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A Novel

Written by Johanna MoranAuthor Alerts:  Random House will alert you to new works by Johanna Moran

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On Sale: February 09, 2010
Pages: 304 | ISBN: 978-0-345-51901-6
Published by : Ballantine Books Ballantine Group
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Synopsis|Excerpt

Synopsis

When Henry Oades accepts an accountancy post in New Zealand, his wife, Margaret, and their children follow him to exotic Wellington. But while Henry is an adventurer, Margaret is not. Their new home is rougher and more rustic than they expected—and a single night of tragedy shatters the family when the native Maori stage an uprising, kidnapping Margaret and her children.

    For months, Henry scours the surrounding wilderness, until all hope is lost and his wife and children are presumed dead. Grief-stricken, he books passage to California. There he marries Nancy Foreland, a young widow with a new baby, and it seems they’ve both found happiness in the midst of their mourning—until Henry’s first wife and children show up, alive and having finally escaped captivity.

    Narrated primarily by the two wives, and based on a real-life legal case, The Wives of Henry Oades is the riveting story of what happens when Henry, Margaret, and Nancy face persecution for bigamy. Exploring the intricacies of marriage, the construction of family, the changing world of the late 1800s, and the strength of two remarkable women, Johanna Moran turns this unusual family’s story into an unforgettable page-turning drama.

Excerpt

Part One


The Newcomers 1890  

A common bat on the other side of the world elects to sink its rabid fangs, and one's cozy existence is finished.   Margaret Oades knew her husband was up to something the moment he came through the door with a bottle of wine. It was late. The children had gone up hours ago. "What's the occasion?" she asked, laying out a plain supper of shirred eggs and lardy cakes.  

Henry kissed the nape of her neck, giving her a shiver. "I've an announcement," he said.  

Margaret expected him to say he'd found a collie for their son. John, nearly eight now-her big boy, her pride-had been wheedling without letup for weeks. She took down two goblets, hoping the dog was an old one and not some frisky crocus lover.  

"A senior passed in New Zealand," he said instead. "Of a bat bite, poor bloke. I'm to complete his stint. We're due as soon as possible. You'll want to prepare."  

Margaret set the goblets aside. "Henry."  

"Two years, sweetheart." He'd proposed marriage with the same pleading look. "The time shall sail by, you'll see. It's a grand opportunity, a flying leap forward. I could hardly say no thanks."  

Three weeks later, boarding the steamer tender that was to take them down the Thames and bring them up alongside the Lady Ophelia, Margaret could not recall what she'd said next. Nothing perhaps, stunned as she'd been.  

On board the crowded tender, a child each by the hand, Henry and Margaret jockeyed for position at the rail. Already the narrow boat was moving, spewing gray smoke. Margaret waved to her parents on the quay below, flapping her hankie, straining to pick them out through tears and drizzle. She'd not told them she was expecting again, thinking it too soon. She regretted now not making an exception, cutting the sadness with a bit of happy news. Henry wrapped an arm about her, kissing her brow, his beard grazing her cheek. He'd been made a ship's constable, issued a red-lettered guernsey too small for him. The bulky knit pulled across his broad shoulders and chest. Pale knobby wrists jutted between glove and cuff. He was to be paid seven pounds for patrolling the single-women's section, which appealed to the latent cop in him. He'd had other aspirations before settling upon an accountant's stool. There was a time when he thought himself bound for the opera stage, but that was years ago, before he knew what it took. 

  He kissed her again. "It's not forever."  

"The new baby shall be walking," she said, rising up on her toes, waving wide arcs.  

Behind her a woman said, "They cannot see us anymore. We're too far off."  

Margaret turned to face the lady in the gaudy checked cape, a pixie of a woman with a sprinkle of reddish brown freckles to match her hair. Earlier, Margaret and her father had been standing on the wharf, monitoring the loading of their trunks. The cheeky woman sashayed up like a long-lost relation, saying, "Your wife has such a serious look about her, sir."  

"I beg your pardon," Margaret had said. "You're addressing my father."  

"You don't remember me," the woman said now, fingering a dangling ear bob.  

"I do, madam." How could she forget? 

