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  • The Inspector and Silence
  • Written by Hakan Nesser
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  • The Inspector and Silence
  • Written by Hakan Nesser
    Translated by Laurie Thompson
  • Format: eBook | ISBN: 9780307379825
  • Our Price: $11.99
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The Inspector and Silence

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An Inspector Van Veeteren Mystery (5)

Written by Hakan NesserAuthor Alerts:  Random House will alert you to new works by Hakan Nesser

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List Price: $11.99

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On Sale: June 14, 2011
Pages: 336 | ISBN: 978-0-307-37982-5
Published by : Vintage Knopf
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mystery (26) crime (21) fiction (19) sweden (18) van veeteren (10) crime fiction (7) scandinavia (5) swedish (4)
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Synopsis|Excerpt

Synopsis

In this enthralling new addition to Hakan Nesser’s acclaimed Inspector Van Veeteren series, the Swedish detective must crack a secretive and uncooperative religious sect in order to solve a string of brutal murders.
 
When one of the Pure Life’s members is found raped and strangled in the forest near the group’s camp, the Chief Inspector is called to investigate. The Pure Life has chosen to remain silent about the incident rather than defend itself, so Van Veeteren’s only lead is the anonymous caller who reported the body. As the unidentified woman continues to assist the authorities, her knowledge suggests she’s more than just a passing Good Samaritan, but her tips become doubly perplexing as a new string of increasingly horrifying crimes defy everything Van Veeteren and his team thought they knew about the case.

Excerpt

1
 
The girl in bed number 12 woke up early.
 
A summer morning. The gentle light of dawn sneaked in through the inadequate curtains. Started thawing out the night, a bit at a time. Levering up the darkness out of corners, prying into the other girls’ innocent dreams. Their contented sniffling. She lay there for a while, listening to them. Trying to identify them. Kathrine was lying on her back as usual, snoring gently through her open mouth. Belle was hissing like a snake. To her right, Marieke was puffing away; one arm was dangling down by the side of the bed, and her mop of red hair was spread like a fan over her pillow. A drop of saliva trembled in the corner of her mouth—perhaps she should creep over to her and use a corner of the sheet to wipe it away? But she desisted.
 
She would have liked to tell Marieke what she was going to do. Marieke if nobody else. Say something; leave a message, anything. But she still hadn’t made up her mind the previous evening. She’d been hemming and hawing. It wasn’t an easy decision to make. She’d lain there, brooding over it, tossing and turning and making the iron-framed bed groan and creak until well into the night—both Marieke and Ruth had wondered if she was ill, and Belle had begged her several times to stop making such a racket.
 
Belle was a bit of a pain, but her dad was a close friend of Yellinek’s so it was advisable to keep well in with her. That’s what they said, at least. But then, they said all kinds of things at the Waldingen camp.
 
Anyway, she’d been tossing and turning. She had no idea when she’d eventually fallen asleep, nor did she know what time it was now—but her body was telling her that she hadn’t had all that much sleep. In any case, now the moment had arrived—and, ah well, she’d better get up.
 
Her internal alarm clock had worked as it always did; but, of course, there was no reason it should continue to keep her awake. No reason at all.
 
She carefully folded back the heavy duvet and sat up. Dug out her jeans, T-shirt, and sneakers from the bedside cupboard and dressed quickly. Noticed that the pain in her stomach had returned, but brushed it to one side with the aid of her anger.
 
Her anger and sense of justice.
 
She scraped together the rest of her belongings in controlled haste: it wasn’t easy to find room for everything, but she managed it. She fastened her rucksack and crept out. The door creaked as usual as she opened it, and some of the steps sighed unhappily when she trod on them, but in less than half a minute she was outside.
 
She scampered over the dew-laden grass and up toward the edge of the forest, stopping only when she had crossed over the little ridge and descended into the first of the hollows. Out of sight of the buildings, and out of reach.
 
