Subjects Freshman Year Reading African American Studies African Studies American Studies Anthropology Art, Film, Music and Architecture Asian Studies Business and Economics Criminology Education Environmental Studies Foreign Language Instructional Materials Gender Studies History Irish Studies Jewish Studies Latin American & Caribbean Studies Law and Legal Studies Literature and Drama Literature in Spanish Media Issues, Journalism and Communication Middle East Studies Native American Studies Philosophy Political Science Psychology Reference Religion Russian and Eastern European Studies Science and Mathematics Sociology Study Aids

E-Newsletters: Click here to be notified of new titles in your field
Click here to request Desk/Exam copies
Freshman Year Reading
View Our Award Winners
Click here to view our Catalogs
Wickett's Remedy

Wickett's Remedy

Upgrade to the Flash 9 viewer for enhanced content, including the ability to browse & search through your favorite titles.
Click here to learn more!

Order Exam Copy
E-Mail this Page Print this Page
Add This - Wickett's Remedy

Written by Myla GoldbergAuthor Alerts:  Random House will alert you to new works by Myla Goldberg

  • Format: Trade Paperback, 384 pages
  • Publisher: Anchor
  • On Sale: October 10, 2006
  • Price: $14.00
  • ISBN: 978-1-4000-7812-7 (1-4000-7812-1)
Also available as an unabridged audiobook download and an eBook.

On D Street there was no need for alarm clocks: the drays, ever punctual, were an army storming the gates of sleep. The wooden wagons were heavy and low-riding with loud rattling wheels, their broad planks too battered and be­grimed to recall distant origins as trees. Each dray was pulled by horses–two, four, or sometimes six per wagon–pound-ing down nearby Third Street. Windows rattled and floors shook; the sound was a giant hand shaking Lydia Kilkenny’s sleeping shoulders. Each morning she did not awaken to the sound, but inside it. In winter the drays came when the sky was still dark, their pounding hooves sharp reports against the frozen cobblestones. In summer, perhaps because the sky was already pale with light, the sound of the horses seemed kinder.

When her daughter was still a wee thing, Cora Kilkenny recalls Liddie crediting the sound to God waking up all the good Catholics of D Street.

She knew the clattering wagons were bound for Boston proper, but the vague tangle of streets across the Broadway bridge surfaced in her mind with the sound of the horses and resubmerged with its diminishment. As the flow of drays sub-sided–the wagons no longer traveling two by two but single file–pounding hooves gave way to the creak of floorboards and the muffled voices of neighbors. Factory whistles blew. Church bells rang. The vegetable man made his way down D Street shouting, “Fresh tomatoes,” even if there were no tomatoes, because those words distinguished him from the other vegetable men who plied their carts through Southie.

As Lydia stirred, her mother put up water for cocoa and oatmeal. By the time Lydia had the little ones dressed, Michael and their father had finished their morning ablutions and the washbasin was hers alone. By the time she had brushed and pinned her hair, the drays were gone. Indeterminate Boston had once again been vanquished by the certainty of Southie.

Jamie remembers the warm press of his sister’s hands as she lifted him from bed and set him down beside the clothes she had waiting for him, the sound of the horses rattling in­side his head like loose marbles.

South Boston belonged to Lydia as profoundly and word­lessly as her thimble finger. Her knowledge of its streets was more complete than any atlas, her mental maps reflecting changes that occurred from season to season, day to day, and hour to hour. Each time she left 28 D Street–one among a row of identical triple-decker tenements lining the street like so many stained teeth–her route reflected this internal al­manac. If on a Tuesday afternoon her mother wanted flour and jam from Hennessy’s, Lydia would avoid the more direct route along Fifth Street due to her dislike of the soap grease man and his fleshy block of laundry soap. No matter what the errand, Third Street was best avoided in early evening when the flood tide of drays returning to their stables posed a threat to both body and nose.

In deep winter, when ice and hard-packed snow made walking treacherous, West Broadway was the place to catch a ride on the tailboard of a snow dray delivering milk, groceries, or beer, but sledding was best saved for Dorchester Heights. If a good enough sled could be found, and if the streets were not too crowded, it was possible to start at G Street and traverse almost a quarter of the alphabet–all the way to L Street. Whether because he was luckier or a year older, Michael was the superior sledder; at her best Lydia could only make J Street before her sled or her resolve gave out.

Because Dan Kilkenny was an iceman, the whole D Street gang was in thrall to Lydia and Michael in summer. In the thick of that season there were few things more magical than ice–the blocks that emerged, impossibly, from the back of the wagon, steaming not with heat but with cold, the unmis­takable stomp of the iceman conquering the stairwell, gleam­ing blocks of ice piled on his broad back like enormous melting diamonds. Contrary to Father O’Brian’s Sunday de­scriptions of a place streaming with light and angel song, Ly­dia was certain Heaven resembled the interior of her father’s ice wagon: a dark place, cool and quiet. There the salt hay, sawdust, and straw effaced the airborne tang of leather and glue from the nearby shoe factory and muted the call of the ragman.

