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  • Speak, Memory
  • Written by Vladimir Nabokov
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  • Written by Vladimir Nabokov
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An Autobiography Revisited

Written by Vladimir NabokovAuthor Alerts:  Random House will alert you to new works by Vladimir Nabokov

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List Price: $11.99

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On Sale: February 16, 2011
Pages: 336 | ISBN: 978-0-307-78773-6
Published by : Vintage Knopf
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Synopsis

 

From one of the 20th century's great writers comes one of the finest autobiographies of our time. Speak, Memory was first published by Vladimir Nabokov in 1951 as Conclusive Evidence and then assiduously revised and republished in 1966. The Everyman's Library edition includes, for the first time, the previously unpublished "Chapter 16"–the most significant unpublished piece of writing by the master, newly released by the Nabokov estate–which provided an extraordinary insight into Speak, Memory.

 

Nabokov's memoir is a moving account of a loving, civilized family, of adolescent awakenings, flight from Bolshevik terror, education in England, and émigré life in Paris and Berlin. The Nabokovs were eccentric, liberal aristocrats, who lived a life immersed in politics and literature on splendid country estates until their world was swept away by the Russian revolution when the author was eighteen years old. Speak, Memory vividly evokes a vanished past in the inimitable prose of Nabokov at his best.

(Book Jacket Status: Jacketed)

Vladimir Nabokov

About Vladimir Nabokov

Vladimir Nabokov - Speak, Memory

Photo © Jerry Bauer

VLADIMIR NABOKOV studied French and Russian literature at Trinity College, Cambridge, then lived in Berlin and Paris, writing prolifically in Russian under the pseudonym Sirin. In 1940, he left France for the United States, where he wrote some of his greatest works—Bend Sinister (1947), Lolita (1955), Pnin (1957), and Pale Fire (1962)—and translated his earlier Russian novels into English. He taught at Wellesley, Harvard, and Cornell. He died in Montreux, Switzerland, in 1977.
 
Thomas Karshan is the author of Vladimir Nabokov and the Art of Play and co- translator of Nabokov’s The Tragedy of Mister Morn. Previously a research fellow at Christ Church, Oxford, and Queen Mary, University of London, he is now a lecturer in literature at the University of East Anglia. He lives in London and Norwich.

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"When he is writing about someone or something he loves, he is irresistible; when he is writing about someone or something he despises, he can manage to enlist one's sympathies, if only momentarily, for the object of his contempt."  --The New York Review of Books

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