She paused for a while among the blueberry bushes, shivering in what remained of the chilly night air while she worked out points of the compass and directions. Noticed that her teeth were chattering. If she kept going straight ahead through the trees, she must sooner or later come to the road, she knew that. But it was a long way. Even if she managed to stick to a more or less straight line it would take half an hour at the very least, and of course it wasn’t certain that she’d be able to avoid going around in circles. By no means certain. She had lived in cities all her life: being close to nature among all these trees was not the environment she was used to.
 
She was playing away from home, you might say.
 
In normal circumstances she could have said a prayer, of course. Prayed to God and asked Him to stand by her and help her along her way, but it didn’t seem right this morning.
 
Not right, and somehow not really honest.
 
God had started to look different recently. Yes, that’s more or less what it seemed like. Become big, difficult and unapproachable, and—even if she didn’t like to accept the thought—a bit frightening. The gentle bearded grandad figure of her childhood was swathed in shadows.
 
In darkness.
 
And now that she came to think about it, she realized that it was because of that very darkness that she was standing here among the blueberry bushes, wondering what to do next.
 
Hesitating and fighting against her fear and her anger. And her sense of justice, as already mentioned.
 
Yes, that was why.
 
The terrain sloped down to the right. Toward the lake and the winding dirt road leading to the Finghers’ farm, where they took it in turns to go every evening to fetch the milk. And potatoes and vegetables and eggs.
 
Always in a group of four, with one of the rickety carts, and with Yellinek in the lead. Nobody could really understand why it was necessary for Yellinek always to be there when they went to the farm. Surely one of the sisters could have done it? Although it could have been to protect them from danger. That’s probably why. The Finghers’ farm was the only contact they had with the Other World, as Yellinek used to call it in his talks, the ones he held every morning and evening.
 
The Other World?
 
Now I’m standing in the Other World, she thought. I’ve only ventured a couple of hundred yards into it, and already I’m not sure which way to go. Perhaps everything really was like Yellinek said it was after all? Perhaps it really was Yellinek’s God who was the real God, and not her own—her kind and forgiving and almost a little bit childlike God, full of joy?
 
The hell it is, she muttered to herself with another shudder, this time mainly to reinforce her thoughts. What’s the point of a God who isn’t gentle and kind?
 
But what she would do if she did eventually manage to get to the main road—well, that was something neither she nor either of the Gods could answer.
 
Something will turn up, as her grandma used to say. I’ll think of something. She cast one more glance back over the ridge, toward the buildings: all she could see sticking up over the trees was the very top of the pointed roof of the dining room.
 
And the big, black cross, of course, the one they’d nailed together the very first day they arrived. She took a deep breath, turned her back on all that and began to make her way down toward the lake. Best to stick to the familiar dirt road after all.
 
She emerged from the trees close to the enormous birch that she and Marieke had discussed carving their names into before they left.
 
Always assuming they could find a way of slipping out unnoticed, that was the problem. They would have to steal twenty minutes from the Pure Life, sneak out and then back in without being seen. They didn’t really fancy their chances of actually doing it, it was just one of those things people said; but here she was now, in fact, rubbing her hand over the smooth, white bark.
 
The Pure Life? she thought. The Good Shepherd?
 
The Other World?
 
A lot of crap.
 
The word came into her mind just as quickly as it had done yester­day. “Crap.” She hadn’t been able to hold it back then—it had flown out of her mouth like an angry and hotheaded little swallow, and in a flash it had changed into a big cloud.
 
Yes, that’s exactly what it was like. A dark and threatening cloud hanging over the heads of everybody in the Hall of Life. It made the girls hold their breath, and Yellinek’s pale eyes slowly turned to stare at her for several seconds, which felt like days.
 
“I want to have a word with you afterward,” he’d said eventually, then turned his eyes away again and continued talking in his usual low voice. About purity and whiteness and nakedness and all that stuff.
 
Then later on in the White Room.
 
But not even there did he waste many words on her. Merely stated the fact.
 
“The Devil, my girl. You have the Devil inside you. Tomorrow we’ll drive it out.”
 
