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A 2009 Best Book by The Economist, The Daily Telegraph, Financial Times, London Evening Standard, The Observer, and Slate.com
A New York Times Book Review Editors’ Choice
Honeymooners Viktor and Liesel Landauer are filled with the optimism and cultural vibrancy of central Europe of the 1920s when they meet modernist architect Rainer von Abt. He builds for them a home to embody their exuberant faith in the future, and the Landauer House becomes an instant masterpiece. Viktor and Liesel, a rich Jewish mogul married to a thoughtful, modern gentile, pour all of their hopes for their marriage and budding family into their stunning new home, filling it with children, friends, and a generation of artists and thinkers eager to abandon old-world European style in favor of the new and the avant-garde. But as life intervenes, their new home also brings out their most passionate desires and darkest secrets. As Viktor searches for a warmer, less challenging comfort in the arms of another woman, and Liesel turns to her wild, mischievous friend Hana for excitement, the marriage begins to show signs of strain. The radiant honesty and idealism of 1930 quickly evaporate beneath the storm clouds of World War II. As Nazi troops enter the country, the family must leave their old life behind and attempt to escape to America before Viktor’s Jewish roots draw Nazi attention, and before the family itself dissolves.
As the Landauers struggle for survival abroad, their home slips from hand to hand, from Czech to Nazi to Soviet possession and finally back to the Czechoslovak state, with new inhabitants always falling under the fervent and unrelenting influence of the Glass Room. Its crystalline perfection exerts a gravitational pull on those who know it, inspiring them, freeing them, calling them back, until the Landauers themselves are finally drawn home to where their story began.
“A stirring new novel that almost won this year’s Booker Prize….The Glass Room works so effectively because Mawer embeds...provocative aesthetic and moral issues in a war-torn adventure story that’s eerily erotic and tremendously exciting....[a] gorgeous novel.”–The Washington Post
“[A] stirring historical novel.”–The New Yorker
“An old-fashioned, beautifully constructed novel of history, passion and ideas.”–The Seattle Times
“[The Glass Room is] a thing of extraordinary beauty and symmetry... a novel of ideas, yet strongly propelled by plot and characterized by an almost dreamlike simplicity of telling. Comparisons with the work of Michael Frayn would not be misplaced, and there are occasional moments of illuminating brilliance...”–The Guardian
“In Mawer’s hands [The Glass Room] becomes a means for exploring the way people’s hopes for the future become part of their history. This he does beautifully.”–Times Literary Supplement
“...Mawer creates a passionately detailed portrait of individuals struggling to snatch order and happiness from frightening, irrational times.”–Sunday Telegraph
“Simon Mawer’s grasp of period and place achieves what all great novels must: the creation of an utterly absorbing world the reader can scarcely bear to leave. Exciting, profoundly affecting and altogether wonderful.”–Daily Mail