Random House: Bringing You the Best in Fiction, Nonfiction, and Children's Books
Authors
Books
Features
Newletters and Alerts

Buy now from Random House

  • The Navigator
  • Written by Eoin McNamee
  • Format: eBook | ISBN: 9780307497000
  • Our Price: $6.99
  • Quantity:
See more online stores - The Navigator

Buy now from Random House

  • The Navigator
  • Written by Eoin McNamee
    Read by Kirby Heyborne
  • Format: Unabridged Audiobook Download | ISBN: 9780739339503
  • Our Price: $18.50
  • Quantity:
See more online stores - The Navigator

The Navigator

    Select a Format:
  • eBook
  • Audiobook

Written by Eoin McNameeAuthor Alerts:  Random House will alert you to new works by Eoin McNamee

eBook

List Price: $6.99

eBook

On Sale: January 16, 2009
Pages: 368 | ISBN: 978-0-307-49700-0
Published by : Yearling RH Childrens Books

Audio Editions

Read by Kirby Heyborne
On Sale: January 09, 2007
ISBN: 978-0-7393-3950-3
More Info...
Visit RANDOM HOUSE AUDIO to learn more about audiobooks.


The Navigator Cover

Bookmark,
Share & Shelve:

  • Add This - The Navigator
  • Email this page - The Navigator
  • Print this page - The Navigator
ABOUT THE BOOK ABOUT THE BOOK
ABOUT THE AUTHOR ABOUT THE AUTHOR
This book has no tags.
You can add some at Library Thing.
Synopsis|Excerpt

Synopsis

Owen turned to Cat but she was staring into the woods, her face a mast of fear. Far off, but moving closer, were two figures, both white, both faceless, seeming to glide between the trees. "The Harsh" whispered Cati."They're here."

One day the world around Owen shifts oddly: Time flows backwards, and the world and family he knew disappear. Time can only be set right when the Resisters vanquish their ancient enemies, the Harsh. Unless they are stopped, everything Owen knows will vanish as if it has never been...And Owen discovers he has a terrifying role to play in this battle: he is the Navigator.


From the Hardcover edition.

Excerpt

1

There was something different about the afternoon. It seemed dark although there wasn’t much cloud. It seemed cold although the sun shone. And the alder trees along the river stirred and shivered although the wind did not seem to blow. Owen came over the three fields and crossed the river just below the Workhouse on an old beech tree that had fallen several years before, climbing from branch to branch with his eyes almost closed, trying not to look down, even though he knew the river was narrow and sluggish at that point and that there were many trailing branches to cling to if he fell. Only when he reached the other side did he dare to look down, and even then the black, unreflecting surface seemed to be beckoning to him so that he turned away with a shudder.

He had woken early that morning. It was Saturday and he had tried to get back to sleep, but that hadn’t worked, so he had got up and got dressed. Before his mother could wake, Owen had slipped out of the house and down to Mary White’s shop. Mary had run the shop for many years. It was small and packed with goods and very cozy, with good cooking smells coming from the kitchen behind. Mary, who was a shrewd but kindly woman, had smiled at Owen when he came in. Before he had even asked, she handed him a packet of bacon, milk, and half a dozen eggs. He had no money, but then he never had. Mary used to write down what he got in a little book, but now she didn’t even bother with that. As always, she could see his embarrassment.

“Stop looking so worried,” she had said. “You’ll pay it back someday. Besides, you have to be fed, for all our sakes.”

She often said mysterious things like that, telling him that it was a pleasure and a privilege to look after him. Owen didn’t know what she meant, for no one else seemed to think that way. Sometimes, when he walked through the little town at the bottom of the hill, you would think he had a bad smell the way people shied away from him and whispered behind their hands. It was the same in school. Sometimes it seemed the only reason that anybody ever talked to him was in order to start a fight. He knew that he had no father, and that his clothes were older and more worn than those of the other boys and girls at the school, but something seemed to run deeper than that.

“It’s not that they don’t like you,” Mary had said, in her curious way. “They see something in you that both frightens them and attracts them as well. People don’t like things that they don’t understand.”

When Owen got back to the house, he cooked the bacon and eggs and took them up to his mother. She woke and smiled sleepily at him, as if awakened from a pleasant dream, then looked around her and frowned, as if bad old memories had come flooding back. He handed her the tray and she took it without thanking him, a vague, worried look on her face. She was like that most of the time now.

Then there was the photograph. It had been taken shortly after Owen had been born. His father was holding him in the crook of one arm, his other arm around Owen’s mother. He was dark-haired and strong and smiling. His mother was smiling as well. Even the baby was smiling. The sun shone on their faces and all was well with the world. After his father’s death, Owen’s mother had taken to carrying the photograph everywhere, looking at it so often that the edges had become frayed. As a reminder of happier times, he supposed. Then one day he noticed that she hadn’t looked at it. “Where is it?” he had asked gently. “Where is the photograph?”

She looked up at him. “I lost it,” she’d said, and her eyes were full of misery. “I put it down somewhere and I don’t remember. . . .”

Now he made a bacon sandwich for himself and took it to his room, where he sat on his wooden chest to eat it. The lock on the trunk was missing and it had never been opened. There was a name on it, J M Gobillard et Fils. It sounded strange and exotic and always made him wish that he was somewhere exciting. Owen knew that his father had brought it back from somewhere and had insisted on it being put in his room, but that was all he knew about it.

He looked around. The only things he really owned in the world were in that room. The old chest. A guitar with broken strings. A dartboard. A set of cards and a battered CD player. There was a replica Spitfire hanging on fishing line from the ceiling. There were a few books on a broken bookcase, a pile of old jigsaws, and a Game Boy.

