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2008
One of reading's greatest pleasures is being taken out of ourselves. For however
long a story lasts, we willingly lose our homes, families, jobs, and every other
thing anchoring us to the everyday. We become pure spirits and minds, involved
in nothing but the world the writer has created.
This year's O. Henry Prize Stories take place all over the world--Australia,
China, Switzerland, France, Malaysia, Canada, Ukraine, Ireland, the United
States, and in an idyllic place extant only in the writer's imagination. Edward
P. Jones has through his stories practically created a new nation of his native
Washington, D.C., and "Bad Neighbors" takes its place among his best creations.
Steven Millhauser's "A Change in Fashion" takes place on the planet of taste,
its one definite locale a party in northwestern Connecticut.
The authors are spread in as many countries as their stories. Michel Faber, for
example, whose "Bye-bye Natalia" takes place in Ukraine, lives in rural
Scotland. Locale and authorial nationality are a way of showing that this year's
collection doesn't include one type of story stylistically or in subject matter
or setting. The O. Henry Prize Stories 2008 witnesses the variety and richness of the short-story form by releasing the willing reader into twenty new lives.
We're also introducing a new online feature this year. Each prize collection
lists a small number of recommended stories, which we hope the reader will
pursue. From now on, we'll include Author Spotlights highlighting the authors of the recommended stories and including a taste of each story. Of course, Author Spotlights with the O. Henry Prize-winning authors will also continue.
The O. Henry Prize Stories 2008 has been a particular pleasure to edit. It's been fun tracking down the authors, soliciting interviews and bios, asking
questions about the stories, and getting to know them by e-mail, or, in the
case of one, by his neighbor's e-mail. It's my hope about every O. Henry
collection that we fulfill the wish of those who founded it, "to strengthen the
art of the short story," and in this edition to do so by demonstrating the range
and reach of the form.
--Laura Furman
Austin, Texas
April 28, 2008
(Copyright © 2008 Laura Furman)
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