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  • Before the Frost
  • Written by Henning Mankell
  • Format: Trade Paperback | ISBN: 9781400095810
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Before the Frost

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Synopsis|Excerpt

Synopsis

In this latest atmospheric thriller, Kurt Wallander and his daughter Linda join forces to search for a religious fanatic on a murder spree. Just graduated from the police academy, Linda Wallander returns to Skane to join the police force, and she already shows all the hallmarks of her father--the maverick approach, the flaring temper. Before she even starts work she becomes embroiled in the case of her childhood friend Anna, who has inexplicably disappeared. As the case her father is working on dovetails with her own, something far more dangerous than either could have imagined begins to emerge. They soon find themselves forced to confront a group of extremists bent on punishing the world's sinners.

Excerpt

chapter 1

The wind picked up shortly after 9.00 on the evening of August 21, 2001. In a valley to the south of the Rommele Hills, small waves were rippling across the surface of Marebo Lake. The man waiting in the shadows beside the water stretched out his hand to discover the direction of the wind. Virtually due south, he found to his satisfaction. He had chosen the right spot to put out food to attract the creatures he would soon be sacrificing.

He sat on the rock where he had spread out a sweater against the chill. It was a new moon and no light penetrated the thick layer of clouds. Dark enough for catching eels. That's what my Swedish playmate used to say when I was growing up. The eels start their migration in August. That's when they bump into the fishermen's traps and wander the length of the trap. And then the trap slams shut.

His ears, always alert, picked up the sound of a car passing some distance away. Apart from that there was nothing. He took out his torch and directed the beam over the shoreline and water. He could tell that they were approaching. He spotted at least two white patches against the dark water. Soon there would be more.

He switched off the light and tested his mind--exactingly trained--by thinking of the time. Three minutes past nine, he thought. Then he raised his wrist and checked the display. Three minutes past nine--he was right, of course. In another 30 minutes it would all be over. He had learned that humans were not alone in their need for regularity. Wild creatures could even be taught to respect time. It had taken him three months of patience and deliberation to prepare for tonight's sacrifice. He had made himself their friend.

He switched on the torch again. There were more white patches, and they were coming nearer to the shore. Briefly he lit up the tempting meal of broken bread crusts that he had set out on the ground, as well as the two petrol containers. He switched off the light and waited.

When the time came, he did exactly as he had planned. The swans had reached the shore and were pecking at the pieces of bread he had put out for them, oblivious of his presence or by now simply used to him. He set the torch aside and put on his night-vision goggles. There were six swans, three couples. Two were lying down while the rest were cleaning their feathers or still searching for bread.

Now. He got up, took a can in each hand and splashed the swans with petrol. Before they had a chance to fly away, he spread what remained in each of the cans and set light to a clump of dried grass among the swans. The burning petrol caught one swan and then all of them. In their agony, their wings on fire, they tried to fly away over the lake, but one by one plunged into the water like fireballs. He tried to fix the sight and sound of them in his memory; both the burning, screeching birds in the air and the image of hissing, smoking wings as they crashed into the lake. Their dying screams sound like broken trumpets, he thought. That's how I will remember them.

The whole thing was over in less than a minute. He was very pleased. It had gone according to plan, an auspicious beginning for what was to come.

He tossed the petrol cans into the water, tucked his jumper into the backpack and shone the torch around the place to be sure he had left nothing behind. When he was convinced he had remembered everything, he took a mobile phone from his coat pocket. He had bought the phone in Copenhagen a few days before.

When someone answered, he asked to be connected to the police. The conversation was brief. Then he threw the phone into the lake, put on his backpack and walked away into the night.

