Upgrade to the Flash 9 viewer for enhanced content, including the ability to browse & search through your favorite titles.
Click here to learn more!
“The Icarus Girl is an astonishing achievement.” —Sunday Telegraph (London)
Jessamy “Jess” Harrison is eight years old. Sensitive, whimsical, possessed of an extraordinary and powerful imagination, she spends hours writing haiku, reading Shakespeare, or simply hiding in the dark warmth of the airing cupboard. As the child of an English father and a Nigerian mother, Jess just can’t shake off the feeling of being alone wherever she goes, and the other kids in her class are wary of her tendency to succumb to terrified fits of screaming. Believing that a change from her English environment might be the perfect antidote to Jess’s alarming mood swings, her parents whisk her off to Nigeria for the first time where she meets her mother’s family—including her formidable grandfather.
Jess’s adjustment to Nigeria is only beginning when she encounters Titiola, or TillyTilly, a ragged little girl her own age. To Jess, it seems that, at last, she has found someone who will understand her. But gradually, TillyTilly’s visits become more disturbing, making Jess start to realize that she doesn’t know who TillyTilly is at all.
Lyrical, haunting, and compelling, The Icarus Girl draws on Nigerian mythology to present a strikingly original variation on a classic literary theme: the existence of “doubles,” both real and spiritual, who play havoc with our perceptions and our lives. A story of twins and ghosts, of a little girl growing up between cultures and colors, this book heralds the arrival of a remarkable new talent.
“A masterly first novel. . . . Oyeyemi brilliantly conjures up the raw emotions and playground banter of childhood.” —The New York Times Book Review
“Remarkable. . . . A beautifully written and hauntingly memorable debut novel. . . . The most vivid, sharply etched, and authentic writing is firmly centered in reality, in the heartbreaking descriptions of a young mixed-race child grappling not only with cultural dislocation, but with the tribulations of growing up and self-identity in a complicated world.”—The Boston Globe
“Oyeyemi deftly weaves Nigerian mythology and magic realism into a supspenseful, lyrical—and sometimes funny—tale that leads to an unpredictable finish.” —Newsweek
“A book about a precocious girl written by a precocious girl. . . . When older writers create child narrators, they often either romanticize childhood as a time when everything seemed possible, or cast it in an obscuring shadow. . . . But Oyeyemi writes about childhood as if she were not inventing but truly remembering it, not through the distancing lens of time, but as scary and magical as it really was.” —San Francisco Chronicle
“Provides evidence of a vivid imagination capable of moving freely between cultures and continents. . . . This bold curiosity bodes well not only for Oyeyemi's career as a writer , but also for the future of British literature.”—The Washington Post Book World
“Remarkable. . . . As original as it is unsettling, The Icarus Girl runs straught at the heart of what it means to belong.”—O Magazine
“Oyeyemi looks set to claim her own place in a list of English-language Nigerian authors that includes Amos Tutuola, Chinua Achebe and, more recently, Ben Okri.” —Financial Times (London)
“The Icarus Girl is a dark enchantment that leads readers into the recesses of a young girl’s fevered psyche. A bewitching tale of childhood joy and wonder, pain, loss, and cultural estrangement.” —Kerri Sakamoto, author of The Electrical Field and One Hundred Million Hearts
“The Icarus Girl is a beautifully imagined and lyrically executed novel. At turns dark and funny, it is always balanced by an expansive light. Oyeyemi is a gifted writer.” —Chris Abani, author of GraceLand