  "Where's your lovely da?" 

  "My father isn't sailing," said Margaret. "He was there to see us off."  

"A pity," she said, turning to Henry, smiling, dimpling. "I'm Mrs. Martha Randolph, Constable. One of your charges. Who might the wee lady and gentleman be?"  

Henry introduced the children, clapping a proud hand to John's shoulder, prying six-year-old Josephine from Margaret's leg. Margaret turned back to the watery haze that was her parents, spreading her feet for balance, her pretty going-away shoes pinching. She'd been told the river was calm. "Smooth as glass," her favorite uncle had claimed.  

"Your children are charming, Mr. Oades," said Mrs. Randolph. Meaning, presumably, Your wife is utterly lacking. The woman sauntered off not holding the rail, flaunting her superior sea legs, a cockiness won by being on one's own, no doubt.  

London was behind them now, the hawkers and filth, the soot-belching chimney pots, the piles of manure in the streets, the raw sewage in the black water. Margaret had visited once before. It's good to get to know other things and places, Henry had said on the train. She'd agreed aloud, but not in her heart. At thirty-two she was a contented homebody, John and Josephine's mum, Henry's wife. It was enough, more than enough. She knew all she needed to know about other things and places.  

The tender rounded a rocky promontory. A row of small cottages went by, lighted from within, the mothers in them tucked away, minding their worlds, starting their suppers.  

Henry spoke close to her ear, his breath warm as toast. "Think of the grand stories we'll tell in our sapless dotage."   She laughed a little. "Assuming we've the sap to see us to dotage."  

He laughed too, releasing pent-up excitement. "That's my girl." He was as keen to go as she was not. He hoisted John and put a fist, a make-believe telescope, to John's eye. "Now watch for our ship, boy. She'll come into view any moment now."  

A shout came from above. "Ahoy! There she is!"  

The passengers stampeded toward the bow. Henry and the children fell in, joining the stream. Margaret stood rigid, the blood quickening in her veins. The Lady Ophelia was enormous, majestic. She came with sails as well as steam. Four towering masts swayed against a pewter sky, as if unstable. 

  Henry called to Margaret. She scanned the throng, spotting them ahead, larky children shrieking, Henry waving her forward. She gripped the burnished rail and began to inch her way toward them, the deck seesawing beneath her feet, her insides turning. "Like walking about in your own best room," the prevaricating uncle had said. 

  They'd not been on board the Lady Ophelia five minutes when John stumbled over a coil of rope and fell, scraping his knee. A uniformed officer was on him immediately, setting him to. The deck was positively littered with ropes, with winches and chains, drums and casks, all manner of object designed to draw a curious boy close to the rail. She'd need to watch the children every second of the day.  

"There's some confusion in the ladies' section, sir," the officer said to Henry. "You're wanted straightaway."   The ship's doctor came up, offering Margaret and the children a tour in Henry's absence.  

Henry cheerfully accepted on Margaret's behalf, before she could decide or get the first word out. They were led down a narrow corridor and shown the maple-paneled library, and then a card room, and yet another social room with a piano, an Oriental rug, and plush velvet drapery.  

"It's all quite impressive," said Margaret, calmer now. It helped to be inside, away from the rail. By the time they reached the hectic dining hall she was feeling rather human again. The roast lamb smelled delicious. How novel to sit down to a meal she hadn't so much as pared a potato for.

Dr. Pritchard escorted them to their cabin afterward, passing the animal pen along the way, where chickens mingled with pigs, and sheep stood with sad-looking dewlappy cows.  

"We've the best of butchers aboard," said the doctor. 

  "Nice piggy," said Josephine, squatting, putting herself face-to-snout with a homely sow having her brown supper.   The grizzled old sailor inside the pen approached her. "You mustn't ever utter the word pig on board a ship, lassie. 'Twill bring the worst of luck. You're to say swiney instead." 

  "Come away, Pheeny," said Margaret, giving the frightening man a stern eye. 

  At the opposite rail two young African sailors struggled to unlatch a wooden lifeboat. "They're required to practice," said the doctor, "before each sailing." 

