letter was handwritten on Columbia-Presbyterian Hospital stationery and signed by a Dr. Andrew Banks. Though Sarah Caine had not completed college after she became pregnant with Montaro, she was aware of Dr. Banks’s reputation. On many occasions, she had heard her husband speaking of the renowned behavioral scientist. Banks was known primarily for his studies of individuals who were afflicted with varying degrees of mental retardation but were inexplicably gifted in a single area, in some cases to the point of genius. Banks’s work had revolutionized the thinking on mental deficiencies. This topic was also of great interest to Robert Caine, who had referenced Banks’s studies in some of his own papers. Now, according to the letter he was showing his wife, Robert was being invited to join Dr. Banks’s research group for a few days in New York as a member of an observation team consisting of about half a dozen professors to see how autistic patients processed mathematical equations.

“This is wonderful darling; I’m so happy for you,” Sarah said, then called to her son, “Montaro, dinnertime!” When Montaro entered the kitchen, he saw that his mother was beaming, and so was his father, who seemed almost stunned by his good fortune. Yes, to young Montaro, this all seemed like good news.

On his first day at Columbia-Presbyterian in New York, Robert Caine finally got to meet Dr. Andrew Banks, who turned out to be a tall, angular Gary Cooper look-alike. In a mostly empty examination room, Banks introduced Robert and his fellow observers, four men and one woman, all professors, to an autistic man who was said to have astonishing math skills. The man was named Tom Lund, and Banks referred to him as an “idiot savant.”

Lund was a blond, wiry, sharp-featured fellow with hooded green eyes, and he appeared to be in his early thirties, about the same age as Caine himself. He was seated on a metal folding chair in the center of the examination room, and he acknowledged the introductions with a lazy nod of his head while avoiding eye contact with anybody present. Dr. Banks and the members of his research team each sat on metal chairs that were arranged in a semicircle around their subject, while Dr. Caine and the other visiting professors seated themselves in a row of chairs behind the researchers.

Lund was consumed by nervous energy that drove his impatient left foot up and down in an anxious rhythm. He seemed to want to get this show on the road for yet another group of spectators hoping to gain some new understanding of his abilities. Even so, when Dr. Banks posed questions to him, Lund was unable to completely conceal how much he enjoyed being a star subject.

Banks began by presenting Lund with relatively simple problems, but those problems grew increasingly complex as he proceeded. The more Robert Caine observed, the more he became enthralled. In theory, he should not have been surprised that Lund was able to arrive at correct solutions to the questions that Banks posed. Having read Banks’s work, Robert knew that individuals such as Tom Lund would most probably be able to calculate the sum of the first one hundred integers as 500,500 or know that the hundredth prime was 541. But what amazed him was the computer-like swiftness of Lund’s calculations. Later that day, when Caine held his first one-on-one interview with Lund, he became only more awed by the man’s genius, which seemed almost otherworldly. Caine recorded in his notebook, “A stunning experience,” then added that there was always so much more to the world than what one initially perceived. The casual observer would have had no sense of all that existed beyond Lund’s nervous demeanor and those hooded green eyes; the world was much like Lund, he wrote, so full of unexpected depths, so full of mysteries for men of math and science to solve. Science and education—those were the two subjects that Robert Caine valued above all others; these were the two subjects, he wrote in his notebook, that he hoped would be part of Montaro’s future as well.

In New York, Caine spent the next three days interviewing Tom Lund and consulting with Dr. Banks in preparation for a paper he planned to write about his experiences at the hospital. The exchanges with Lund were exceedingly productive, at least according to what Caine wrote in his notes. He appreciated learning from a revered behavioral scientist such as Andrew Banks, and Dr. Banks, too, seemed to benefit from the insights offered by this comparatively young professor of mathematics.

After Caine’s final one-on-one interview with Lund, conducted on his third day at Columbia-Presbyterian, Caine participated in an hour-long discussion in Dr. Banks’s office with his fellow researchers regarding their observations and findings. Even though he knew he had to rush to get to Idlewild Airport to catch his plane back to Kansas City, he kept asking questions, holding the microphone of his Dictaphone close to Dr. Banks’s face. And even afterward, while he hurried down a long corridor alongside Banks, Robert Caine still wanted to know everything the scientist could tell him about Tom Lund.

Robert Caine was heading with Dr. Banks toward the hospital’s exit when he noticed a patient stepping into the corridor. The patient was a black boy with a twisted chin and a withered right leg, which caused a severe sideways tilt to his body motion as he limped forward. The boy was dressed in a faded gray T-shirt and a pair of old jeans that were much too large for him. He moved toward Robert Caine with an unsettling look of determination in his haunted, unblinking gray eyes. The youngster’s face looked deformed—his bottom jaw seemed to swing severely to the left of the rest of his face. Both Caine and Banks tried to alter their course to move around him, but the boy blocked their way.

“This is Luther,” Dr. Banks told Caine. “Luther, this is Dr. Caine. Now step aside, Luther.”

But the boy interrupted by reaching out to Robert Caine. In his hands was a sleek black circular object that resembled a woman’s compact. Caine, still holding his Dictaphone, pointed his microphone at the child. “For me?” he asked with a smile, looking down at the boy.

“Son,” the boy corrected in a garbled, guttural voice that was not easy for Robert Caine to understand.

“The sun?” repeated Caine, gesturing up toward the ceiling.

“I think he means your ‘son,’ ” Banks explained. Then Banks asked Robert, “You do have a son, don’t you?”

“Oh yes,” said Caine, looking at the boy with surprise, wondering how Luther could have known. “I do have a son, and this is for him?”

The boy nodded.

“That’s very nice of you,” said Caine, examining the item. “And this is very nice, too. What is it?”

