boldtype
short story    
 























































































  weight

from Callaloo

Continued...

Now here's where she should have laughed. She'd picked up the stone I'd bull's-eyed right into the middle of her wrinkled brow, between her tender, brown, all-seeing eyes, lifted it and turned it over in her hands like a jeweler with a tiny telescope strapped around his skull inspecting a jewel, testing its heft and brilliance, the marks of god's hands, god's will, the hidden truths sparkling in its depths, multiplied, splintered through mirroring facets. After such a brow scrunching examination, isn't it time to smile. Kiss and make up. Wasn't that Mom's way. Wasn't that how she handled the things that hurt us and hurt her. Didn't she ease the pain of our worst injuries with the balm of her everything's-going-to-be-alright-in-the-morning smile. The smile that takes the weight, every hurtful ounce and forgives, the smile licking our wounds so they scab over, and she can pick them off our skin, stuff their lead weight into the bulging sack of all sorrows slung across her back.

The possibility my wannabe story had actually hurt her dawned on me. Or should I say bopped me upside my head like the Br'er Bear club my middle brother loads in his cart to discourage bandits. I wished I was sitting at the kitchen table across from her so I could check for damage, her first, then check myself in the mirror of those soft, brown, incredibly loving mother's eyes. If I'd hurt her even a teeny-tiny bit, I'd be broken forever unless those eyes repaired me. Yet even as I regretted reading her the clumsy passage and prepared myself to surrender wholly, happily to the hounds of hell if I'd harmed one hair on her tender, gray head, I couldn't deny a sneaky, smarting tingle of satisfaction at the thought that maybe, maybe words I'd written had touched another human being, mama mia or not.

Smile, Mom. It's just a story. Just a start. I know it needs more work. You were supposed to smile at the weightlifting part.

God not something to joke about.

C'mon, mom. How many times have I heard Reverend Fitch cracking you up with his corny God jokes.

Time and a place.

Maybe stories are my time and place, Mom. You know. My time and place to say things I need to say.

No matter how bad it comes out sounding, right. No matter you make a joke of your poor mother...

Poor mother's suffering. You were going to say, Poor mother's suffering, weren't you.

You heard what I said.

And heard what you didn't say. I hear those words, too. The unsaid ones, Mom. Louder sometimes. Drowning out what gets said, Mom.

Whoa. We gon let it all hang out this morning, ain't we. Son. First that story. Now you accusing me of your favorite trick, that muttering under your breath. Testing me this morning, aren't you. What makes you think a sane person would ever pray for more weight. Ain't those the words you put in my mouth. More weight.

And the building shook. The earth rumbled. More weight descended like god's fist on his Hebrew children. Like in Lamentations. The Book in the Bible. The movie based on the Book based on what else, the legend of my mother's long suffering back.

Because she had a point.

People with no children can he cruel. Had I heard it first from Oprah, the diva of suffering my mother could have become if she'd pursued showbiz instead of weightlifting. Or was the damning phrase a line from one of Gwen Brooks's abortion blues. Whatever their source, the words fit and I was ashamed. I do know better. A bachelor and nobody's daddy, but still my words have weight. Like sticks and stones, words can break bones. Metaphors can pull you apart and put you back together all wrong. I know what you mean, Mom. My entire life I've had to listen to people trying to tell me I'm just a white man in a dark skin.

Give me a metaphor long enough and I'll move the earth. Somebody famous said it. Or said something like that. And everybody, famous or not knows words sting. Words change things. Step on a crack, break your mother's back.

On the other hand, Mom, metaphor's just my way of trying to say two things, be in two places at once. Saying goodbye and hello and goodbye. Many things, many places at once. You know, like James Cleveland singing our favorite gospel tune, Stood on the Bank of Jordan. Metaphors are very short songs. Mini-mini stories. Rivers between like the Jordan where ships sail on, sail on and you stand and wave goodbye-hello, hello-goodbye.

Weightlifter just a word, just play. I was only teasing, Mom. I didn't mean to upset you. I certainly intended no harm. I'd swallow every stick of dynamite it takes to pay for a Nobel prize before I'd accept one if it cost just one of your soft, curly hairs.

Smile. Let's begin again.

It's snowing in Massachusetts / The ground's white in O-Hi-O. Yes, it's snowing in Massachusetts / And ground's white in O-Hi-O. Shut my eyes, Mr. Weatherman / Can't stand to see my baby go.

When I called you last Thursday evening and didn't get an answer I started worrying. I didn't know why. We'd talked Tuesday and you sounded fine. Better than fine. A lift and lilt in your voice. After I hung up the phone Tuesday said to myself, Mom's in good shape. Frail but her spirit's strong. Said those very words to myself more than once Tuesday. Frail but her spirit's strong. The perkiness I sensed in you helped make my Wednesday super. Early rise. Straight to my desk. Two pages before noon and you know me, Mom. Two pages can take a week, a month. I've had two page years. I've had decades dreaming the one perfect page I never got around to writing. Thursday morning reams of routine and no pages but not to worry I told myself. After Wednesday's productivity, wasn't I entitled to some down time. Just sat at my desk, pleased as punch with myself till I got bored feeling so good and started a nice novel, Call It Sleep. Dinner at KFC buffet. Must have balled up fifty napkins trying to keep my chin decent. Then home to call you before I snuggled up again with the little jewish boy, his mama and their troubles in old N.Y.C.

Let your phone ring and ring. Too late for you to be out unless you had a special occasion. And you always let me know well ahead of time when something special coming up. I tried calling a half hour later and again twenty minutes after that. By then nearly nine, close to your bedtime. I was getting really worried now. Couldn't figure where you might be. Nine-fifteen and still no answer, no clue what was going on.

Called Sis. Called Aunt Chloe. Nobody knew where you were. Chloe said she'd talked with you earlier just like every other morning. Sis said you called her at work after she got back from lunch. Both of them said you sounded fine. Chloe said you'd probably fallen asleep in your recliner and left the phone in the bedroom or bathroom and your hearing's to the point you can be wide-awake but if the TV's on and the phone's not beside you or the ringer's not turned too high she said sometimes she has to ring and hang up, ring and hang up two, three times before she catches you.

Chloe promised to keep calling every few minutes till she reached you. Said they have a prayer meeting Thursdays in your mother's building and she's been saying she wants to go and I bet she's there, honey. She's alright, honey. Don't worry yourself, O.K. We're old and fuddleheaded now, but we're tough old birds. Your mother's fine. I'll tell her to call you soon's I get through to her. Your mom's okay, baby. God keeps an eye on us.

You know Aunt Chloe. She's your sister. Five hundred miles away and I could hear her squeezing her large self through the telephone line, see her pillow arms reaching for the weight before it comes down on me.

Why would you want to hear any of this. You know what happened. Where you were. You know how it all turned out.

NEXT > >

o henry awards
Bold Type
     
     
    Copyright © 2000 by John Edgar Wideman.