  The inept lads looked no older than twelve or thirteen. She would have to study the latching apparatus and teach herself how to unlock and release a boat. God help them should they need to rely on tots.  

The women's section was located just behind the animal pen. Male passengers, the doctor said, were strictly forbidden here. Margaret looked for Henry, but saw only women coming and going, old and young and in between, all laden with sacks and baskets. Off to the side, four women stood in a close huddle, Mrs. Randolph obviously presiding, one hand holding her fancy cape closed, the other gesturing wildly.  

"Your husband will have earned his stipend," said the doctor, reading Margaret's mind.  

She asked, "Do you have any idea when we might expect him?"  

"I don't. Sorry." He brought them as far as their cabin door and left, saying that he was overdue.  

She entered thinking, Henry, Henry, wait until you see. They'd both imagined a fairly spacious cabin, anticipated a small sitting area at least. In fact, the room offered only three places to sit: upon one of the two lower berths or upon the stool beneath the writing shelf. Lamps and washstand were bolted to the wall, virtually promising heavy seas. A shout came from outside, along with a grating rattle of chain. The ship shuddered and began to move. John begged to go to the bow, but Margaret said no, Father wouldn't find them in the crowd. They waited for Henry inside, the dim little cabin rocking like an elephant's cradle. When he didn't come, she prepared the children for bed. "It's been a long day, hasn't it?" She changed into her nightdress and climbed the six-rung ladder to her berth, crouching at the top, proceeding on her hands and knees. There was no other way. The Queen herself would access the bed with her bottom in the air. Below, John kept up a steady stream of chatter.  

"We're bound to see whales tomorrow," he said. "And sea pigs too."  

"The wobbly man told us not to say pig," said Josephine. "You're to say sea swiney instead."  

"Porpoise then," said John. "That's their other name." Margaret fell asleep to their voices, dreaming that Henry had snuck off the ship and gone home on his own.  

He showed up just after ten, whispering apologies. The captain had detained him, along with the other constables, treating them all to brandy and cigars. "The skipper's a dyed-in-the-wool bachelor," he said, "with no appreciation of a lovely girl waiting." He attempted to squeeze his large self in beside Margaret, but even with her backside flush against the wall, the berth would not hold them both. He climbed down and then up again, settling in the opposite upper with a loud sigh. They were to sleep like celibates for the duration then, something they'd never done. A lonely, hemmed-in feeling came over her. In the dark, she touched the ceiling, calculating the distance-eight inches, ten at the most. A near-term woman wouldn't fit. "'Night, Henry."  

"It'll be all right, Meg," he said. 

  She closed her eyes. "It will."  

Henry was called away to duty the next afternoon, missing the last spit of England. Margaret bundled the children and took them up top. A few dozen others stood somberly at the rail, a westerly whipping their clothes, blowing hats from heads. Cornwall's jagged cliffs rose somewhere off the stern, no longer visible without a glass. Ahead lay nothing, absolutely nothing but an alarming expanse of churning sea and dull winter sky. A man began to play the anthem on his flute, slow and mournful. Some of the passengers locked arms and sang. The women sounded especially sad, their voices cracking. Margaret wasn't the only one, then. There were others whose bones wouldn't warm, others thinking: What in God's name have we done? 

  They entered the Bay of Biscay that evening and came along the edge of a storm. An hour into the weather, Henry complained of dizziness and blurred vision. Margaret went to fetch Dr. Pritchard, finding his tight quarters filled with patients. He gave her an orange and instructions to have Henry go up on deck. "I think you should come have a look," she said. The doctor promised he would first chance. But he didn't, and Henry was left to rally on his own.   On the sixth morning, in sight of the African coast, the seas placid, Margaret awoke feeling queer herself, quaky and nauseous. The doctor gave her an exasperated look when she came in, one that said: You, again. He asked straight off, "Are you in a family way?" Margaret said yes, and he shrugged, as if to say the symptoms were to be expected. He advised her to keep a full stomach.  

"Much easier said than done," she said.  

The doctor laughed, showing another side of himself. "You're a droll one. I like that."  

Mrs. Randolph was passing the infirmary just as Margaret came out. "Mrs. Oades! You're well, I hope?"  

