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Joseph Kerman is emeritus professor of music at the University of California, Berkeley. He began writing music criticism for The Hudson Review in the 1950s, and is a longtime contributor to The New York Review of Books and many other journals. His books include Opera as Drama (1956; new and revised edition 1988), The Beethoven Quartets (1967), Contemplating Music (1986), Concerto Conversations (1999), and The Art of Fugue (2005).