Owen stood up on the chest and scrambled through the window and onto the branch of a sycamore tree. He swung expertly to the ground from a low branch and set off across the fields.

Owen crossed the burying banks below the mass of the old Workhouse and climbed the sloping bank, passing through the long, tree-lined gully that split the slope. It wasn’t that he was hiding from anyone. He just liked the idea of being able to move about the riverbank without anyone seeing him. So he found routes like the gully, or tunnels of hazel and rowan, or dips in the ground that rendered you suddenly invisible. The riverbank was ideal for this. There were ridges and trenches and deep depressions in the ground, as though the earth had been worked over again and again.

It took ten minutes to skirt the Workhouse. It was a tall, forbidding building of cut stone perched on an outcrop of rock that towered above the river. It had been derelict for many years and its roof had fallen in, but something about it made Owen shiver. He had asked many people about its history, but they seemed reluctant to talk. He had asked Mary White about it.

“I bet there are ghosts,” he said.

She’d leaned forward in the gloom of her small shop and met his gaze with eyes that seemed suddenly stern and blue in a wrinkled face.

“No ghosts,” she had said, giving him a strange look. “No ghosts at the Workhouse. But there are other things. That place has been there longer than anyone thinks.”

It took another ten minutes to reach the Den. Owen checked the entrance, as he did every time. A whitethorn bush was bent across it, tied with fishing line. Behind that he had built up a barrier of dried ferns and pieces of bush. The barriers were intact. He moved them carefully aside and rearranged them behind him. He found himself in a clearing just big enough to stand in. The space was lit from above by the sunlight passing through a thick roof of ferns and grass, so it was flooded with greenish light. In front of him was an old wooden door he had pulled from the river after the winter floods. He had attached it to the stone doorway of the Den with leather hinges, but it was still stiff and took all his strength to open.

Inside, things were as he had left them. The Den was roughly two meters square, a room dug into the hillside, its roof supported by old roots. The floor was earth and the walls were a mixture of stones and soil. Owen had found it two years ago while looking for hazelnuts. He had cleared it of fallen earth and old branches and had put an old piece of perspex in a gap in the roof. The roof was under an outgrowth of brambles halfway up the steep part of the slope and the perspex window was invisible while still providing the same greenish light as the space in front of the door.

He had furnished the Den with a sleeping bag and an old sofa that had been dumped beside the river. There were candles for winter evenings, and a wooden box where he kept food. The walls were decorated with objects he had found around the river and in Johnston’s yard a quarter of a mile away across the fields. Johnston kept scrap cars and lorries and salvage from old trawlers from the harbor at the river mouth. Owen had often gone to Johnston’s, climbing the fence and hunting through the scrap. That was until Johnston had caught him. He winced at the memory. Johnston had hit him hard on the side of the head, then laughed at him as he ran away.


From the Hardcover edition.
Eoin McNamee

About Eoin McNamee

Eoin McNamee - The Navigator
I have been thinking about the transition from writing for adults to writing for children. Transition is probably the wrong word. Change of focus is probably closer–you adjust the lens a little and certain things become clearer, others go out of focus or are cut from the viewfinder. But there is more to it than that. In writing, I've found that a change of direction has a psychic trigger. Sometimes you go looking for the trigger and sometimes it just happens.

I was casting back recently, trying to find out what–apart from the obvious reason of having my own children–had set me on this course. And I realized that it originated in an incident–a ghostly incident if you like from about five years ago.

There's a village called Cong in County Mayo. It's well known as the setting for the John Huston film The Quiet Man. But apart from that, it is a beautiful place beside Lough Corrib, full of woods and old abbeys, underground rivers and lake islands. We went there on holidays as children and spent the summer cycling, fishing, swimming, and exploring from early in the morning until late at night. I loved it.

I remember my first visit. I was exploring the ruins of the abbey on my own when a gang of children appeared from nowhere. They had a football and invited me to join their game. We played into the dusk in the shade of ancient yew trees, bats wheeling overhead. Then, just as suddenly as they had appeared, they ran off laughing into the dark.

When I got back, the locals were puzzled. The children weren't from the village and there was nobody staying nearby that they knew of.

I tried going back to Cong as an adult, but it was a melancholy thing. There were too many memories, too many laughing faces now gone, too many ghosts. It was beautiful but sad.

I decided to give it one more try, this time with my wife and young daughter. I took Kathleen for a walk at the abbey before bed. The light was fading. Kathleen ran across the grass towards the yews and then, as before, a gang of children materialized from nowhere with a football. They beckoned to her and she joined in their game. They played on into the lengthening shadows while I watched from the steps of the abbey. To me, they seemed not just metaphorically but, in reality, to be the same children I had played with all those years ago; their laughing voices ringing out as they had before. And as I stood there I realized that the melancholy I had felt came not from the ghosts of others who were no longer there, but from the ghost that was myself as a child, a ghost who haunted these ancient stones.

As they had done before the children ran off into the darkness. Kathleen came back to me. It seems fanciful to think that they could have been my playmates from the past. All the same something happened in the dusk at Cong abbey. Something that put the man I had become back in touch with the boy that I had been. I knew who he was solitary and watchful. A boy who held himself just a little apart in company. A pale, wary face in the abbey shadows.

He was a reader and alert to other worlds in a way that is not available to an adult, and once I knew him again I could write for him. I don't know about other writers, but I am usually my own ideal reader, and now I knew that reader-man and boy.

Your E-Mail Address
send me a copy

Recipient's E-Mail Address
(multiple addresses may be separated by commas)

A personal message: