Stephen Rojack is a decorated war hero, a former Congressman, and a certified public intellectual with his own television show. He is also married to the very rich, very beautiful, and utterly amoral Deborah Caughlin Kelly. But one night, in the prime of his existence, he hears the moon talking to him on the terrace of a fashionable New York high-rise, and it is urging him to kill himself. It is almost as a defense against that infinitely seductive voice that Rojack murders his wife.
In this wild battering ram of a novel, which was originally published to vast controversy in 1965, Norman Mailer creates a character who might be a fictional precursor of the philosopher-killer he would later profile in The Executioner's Song. As Rojack runs amok through the city in which he was once a privileged citizen, Mailer peels away the layers of our social norms to reveal a world of pure appetite and relentless cruelty. Sensual, horrifying, and informed by a vision that is one part Nietzsche, one part de Sade, and one part Charlie Parker, An American Dream grabs the reader by the throat and refuses to let go.
Born in 1923, Norman Mailer was one of the most important American writers of the post–World War II era and a leading intellectual for six decades. He is the author of more than thirty books. The Castle in the Forest, his last novel, was the eleventh New York Times bestseller. His first novel, The Naked and the Dead, has never gone out of print. His 1968 nonfiction narrative, The Armies of the Night, won the Pulitzer Prize and the National Book Award. He won a second Pulitzer for The Executioner’s Song and is the only person to have won Pulitzers in both fiction and nonfiction. Five of his books were nominated for National Book Awards, and he won a lifetime achievement award from the National Book Foundation in 2005. Mr. Mailer died in 2007.
"A writer of the greatest and most reckless talents." —The New Yorker
"A devastatingly alive and original creative mind." —Life
"A work of fierce concentration. . . . Perfectly, and often brilliantly, realistic [with] . . . a pattern of remarkable imaginative coherence and intensity." —Harper's