Upgrade to the Flash 9 viewer for enhanced content, including the ability to browse & search through your favorite titles.
Click here to learn more!
Edith Wharton wrote about New York as only a native can. Her Manhattan is a city of well-appointed drawing rooms, hansoms and broughams, all-night cotillions, and resplendent Fifth Avenue flats. Bishops’ nieces mingle with bachelor industrialists; respectable wives turn into excellent mistresses. All are governed by a code of behavior as rigid as it is precarious. What fascinates Wharton are the points of weakness in the structure of Old New York: the artists and writers at its fringes, the free-love advocates testing its limits, widows and divorcées struggling to hold their own.
The New York Stories of Edith Wharton gathers twenty stories of the city, written over the course of Wharton’s career. From her first published story, “Mrs. Manstey’s View,” to one of her last and most celebrated, “Roman Fever,” this new collection charts the growth of an American master and enriches our understanding of the central themes of her work, among them the meaning of marriage, the struggle for artistic integrity, the bonds between parent and child, and the plight of the aged.
Illuminated by Roxana Robinson’s Introduction, these stories showcase Wharton’s astonishing insight into the turbulent inner lives of the men and women caught up in a rapidly changing society.
“Edith Wharton, whose deft portraits of the upper class are taken as definitive accounts of the late 19th century, remains one of the most potent names in the literature of New York.” –The New York Times (Christopher Gray)
“Wharton was Old New York…[her family] belonged to that tiny but powerful New York clan…who clung together, intermarried, set the tone and made the rules for society in Manhattan…Her New York fiction spans the years from, roughly, 1840 through the turn of the century–from before her birth, in other words, through the Civil War and beyond into the Gilded Age, an era of tremendous transformation in American society.” –The New York Times (Charles McGrath)
“Yet for all her reservations about New York, Wharton still visited and…she continued to set most of her books and stories here–in a remembered New York and what she imagined to be the New York of her parents and grandparents. The city became for her a social topography and a deep vein to be mined, both a real place and a symbolic landscape.” –The New York Times (Charles McGrath)
“Mrs. Wharton had her turf, that almost sepia New York, to be turned over and over again, like setting the plow to the family farm every spring.” –The New York Review of Books (Elizabeth Hardwick)
“New York City [is] the setting of Wharton’s finest fictions.” –The New York Observer