The wind was blowing from the east now and was growing stronger.

chapter 2

It was the end of August and Linda Caroline Wallander wondered if there were any traits that she and her father had in common which yet remained to be discovered, even though she was almost 30 years old and ought to know who she was by this time. She had asked her father, had even tried to press him on it, but he seemed genuinely puzzled by her questions and brushed them aside, saying that she more resembled her grandfather. These "who-am-I-like?" conversations, as she called them, sometimes ended in fierce arguments. They kindled quickly, but they also died away almost at once. She forgot about most of them and supposed that he did too.

There had been one argument this summer which she had not been able to forget. It had been nothing really. They had been discussing their differing memories of a holiday they took to the island of Bornholm when she was little. For Linda there was more than this episode at stake; it was as if through reclaiming this memory she was on the verge of gaining access to a much larger part of her early life. She had been six, maybe seven years old, and both Mona and her father had been there. The idiotic argument had begun over whether or not it had been windy that day. Her father claimed she had been seasick and had thrown up all over his jacket, but Linda remembered the sea as blue and perfectly calm. They had only ever taken this one trip to Bornholm so it couldn't have been a case of their having mixed up several trips. Her mother had never liked boat journeys and her father was surprised she had agreed to this one holiday to Bornholm.

That evening, after the argument had ended, Linda had had trouble falling asleep. She was due to start working at the Ystad police station in two months. She had graduated from the police training college in Stockholm and would have much rather started working right away, but here she was with nothing to do all summer and her father couldn't keep her company since he had used up most of his holiday allowance in May. That was when he thought he had bought a house and would need extra time for moving. He had the house under contract. It was in Svarte, just south of the main road, right next to the sea. But the vendor changed her mind at the last minute. Perhaps because she couldn't stand the thought of entrusting her carefully tended roses and rhododendron bushes to a man who talked only about where he was going to put the kennel--when he finally bought a dog. She broke the contract and her father's agent suggested he ask for compensation, but he chose not to. The whole episode was already over in his mind.

He hunted for another house that cold and windy summer, but either they were too expensive or just not the house he had been dreaming of all those years in the flat on Mariagatan. He stayed on in the flat and asked himself if he was ever really going to move. When Linda graduated from the police training college, he drove up to Stockholm and helped her move her things to Ystad. She had arranged to rent a flat starting in September. Until then she could have her old room back.

They got on each other's nerves almost immediately. Linda was impatient to start working and accused her father of not pulling strings hard enough at the station to get her a temporary position. He said he had taken the matter up with Chief Lisa Holgersson. She would have welcomed the extra manpower, but there was nothing in the budget for additional staff. Linda would not be able to start until September 10, however much they might have wanted her to start sooner.

Linda spent the interval getting to know again two old school friends. One day she ran into Zeba, or "Zebra" as they used to call her. She had dyed her black hair red and also cut it short so Linda had not recognised her at first. Zeba's family came from Iran, and she and Linda had been in the same class until secondary school. When they bumped into each other on the street this July, Zeba had been pushing a toddler in a pushchair. They had gone to a café and had a coffee.

Zeba told her that she had trained as a barmaid, but her pregnancy had put a stop to her work plans. The father was Marcus. Linda remembered him, Marcus who loved exotic fruit and who had started his own plant nursery in Ystad at the age of 19. The relationship had soon ended, but the child remained a fact. Zeba and Linda chatted for a long time, until the toddler started screaming so loudly and insistently that they had to leave. But they had kept in touch since that chance meeting, and Linda noticed that she felt less impatient with the hiatus in her life whenever she managed to build these bridges between her present and the past that she had known in Ystad.

As she was going home to Mariagatan after her meeting with Zeba, it started to rain. She took cover in a shopping centre and--while she was waiting for the weather to clear up--she looked up Anna Westin's number in the directory. She felt a jolt inside when she found it. She and Anna had had no contact for ten years. The close friendship of their childhood had ended abruptly when they both fell in love with the same boy. Afterwards, when the feelings of infatuation were long gone, they had tried to resuscitate the friendship, but it had never been the same. Linda hadn't even thought much about Anna the last couple of years. But seeing Zeba again reminded her of her old friend and she was happy to discover that Anna still lived in Ystad.