“It’s a ship,” Luther said in his halting speech, which sounded as if it arrived after passing through a mouth filled with marbles.

“Aha. It’s a very nice-looking ship,” Caine said, though the object didn’t bear even the slightest resemblance to a ship. He turned it over, rubbing his fingers along its smooth surface, then held it to his ear and gave it a gentle shake; the compact seemed to have a hollow interior, and Robert made a gesture toward prying it open.

“You’re not supposed to open it,” the boy said firmly.

“Oh, I’m sorry,” said Robert. “But I think I hear something inside.”

“Yes, but it’s not delivering anything to you. It’s coming to get something.”

“And what’s that?”

“Information,” the boy stated.

“What kind of information?”

“It’s a secret.”

“I see.” Caine thought for a moment, then smiled. “But suppose my son wants to know. What do I tell him?”

“I’ll tell him when he comes to see me.”

“When will that be?”

“When he’s older.”

“Has it got a name, this ship?” Caine asked. He felt awkward and didn’t know what else to say to the physically afflicted child.

Dr. Banks stepped forward. “All right, Luther, Dr. Caine has to be off. He has a plane to catch.”

“Thank you, Luther,” Caine said as he and Dr. Banks proceeded down the hall.

“It’s called the Seventh Ship,” Luther shouted.

After a brief look over his shoulder at the small lone figure standing in the hallway, Caine, making sure that the boy was out of earshot, asked Banks, “What’s his situation?”

“He makes objects out of wood,” replied Banks as they continued to walk.

“He made this compact?” Caine asked.

“To him it’s a ship,” Banks corrected with a playful smile.

“Whatever it is, he made it?”

“Yes.”

“From wood?”

“Yes.”

“The finish is remarkable. It’s beautiful—as a compact, that is,” he added with a chuckle.

“Oh that’s nothing,” replied Dr. Banks. “He can sculpt.” Banks slowed his pace and pointed as they approached a door near the exit. “His room is right here. Why don’t we just peek in for a second?”

Luther’s tiny, windowless room was surprisingly well ordered. Everywhere were carvings of toys, buildings, cars, animals, and birds, all astonishingly realistic.

“The hospital allows some of his work to be shown at two art galleries in the city, and in several others around the state,” said Banks. “His situation is the same as Tom Lund’s and the others in our study—all the classic signs of retardation, except in the one area where they are exceptional.”

“How old is Luther?”

“Fourteen.”

To Caine, the boy had seemed much younger, perhaps because he was so short, only around four-and-a-half feet tall.

“What’s his last name?”

“He doesn’t have one,” said Banks. “He was abandoned when he was two or three years old. Because ‘Luther’ was all he could tell them at the agency when he was first taken there, they called him Luther John Doe. They never learned anything about his background, so now he’s just ‘Luther.’ Come, I think you’d better be off.”

As they exited Luther’s room, Banks continued, “On your next visit, after you see Tom Lund, maybe you’d like to spend a little time going over our findings on Luther.”

“I certainly would,” said Robert Caine. “But let me ask you something.”

“Yes?” asked Dr. Banks.

“Did you ever tell him I had a son?”

Banks shook his head.

“Then how could he possibly know?”

“I have no idea,” said Banks. “Probably he just guessed.”

On the flight back to Kansas City, Robert Caine made numerous entries in his diary, worked on the file he had already started on Tom Lund, and contemplated how he might expand his studies to include Luther John Doe who, he wrote, intrigued him. The private one-hour sessions he had conducted with Lund, exploring the abilities of the young man’s brain, were among the most fascinating hours Caine had ever experienced, and he sensed that sessions with Luther would prove to be just as enlightening. Lund’s brain was one that had difficulty with some of the most elementary problems of everyday living, and yet in certain areas of mathematics, he could astound the most knowledgeable in the field.

Caine hoped to have at least six more sessions with Lund before the end of the year, plus another six with Luther, after which he planned to present his paper to Dr. Banks for his approval before submitting it for publication. But Dr. Caine’s plane never reached Kansas City. Ten miles from the runway at Mid-Continent International Airport, it crashed, killing everyone on board.
Sidney Poitier

About Sidney Poitier

Sidney Poitier - Montaro Caine
Sidney Poitier is an Academy Award–winning actor, a film director, a author, and a diplomat. He is the author of three bestselling autobiographical books, This Life, The Measure of a Man: A Spiritual Autobiography, and Life Beyond Measure: Letters to My Great-Granddaughter. Born in Miami, Florida, Poitier was raised in the Bahamas and currently lives in Beverly Hills, California, with his wife of more than four decades, Joanna Shimkus Poitier.
Praise

Praise

“Some might feel it’s quintessentially Poitier. Elegant, if a book can be elegant, with a bit of mystery and Caribbean flavor thrown in for good measure. Like his famed movie roles in Lilies of the Field and Guess Who’s Coming to Dinner, he once again offers up a moving performance.”USA Today
 
“An intricate, electrifying journey. Academy Award winner Poitier creates multifaceted characters, with Montaro in particular exhibiting a rare realism; Montaro’s encounters with others are at once honest, intense, and mesmerizing. While the narrative has an urgency that will keep readers anticipating, it is also poetic. . . . Part mystery, part science fiction, this book excites like Agatha Christie’s Murder of Roger Ackroyd and will appeal especially to lovers of suspense.”Library Journal

“[A] captivating blend of corporate intrigue and science fiction . . . a thought-provoking tale of caution and hope that is as elegant and riveting as the legendary actor and director himself.”Booklist
 
“Surprisingly intricate . . . sure to please his many fans.”Publishers Weekly

“Elegantly written and keenly observed . . . a Little Prince for grown-ups.”Kirkus Reviews

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