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Steeped in the Palmer Method of Handwriting she learned in Catholic school, Kitty Burns Florey is a self-confessed “penmanship nut” who loves the act of taking pen to paper. So when she discovered that schools today forego handwriting drills in favor of teaching something called keyboarding, it gave her pause: “There is a widespread belief that, in a digital world, forming letters on paper with a pen is pointless and obsolete,” she says, “and anyone who thinks otherwise is right up there with folks who still have fallout shelters in their backyards.”
Florey tackles the importance of writing by hand and its place in our increasingly electronic society in this fascinating exploration of the history of handwriting. Weaving together the evolution of writing implements and scripts, pen-collecting societies, the golden age of American penmanship, the growth in popularity of handwriting analysis, and the many aficionados who still prefer scribbling on paper to tapping on keys, she asks the question: Is writing by hand really no longer necessary in today’s busy world?
"This is a book every writer would love, a curio cabinet on the art and act of writing."
- Amy Tan, author of Saving Fish from Drowning
"What in God's name has happened to penmanship? It's easy to blame the computer, but, as Kitty Burns Florey demonstrates in her thoughtful, witty, and sensible book, the story goes far deeper than that. It touches on the way we think, the way we write, and the way we lead our lives. Read Script and Scribble and be enlightened."
- Ben Yagoda, author of If You Catch an Adjective, Kill It!
"[A] pithy account of the history of handwriting...Florey makes a solid case for handwriting as a social indicator, and her affection for its art is thoughtful and aesthetically informed."
- Albert Mobilio, Bookforum
"...a witty and readable (and fetchingly illustrated and glossed) excursion through the history of handwriting..."
- Cullen Murphy, The Wall Street Journal
"[H]ighly enjoyable...witty and often endearingly autobiographical."
- Michael Dirda, Washington Post