"I am." The lady's eyes were glassy, fevered-looking. She was younger than Margaret first thought, probably Margaret's own age, give or take a year. "And you, madam?"  

Mrs. Randolph put a hand to her middle. "The lamb stew of two nights ago nearly killed me. Mind what you eat."   "I shall," said Margaret. "Pardon my saying so, but you appear a bit peaked still. Perhaps you should see the doctor."   "I've seen the no-good," said Mrs. Randolph. "Once was enough, thank you. A baby died last evening, you know."   Margaret's eyes filled. "Oh, dear God. Of what?"  

"Whatever the cause," said Mrs. Randolph, "the quack inside made not the first bloody attempt to save it. He's a dentist, by the by, not a bona fide doctor. The purser informed me." She touched Margaret's hand with trembling fingers, her voice softening. "The child was the mum's one and only. She is beside herself with grief, poor wretch. She's not left her berth even to relieve herself. Some of the others and I plan to attend the service at four. Will you come, Mrs. Oades?" 

  "Of course."  

"We'll show she's not alone in the world, won't we?"  

"Yes," said Margaret. "Though we won't begin to solace."  

The baby's name was Homer Brown. Someone whispered, "Barely a year old." 

  Prayers were said, and then the shrouded child was let over the rail, into gray water, beneath a gray sky. The bereft mother faltered as the baby was released, grasping the rail in lieu of a husband. There was no man present, no kin at all.  

Above, Margaret could hear the rowdy drunks in the men's hatch, Norsemen, a good many of them. Someone shouted in English, "Show a bit of respect for the baby's mum." But they did not let up for a moment.    

Kindness Itself  

Margaret began to miscarry on the eleventh morning out. A strong wind had come up during the night and was only now abating. A keen howl continued, along with straining-timber noises, hideous, ungodly sounds to die by.  

Henry brought her down to John's berth, and then went for Dr. Pritchard, returning instead with Mrs. Randolph. She carried a sack and something wrapped in blue flannel.  
Johanna Moran|Author Q&A

About Johanna Moran

Johanna Moran - The Wives of Henry Oades
Johanna Moran comes from a long line of writers and lawyers. She lives on the west coast of Florida with her husband, John. The Wives of Henry Oades is her first novel.

Author Q&A

A Conversation with Johanna Moran


 
Random House Reader’s Circle sat down with Johanna Moran to chat about the story behind the story of The Wives of Henry Oades. It was a breezy summer day in downtown Sarasota, Florida, and they each enjoyed a glass of wine at a café, just around the corner from Johanna’s home. 

Random House Reader’s Circle:
When I first heard the premise of your novel, it struck me as such a fascinating and unusual story that I thought there must be a family connection here. And indeed there is, though not the sort I would have guessed at. How did you come to write The Wives of Henry Oades

Johanna Moran:
More than a half century ago, my father, a law professor, came across an abstract on the Oades case and showed it to my mother, who was attempting to write short fiction in her nonexistent spare time. She was intrigued and gave thought to fleshing out the story, but that’s as far as she got. She might have had three kids down with mumps that week, or a spectacular birthday party for twins to host. In any event, five children and writing never did mesh. My mother squirreled the abstract away, perhaps thinking she’d get to it eventually. She gave it to me about ten years ago. I was drawn in immediately and went from there. 

Fascinatingly, I’ve since learned from an Oades family descendant that the case, which was reported on in the New York Times and made its way into several legal texts, including Readings in American Legal History (1949)—70 plus years later!— may actually have been a hoax. There’s some debate about whether the story was in fact invented by a California newspaper as a way for them to illustrate a loophole in the law that would have permitted bigamy. 

RHRC:
What in particular about the abstract drew you in? Did you and your mother discuss the narrative at all while you were writing? 

JM:
Well, I considered my own marriage. It’s my first, but it’s my husband’s second. How outraged would I have been in Margaret’s shoes? (She who didn’t want to leave England in the first place.) My mother, two sisters, and I have discussed the narrative at length, from both women’s perspective and from Henry’s, never arriving at a perfect solution. 

RHRC:
What aspect of the story did you find most challenging to fictionalize? 