Linda called her that evening and a few days later they met. Over the summer they would see each other several times a week, sometimes all three of them, but more often just Anna and Linda. Anna lived on her own as best as she could on her student budget. She was studying medicine.

Linda thought she was almost more shy now than when they were growing up. Anna's father had left home when she was five or six years old and they never once heard from him again. Anna's mother lived out in the country in Löderup, not far from where Linda's grandfather had lived and painted his favourite, unchanging motifs. Anna was apparently pleased that Linda had reestablished contact, but Linda soon realised that she had to tread carefully. There was something vulnerable, almost secretive about Anna and she would not let Linda come too close.

Still, being with her old friends helped to make Linda's summer go by, even though she was counting the days until she was allowed to pick up her uniform from fru Lundberg in the stockroom.

Her father worked flat out all summer, dealing with bank and post-office robberies in the Ystad area. From time to time Linda would hear about one case, which sounded like a series of well-planned attacks. Once her father had gone to bed, Linda would often sneak a look at his notebook and the case file he brought home. But whenever she asked him about the case directly he would avoid answering. She wasn't a police officer yet. Her questions would have to go unanswered until September.

The days went by. In the middle of one afternoon in August her father came home and said that the estate agent had called about a property near Mossbystrand. Would she like to come and see it with him? She called to postpone a rendezvous she had arranged with Zeba, then they got into her father's Peugeot and drove west. The sea was grey. Autumn was in the offing.

chapter 3

The windows were boarded up, one of the drainpipes stuck out at an angle from the gutter, and several roof shingles were missing. The house stood on a hill with a sweeping view of the ocean, but there was something bleak and dismal about it. This is not a place where my father could find peace, Linda thought. Here he'll be at the mercy of his inner demons. But what are they, anyway? She began to list the chief sources of concern in his life, ordering them in her mind: first there was loneliness, then the creeping tendency to obesity and the stiffness in his joints. And beyond these? She put the question aside for the moment and joined her father as he inspected the outside of the house. The wind blew slowly, almost thoughtfully, in some nearby beech trees. The sea lay far below them. Linda squinted and spotted a ship on the horizon.

Kurt Wallander looked at his daughter.

"You look like me when you squint like that," he said.

"Only then?"

They kept walking and behind the house came across the rotting skeleton of a leather sofa. A field vole jumped from the rusting springs. Wallander looked around and shook his head.

"Remind me why I want to move to the country."

"I have no idea. Why do you want to move to the country?"

"I've always dreamed of being able to roll out of bed and walk outside to take my morning piss, if you'll pardon my language."

She looked at him with amusement. "Is that it?"

"Do I need a better reason than that? Come on, let's go."

"Let's walk round the house one more time."

This time she looked more closely at the place, as if she were the prospective buyer and her father the agent. She sniffed around like an animal.

"How much?"

"Four hundred thousand."

She raised her eyebrows.

"That's what it says," he said.

"Do you have that much money?"

"No, but the bank has pre-approved my loan. I'm a trusted customer, a policeman who has always been as good as his word. I think I'm even disappointed I don't like this place. An abandoned house is as depressing as a lonely person."

They drove away. Linda read a sign by the side of the road: Mossbystrand. He glanced at her.

"Do you want to go there?"

"Yes. If you have time."

This was where she had first told him of her decision to become a police officer. She was done with her vague plan to refinish furniture or to work in the theatre, as well as with her backpacking trips around the world. It was a long time since she had broken up with her first love, a boy from Kenya who had studied medicine in Lund. He had finally gone back to Kenya and she had stayed put. Linda had looked to her mother, Mona, to provide her with clues about how to live her own life, but all she saw in her mother was a woman who left everything half done. Mona had wanted two children and had only had one. She had thought that Kurt Wallander would be the great and only passion of her life, but she had divorced him and married a golf-playing retired banker from Malmö.
Henning Mankell

About Henning Mankell

Henning Mankell - Before the Frost

Photo © Michael Lionstar

Internationally acclaimed author Henning Mankell has written eleven Kurt Wallander mysteries. The books have been published in forty countries and consistently top the bestseller lists in Europe, receiving major literary prizes (including the UK's Golden Dagger for Sidetracked) and generating numerous international film and television adaptations. He has also published many other novels for children, teens, and adults. In addition, he is one of Sweden's most popular dramatists.

