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  • The White Lioness
  • Written by Henning Mankell
  • Format: Trade Paperback | ISBN: 9781400031559
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The White Lioness

A Kurt Wallander Mystery (3)

Written by Henning MankellAuthor Alerts:  Random House will alert you to new works by Henning Mankell

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Synopsis

Synopsis

Third in the Kurt Wallander series.

The execution-style murder of a Swedish housewife looks like a simple case even though there is no obvious suspect. But then Wallander learns of a determined stalker, and soon enough, the cops catch up with him. But when his alibi turns out to be airtight, they realize that what seemed a simple crime of passion is actually far more complex—and dangerous. The search for the truth behind the killing eventually uncovers an assassination plot, and Wallander soon finds himself in a tangle with both the secret police and a ruthless foreign agent. Combining compelling insights into the sinister side of modern life with a riveting tale of international intrigue, The White Lioness keeps you on the knife-edge of suspense.
Henning Mankell|Author Desktop

About Henning Mankell

Henning Mankell - The White Lioness

Photo © Michael Lionstar

Internationally acclaimed author Henning Mankell has written eleven Kurt Wallander mysteries. The books have been published in forty countries and consistently top the bestseller lists in Europe, receiving major literary prizes (including the UK's Golden Dagger for Sidetracked) and generating numerous international film and television adaptations. He has also published many other novels for children, teens, and adults. In addition, he is one of Sweden's most popular dramatists.

Born in 1948, Mankell grew up in the Swedish village Sveg. He now divides his time between Sweden and Maputo, Mozambique, where he works as a director at Teatro Avenida. He has spent many years in Africa, where a number of his novels are set.

Author Q&A

Give the Man a Break: KURT WALLANDER

The average American hard-boiled detective is as well known for busting wise-guys as he is for muttering wise-cracks, but Europe’s most recent hard-boiled incarnations are not so full of bravado. Rather, they seem to echo the sense of overwhelming chaos that has come with the quickening modernization of our world.

Kurt Wallander, Henning Mankell’s Swedish police commissioner from the small town of Ystad, is a perfect example. The over-tired policeman’s health is less than perfect given his preference for fast food, coffee, alcohol, and little sleep. Middle-aged and divorced from his wife Mona (which he still regrets), Wallander lives the familiar life of a solitary detective. Yet he is shy and longs for a woman who will understand him. He is the sort of man who asks each morning whether life has a purpose—not his life, but life in general.

Still more typical of modern life is Wallander’s strained relationship with his aging father, who lives on a farm near Ystad, where he paints Swedish landscapes, alternately with or without a wood grouse. His failed attempts to reconcile himself with his stern father’s disapproval of his career as a policeman remains a constant source of consternation for Wallander. Each time he fails to visit his father because of his job, readers cannot help but feel sympathy for this awkwardly helpless guardian of the law.

We can see less clearly into Wallander’s inner thoughts than we can the details surrounding him. It is common for Wallander’s interior dialogue to be disrupted by the cruelty of the gruesome murders he must investigate, as if he never has time to find himself. The society that Wallander must occupy is one that has fractured under cultural shifts in race, equality, and morality, and ceaselessly draws Wallander and his associates back into the savage brutality it reaps. Henning Mankell explains the force behind Wallander’s drive:

“I wanted to write about how difficult it is to be a good police officer. Police officers often tell me they know things are changing quicker than they can deal with, that society’s outracing them. But Wallander’s never cynical. He never says, “I don’t care about that.” Naturally that damages him, but he takes responsibility, and that’s what I love. He feels tired because the work is too much. But if he didn’t do the work, he’d feel worse, he would leave a big black hole in himself . . . I think a lot of people are struggling to manage now—feeling they are running for a bus they’ll never catch. In that sense, he’s a very common man. In Sweden, people write to him as if he’s alive, and can help them.”
(The Guardian, January 12, 2002)

So Kurt Wallander approaches each new case more skeptically, with increasing determination and ingenious intuition, which is to say, not so different from the likes of Sam Spade and Philip Marlowe. In the end, the case is always put to rest, but Kurt Wallander is simply very tired.

Praise

Praise

“A first-class thriller.” --Margo Jefferson, The New York Times Book Review

“It is Wallander’s voice . . . that captures us.” --New York Times Book Review

“Mankell joins the worthy ranks of such past masters as Georges Simenon [and] Nicholas Freeling.” --The Wall Street Journal

“It is not hard to see why the Wallander books have made a particular impact.” --Times Literary Supplement

  • The White Lioness by Henning Mankell
  • May 13, 2003
  • Fiction - Mystery & Detective
  • Vintage
  • $15.00
  • 9781400031559

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