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In Algerian White, Assia Djebar weaves a tapestry of the epic and bloody ongoing struggle in her country between Islamic fundamentalism and the post-colonial civil society. Many Algerian writers and intellectuals have died tragically and violently since the 1956 struggle for independence. They include three beloved friends of Djebar: Mahfoud Boucebi, a psychiatrist; M’Hamed Boukhobza, a sociologist; and Abdelkader Alloula, a dramatist; as well as Albert Camus. In Algerian White, Djebar finds a way to meld the personal and the political by describing in intimate detail the final days and hours of these and other Algerian men and women, many of whom were murdered merely because they were teachers, or writers, or students. Yet, for Djebar, they cannot be silenced. They continue to tell stories, smile, and endure through her defiant pen. Both fiction and memoir, Algerian White describes with unerring accuracy the lives and deaths of those whose contributions were cut short, and then probes even deeper into the meaning of friendship through imagined conversations and ghostly visitations.
“A hymn to friendship and the enduring power of language, [Algerian White] is also a requiem for a nation’s unfinished literature.” — The New York Times
“Djebar, winner of the 1996 Neustadt Prize for Contributions to World Literature, has a talent for narrating stories of those who are ‘freed and voiceless’ without heavy-handed moralizing or judgment.” — Publishers Weekly
“Djebar’s work clearly exposes the crippling brutality of colonialism, the hypocrisy of the patriarchal elite and the demonic intolerance of fundamentalism…As a voice of Algeria, Assia Djebar dexterously and sympathetically enters the dangers of self-examination.” — Al Jadid: A Review and Record of Arab Culture and Art