Born in 1948, Mankell grew up in the Swedish village Sveg. He now divides his time between Sweden and Maputo, Mozambique, where he works as a director at Teatro Avenida. He has spent many years in Africa, where a number of his novels are set.

Praise

Praise

“Mankell is a master of the traditional arts of the crime novel, narrative pacing and suspense.” --Pittsburgh Post-Gazette

“An arresting story by an arresting writer … [Mankell] understands and probes the underside of everyday living – in an elegant and artful way.… He is able to look loneliness square in the eye. The result is writing that walks a line between ephemeral and everlasting.”
The Washington Post

“Powerful…. Thoroughly engaging…. Amazingly human characters…. It’s a testament to Mankell’s skill with plot that the story gets more and more urgent as he transforms a series of small mysteries into a much larger thriller…. Mankell [is] a master storyteller.”
San Francisco Chronicle

“I salivate with anticipation at the prospect of more from the pen of Mankell, for he is one of the finest
of his genre – a Scandinavian Ian Rankin with a passion for exploring the dark side of human nature…. Mankell builds the tension with care and, as ever, his characters are cleverly rounded….
A masterpiece of atmospheric creation.”
Glasgow Herald

“Few of this genre’s writers – few of any genre’s writers – have been able to balance the ordinary and the grotesque with such literary dash and page-turning brio…. Mankell’s atmospherics … give you metaphysical goose bumps.”
Boston Herald
Reader's Guide|About the Book|Author Biography|Discussion Questions|Suggestions

About the Book

“Gripping, beautifully orchestrated. . . . Henning Mankell is an addictive writer.” –Los Angeles Times Book Review

The introduction, discussion questions, suggestions for further reading, and author biography that follow are designed to enliven your group’s discussion of Before the Frost, the gripping new novel by internationally bestselling author Henning Mankell.

About the Guide

Fans of Henning Mankell’s Kurt Wallander series have two reasons to rejoice at the appearance of his new novel, Before the Frost. Kurt Wallander is back, as good as ever, and now he is joined by his daughter Linda, who has just graduated from the police academy and is eager to begin her career–and to prove herself to her father.

In one of Mankell’s most compelling and suspenseful tales, Linda Wallander finds herself drawn into a plot that threatens the lives of two of her closest friends and, indeed, her own. Just a few days shy of officially joining the Ystad police force, she is given a vivid and terrifying preview of the difficulties and dangers of the work that awaits her. She expects to start out dealing with nothing more challenging than breaking up drunken street fights, but when her friend Anna Westin disappears, and when the police start receiving bizarre reports of animals–swans, a calf, cats in a pet store–being set on fire, followed by a grisly murder deep in the woods, Linda is plunged into the center of a case that seems as unsolvable as it is brutal. While Kurt Wallander tries to piece these macabre reports together, Linda undertakes her own investigation of Anna’s disappearance and learns that the friend she thought she knew so well is becoming increasingly difficult to fathom and trust. Soon a woman is found ritualistically murdered in a church, a mutual friend of Anna and Linda is abducted, and the case takes on a desperate urgency. Linda, her father, and the rest of the Ystad police are faced with an array of seemingly disconnected and motiveless crimes. As Linda and her father make the connections between them, they uncover an apocalyptic plan that has its beginnings in the 1978 mass suicide of Jim Jones’s followers in Guyana.