JM:
The greatest challenge was knowing Henry. I regularly interviewed my husband and other men. “Don’t tell me what you think I want to hear,” I’d say. “Tell me what you’d really do/say under these circumstances.” Of course, no two men had the same answer. I came away with a mix of responses. My Henry Oades is a bit of a composite. I like and respect him. I also feel sorry for him at times. 

RHRC:
One of the things that’s so compelling about your novel is how sympathetic the three main characters are: The reader can relate to each of them and understand their predicament and the choices they make— even if we don’t always agree with them. While you were writing the novel, who did you feel most connected to or sympathetic toward— Margaret, Henry, or Nancy? 

JM:
Easily, Margaret. She’s endured the most and is more entitled to Henry than Nancy. But then that’s one first wife talking about another. Others will surely feel differently. 

RHRC:
How do you think the three Oadeses would have fared today? 

JM:
Good question. The women certainly would have had more options in the twenty-first century. Either one might have divorced without the social stigma attached. They might have gone on to fulfilling careers, in a different city of their choosing. They might have enjoyed the freedom of life on their own, or found new love(s), with or without the benefit of marriage. But that’s assuming one or the other was willing to give up Henry, and that’s not the case. Both consider him their rightful, lawful husband. A modern world would not have mitigated the heartache. 

RHRC: There was a scene that didn’t make it into the final draft— one in which Henry gives Nancy and Margaret a rather unusual gift, and it takes the women a bit of getting used to. Tell us about the earth closet and where that idea came from. 

JM:
I laugh thinking about that scene. I came across the earth closet in my reading. It was essentially a human litter box, consisting of a commode, pail, and dirt. Its popularity was very short lived. In the original draft, when an earthquake destroys their outdoor privy, Henry surprises the women with this indoor contraption. Nancy is particularly horrified. American women took some time getting used to the idea of any sort of indoor toilet. The “necessary” was associated with germs and disease, and naturally belonged outside. 

RHRC:
The Wives of Henry Oades seems like quite a wonderful tribute to a wide swath of your family— writers and lawyers. And in your previous career you traveled extensively, didn’t you? 

JM:
That’s right. My grandfather was a district judge; my father was a professor of law. I’ve long had a fascination with the law because of them. The love of writing came from both parents. My father was a published author, as was my maternal grandmother. Too restless to spend another four years in a classroom, I began my flying career at nineteen, first for National Airlines, a regional carrier, then for Pan Am. They were exhilarating years for the most part, interspersed with union strikes and the rare close call. I live a little more quietly now with my husband, John— for whom, in Margaret’s or Nancy’s situation, I would have fought tooth and nail. 

RHRC: Had you been to any or all of the three locations the novel takes place in (London, England; Wellington, New Zealand; Berkeley, California) before you began writing? Did you visit afterward? Do you think your travel experience helped you create vivid portraits of each city? 

JM:
My husband and I visited all of the settings in the novel before I began writing. So, yes, actually being in a place is a huge help in creating a visual. We’ve been back to England and California since. We walked down Polk Street where Dr. McTeague’s dental parlor is located. And we ate at the Cliff House and drank champagne at the Palace Hotel, though not as much as Margaret and Nancy did that day. 

RHRC:
Of the places you’ve traveled, where has been your favorite and why? 

JM:
For natural grandeur— hands down: New Zealand, particularly South Island. It is a spectacular country, and the people are lovely. An Air New Zealand pilot invited us to dinner simply because we were new to the place. I’d love to go back. And I will always hold San Francisco dear. John and I honeymooned there. It is one of the most romantic cities in the country. 

RHRC:
Can you tell us a little about what you are working on now? 

JM:
I’m working on a story about a friendship between two nineteenth-century prostitutes, one of whom was in fact murdered by Abraham Rothschild. 