Then he’d sent her off to bed with a weary gesture.
 
She had heard about driving out the Devil, but had no idea how they went about it. She’d thought it was something that only grown-ups did, but evidently not. Anybody could be possessed by the Devil, even a little child: that was something she’d learned last night.
 
And now it was going to be driven out. That was bound to be an unpleasant experience. Much worse than the caning to drive out sin—and although she had been here for two weeks now, she still hadn’t grown accustomed to that. After every session she needed to cry a bit in private, but she hadn’t noticed any of the other girls needing to do that.
 
And now the need to cry had struck her again. Without any warning, she felt a burning sensation in her throat and then the tears started to flow and she had to sit down by the side of the road. Just for a few moments, to let it run its course and go away. It was silly, wandering around in the middle of the road and sobbing. Even though it couldn’t have been later than six or half past—and even though there was virtually no risk of meeting another soul—it was silly.
 
She found a handkerchief in her rucksack and blew her nose. Remained sitting there for a few minutes, to be on the safe side, and it was just as she was about to stand up and continue on her way that she heard a twig snap close by, and she quickly realized that she was by no means as alone as she had imagined.




From the Hardcover edition.
Hakan Nesser

About Hakan Nesser

Hakan Nesser - The Inspector and Silence

Photo © Cato Lein

Håkan Nesser was awarded the 1993 Swedish Crime Writer’s Academy Prize for new authors for Mind’s Eye (published in Sweden as Det Grovmaskiga Nätet); he received the best novel award in 1994 for Borkmann’s Point and in 1996 for Woman with Birthmark. In 1999 he was awarded the Crime Writers of Scandanavia’s Glass Key Award for the best crime novel of the year for Carambole. Nesser lives in Sweden and London.

Praise

Praise

“[Van Veeteren] tackles a murder investigation as if it were a knotty chess problem. . . . There’s much to be said for a quiet man with a good mind.”
The New York Times Book Review
 
“Elegantly penned. . . . Thoroughly enjoyable. . . . [A] twisty layered tale that should keep even seasoned mystery fans guessing. . . . Just as Van Veeteren is no typical fictional detective, Nesser is no typical mystery writer. And The Inspector and Silence is no typical summer read: a Swedish vacation tale that visits the darkness with appropriate gravity but doesn’t wallow in it—all the while managing to entertain.”
Cleveland Plain Dealer
 
“A thrilling investigation.”
Newsweek
 
“What’s surprisingly refreshing about Nesser’s writing, given the subject matter, is the wry humor and sarcasm of his characters, that and a storyline that will keep you riveted till the final page. . . . Where Jo Nesbø’s approach is more physical, visceral, Nesser’s Chief Inspector Van Veeteren is much more cerebral. A chess player and lover of classical music and art films, Van Veeteren is nevertheless a bit of a curmudgeon, world-weary and nearing retirement, not unlike Henning Mankell’s Kurt Wallander.”
San Antonio Express-News

“Evocatively drawn. . . . A work of great moral complexity. . . . The clarity of Nesser’s vision, the inner problems of good and evil with which Van Veeteren struggles, recall the films of Bergman.”
The Independent (London)
 
“[A] riveting tale. . . . [Van Veeteren] is the perfect detective for the job—ploddingly thorough and cerebral, with keen intuition about the darker reaches of the human character.”
Minneapolis Star Tribune
 
“This is stylish, atmospheric crime fiction with a strong moral core from an award-winning author; essential for readers of the genre.”
Library Journal
 
“Nesser concentrates on character and relationships in his novels. . . . His latest moves along leisurely, giving readers the opportunity to savor the style of his hero without worries of international conspiracies lurking in the Swedish forests.”
Pittsburgh Post-Gazette
 
“A taut and compelling mystery in a consistently outstanding series.”
Booklist
 
“Satisfying. . . . Van Veeteren, disengaged, thinking of retirement and wonderfully enigmatic, makes an enjoyable change from all those fictional policemen who persist in taking their work home with disastrous consequences.”
The Guardian (London)

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