Bound up in these mysterious crimes are some essential human mysteries that Mankell explores with extraordinary psychological acumen–the father-daughter relationship, religious fanaticism, the search for meaning, and the ultimate unknowability of human beings, whether friends, family, or oneself.

About the Author

Internationally acclaimed author Henning Mankell has written numerous Kurt Wallander mysteries. The books have been published in thirty-three countries and consistently top the bestseller lists in Europe, receiving major literary prizes (including the UK’s Gold Dagger Award in 2002) and generating numerous international film and television adaptations. Born in a village in northern Sweden in 1948, Mankell divides his time between Sweden and Maputo, Mozambique, where he works as the director of Teatro Avenida.

Discussion Guides

1. What kind of woman is Linda Wallander? In what ways is she both like and unlike her father? What is the appeal of reading about a policewoman in a genre dominated by men?

2. How does Before the Frost illuminate the growing religious violence around the world, from the Christian Right’s bombing of abortion clinics here in the United States to the Islamic fundamentalists campaign of terrorism in the Middle East and elsewhere? What does the novel reveal about the motives and psychology of religious extremists?

3. In what ways does Linda Wallander prove herself throughout the novel? At which crucial moments does her willingness to trust her intuition enable her to make breakthroughs in the case? Could the case have been solved without Linda?

4. Throughout the novel, the reader knows more than the detectives who are trying to solve the case. Why does Mankell structure his narrative this way? Why doesn’t he leave readers in the dark? How does this tension between what readers know and what the characters know create suspense?

5. Some religious believers have long felt that direct communication with God is the highest form of spirituality. What does Before the Frost reveal about the dangers of claiming to know God’s will?

6. Erik Westin thinks, “I’m not crazy. . . . I put my trust in God and his plan” [p. 249]. And at the end of the novel Linda and her father conclude that Westin “was by no means a madman” [p. 365]. What is the difference between fanaticism and insanity? How closely linked are those traits in people like Erik Westin?

7. Late in the novel, Erik Westin says, “I could not have managed this without the help of Jim Jones” [p. 312]. What has he learned from Jones?

8. Why are Anna Westin, Tolgeir Langaas, and others so susceptible to people like Erik Westin? What do their lives lack that makes them long for something to believe in and an authority to submit to?

9. Linda finally sees that the mysterious phrase “myth fear” that she found in Anna’s journal was simply an anagram for “my father.” What is the significance of this anagram? What does “myth fear” have to do with Anna’s father? How do myth and fear operate in the novel?

10. How can Before the Frost be read as an exploration of the father-child relationship? How does Linda feel about her father? How does Anna feel about hers? How does Kurt Wallander feel about his own father? What does the novel as a whole seem to be saying about the significance of these relationships?

11. Henning Mankell’s novels are unusual in their exploration of emotional complexities, so that the crime-solving aspects of the stories are balanced by rich and full character development. How is this achieved? What does this element add to the story?

12. At the end of the novel, the police officers gather around the TV to see a special report on the terrorist attacks that have just happened in New York on September 11, 2001. Why doesn’t Mankell show readers their reaction or elaborate on the parallels between 9/11 and the religious violence occurring almost simultaneously in Sweden? What are those parallels?

13. When Linda hugs the desperate woman who she talked down from a rooftop, she had “the strangest feeling that she was hugging herself” [p. 374]. Why does Mankell end the novel with this episode? What kind of resolution does Linda achieve in this embrace?

Suggested Readings

Andrea Camilleri, Excursion to Tindari; Kerstin Eckman, Blackwater; Karin Fossum, Don’t Look Back; Arnaldur Indridason, Silence of the Grave; P. D. James, The Murder Room; Henning Mankell, The Return of the Dancing Master; Denise Mina, Garnethill; Ruth Rendell, The Babes in the Wood; Maj Sjöwall and Per Wahlöö, The Laughing Policeman; Helene Tursten, Detective Inspector Huss.

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