Praise | Awards

Praise

“A stellar debut novel . . . A historical saga seen through the lens of two wives, one husband, and the disapproving, cantankerous rabble at the end of Victorian America.”—Jamie Ford, author of Hotel on the Corner of Bitter and Sweet
 
“Equal parts love story and courtroom drama, Johanna Moran’s The Wives of Henry Oades is a compelling story of good people caught in impossible circumstances, and a community that rushes to judge rather than to understand.”—Meg Waite Clayton, author of The Wednesday Sisters
 
“A beguiling, promising debut.”—Kirkus Reviews
 
“Intriguing and evocative . . . [It’s] the two women bonding that give this book its heart and should make this a book group winner.”—Publishers Weekly

“Johanna Moran’s fine first novel is a fascinating story….Moran is a careful writer, a spare stylist who never wastes a word. She also has a well-tuned ear for the jargon of the period, colorful language that adds warmth, humor, and humanity to her story.”—Boston Globe
 
“Moran focuses her satisfying, briskly paced novel on Henry’s two wives. Their experiences and attitudes are very different, yet their love for their children and their shared husband brings them to an unusual and courageous alliance.”—St. Petersburg Times
 
“Told mainly from the wives' perspectives, the story hinges on readers' empathy with their unusual predicament….Moran's debut…will intrigue historical fiction fans and provide plenty of discussion points for book clubs.”—Library Journal
 
“Takes the bare outline of the legal case against Henry Oades and spins it into a heartbreaking story of the two women who love him.”—Herald-Tribune, Sarasota
 
“Moran’s debut is simply wonderful. She is firmly at home writing suspense-filled scenes, whether they take place among Maori captives or in a California courthouse. She also writes convincingly about the close friendships between women. The bond between women forms the core of this novel—a page-turner that readers will mourn finishing.”—Romantic Times, Top Pick!
 

Awards

WINNER 2010 Indie Next Notables
Discussion Questions

Discussion Guides

1. On the voyage to New Zealand, Mrs. Randolph, a fellow passenger, cares for Margaret as she miscarries. Later, when Margaret tries to explain her grief over her new friend’s death to Henry, she thinks, “the small transactions between women, particularly mothers, cannot adequately be explained to a man. Some, like hers with Mrs. Randolph, will bind women for life.” Do you agree with Margaret? Can a strong relationship between women be forged in a matter of hours? With whom have you felt this connection?

 2. Why do you think Mr. Oades misidentified Mim Bell as his wife? How could he have made such a grievous error? 

3. Margaret refers to the quid pro quo of her faith: “One takes communion every single Sunday for thirty- odd years. One humbles herself, embraces every last dogmatic note, and no good comes of it, no help when one needs it most.” Nancy, too, feels as though she has been cheated. Have people’s expectations of contemporary Christianity changed? 

4. Margaret teaches her children lessons every evening: grammar, mathematics, and etiquette. “It was her duty to prepare them for their return. She refused to accept the possibility that they might grow old and die a natural death here. Margaret never once considered setting her children free to be slaves.” She refuses to allow her children to live the life before them, planning, instead, for the life she hopes they will claim. Why does Margaret remain so steadfast during their captivity? 

5. Henry finally accepts that his loved ones are dead, and eventually he marries another woman. What is the catalyst for this turning point? Do you agree with his actions? 

6. Why do Margaret and the children receive such a chilly welcome when they finally return to the village from the Maori camp? 

7. Several matches proposed in this book seem made for convenience: Portia and Henry, Margaret and Captain Fisk of the Sacramento, and even Nancy and Henry, at least in the beginning. Do you agree? If so, why do you think that is? 

8. At what point do Margaret and Nancy start to get along? What sparks their friendship? 

9. Though it’s a wretched situation for everyone involved, which Mrs. Oades do you think suffers most? With which woman do you most identify?

10. Was there a better solution for Mr. Oades and his non - traditional family? Or did they make the best possible choice? Would there be a better solution today? What would it be? 

11. The claims of the Daughters of Decency seem ridiculous to modern ears. Can you think of any recent court battles that might seem as hysteric and unnecessary a century from now? 

12. Consider the Maori premonition in the beginning of the book. How does it relate to the story? 

13. What, in the end, do you think was the main theme of this book? Were you surprised?  


  • The Wives of Henry Oades by Johanna Moran
  • February 09, 2010
  • Fiction
  • Ballantine Books
  • $15.00
  • 9780345510952

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