On very hot days there was no need to confer in advance. The lot of them would be playing ball in Commonwealth Park, or ambling toward the beach at City Point, or playing marbles or Kick the Wicket on the street. Without a word Michael would turn to Lydia, or she toward him, and with a whoop they would preempt the day’s pursuit and set out for ice. At the sight of Dan Kilkenny’s brood, the iceman would toss out an extra block, the surplus ice arcing toward the street in a dream of captured light before exploding into frozen bliss on the cobbles. Decorum was traded for the fleeting comfort of ice pressed into the perfect place. Frozen shatterings found their way into mouths, inside shirts and dresses, under chins, and atop closed eyes. Ice was nestled into the hollows of throats and hammocked by the webbing between fingers and toes. Ice bent the iron rule of summer for a few precious mo­ments before the heat clamped down again.

Had Margaret Kelly, of 32 D Street, claimed an iceman for her da, she would not have been so lordly about it. Liddie and Mick always waited until the worst of the heat and then made them line up for Indian knuckle burns before bringing them down the right street.

For ten years, this was enough. Then in fifth grade, Lydia saw a city map and realized her entire world was the smallest finger of Boston’s broad hand. The hazy destination of the morning drays acquired focus. Across the bridge lay Boston Common and the swan boats of the Public Garden. Across the bridge lay Washington Street–the longest street in all New England–which began like any other but then continued south, a single, determined thread of cobblestone that wove it­self through every town from Boston to Providence. Once Lydia saw Washington Street she knew she could not allow it to exist without her.

She had imagined Washington wide like West Broadway but instead it was narrower, its buildings taller. On Washing­ton, men in blazers and boaters strutted three and four abreast and bustled women drifted cloudlike between shop-windows. The air on Washington smelled neither of factories nor piers but of occasional cigar smoke and wafting perfume. The buildings–with their marble façades and grand en­tranceways and their seemingly endless layers of arched win-dows–resembled fancy wedding cakes. On Washington Street there was not a clothesline in sight, not a single veg­etable or fish man. Striped awnings stretched proudly above showcases containing objects Southie had never seen: a silk opera gown with black glass buttons, a set of tortoiseshell combs, a rocking horse with a mane of real hair. Lydia turned toward Michael–whose trolley fare she had provided from a cache of saved pennies, their passage across the Broadway bridge her eleventh birthday present to herself–and an­nounced that this was her future.

Mick recalls only his dis­appointment. Before Liddie went gaga over Washington Street, they had always pooled their copper for penny fudge.

On graduating eighth grade, when her girlfriends found jobs behind sewing machines, Lydia rode to Washington Street alone and procured a position in the stockroom of Gilchrist’s department store. Now every morning she had to wake before the drays in order to make the streetcar. During dreary hours of inventory and reshelving, her resolve to work on the far side of the bridge would falter, but her doubts van­ished whenever she was called onto the gleaming sales floor. Walking among the wonders of the display rooms, she would calculate the weeks of salary required to purchase a beaded French chapeau or the impossible amount of roast ham that could be eaten in lieu of one opal earring. Rather than discour­aging her, these extreme calculations bred optimism. Once she was promoted to sales, she hoped eventually to save enough so that she too could point to one of those fantastical objects and have it delivered into her outstretched hand.

Michael joked that his sister rode the streetcar every day to make up for never having outdistanced him on a sled. Though he was as immune as the rest of the family to the forces that drew her to Washington Street, he formulated a theory to ex­plain the aberration.

“I don’t know how it came to be,” he informed her once it became clear she would not be abandoning her streetcar com­mute, “but it looks like you turned out the migrating bird in a family of pigeons.” Lydia treasured his gift, picturing herself as she rode the streetcar as one of the long-necked geese whose silhouettes she observed angling south in late autumn.

On the other side of the bridge, Lydia learned the differ­ence between a heavy tub silk and a crepe de chine shirt and the relative merits of a Norfolk versus a sacque suit. She learned that the best suit jackets were nipped in at the waist and slope-shouldered. When a counter girl was fired for tardi­ness, Lydia was ready. She claimed the sales floor for herself.

For four years she worked behind a lustrous wood counter on the store’s ground level, amid polished marble floors and hanging crystal lamps. Gilchrist’s Tiffany rotunda gazed down from three levels above like an emerald eye. Inside her starched, white shirtwaist, her hair piled into a careful bun, she felt as if her best self lurked just beneath her skin, a shim­mery fish that might breach the surface at any moment. Stand­ing before a selection of men’s shirts in a dazzling array of colored fabric, she could eye a man’s collar size, budget, and tastes in a glance and knew, just by looking, the thread count of a cotton shirt or the origins of a piece of silk.

Maisie French, in Col­lars, insists the Tiffany rotunda was blue, not green.

Even after four years, she thrilled at sealing a customer’s payment into a pneumatic capsule and sending it to the cashier for change. Miles and miles of pneumatic tubing crisscrossed Gilchrist’s walls and ceilings. Capsules left Men’s Furnishings on a current of compressed air to travel over Silks and Velvets, over Embroideries and Trimmings, past Veilings, and past Black and Colored Dress Goods. Lydia pictured her cus­tomers’ sales slips speeding past counter girls whispering among themselves in Millinery, past the solitary salesgirl at Umbrellas who every day prayed for rain.

Lydia once visited the Cashier’s Office just to see the verita­ble pipe organ of commerce where each capsule arrived with a thunk, its contents scrutinized by a woman whose hands were bound to smell like money. Lydia wondered if the woman scrubbed the scent from her fingers each night, or if her dreams wafted with visions of wealth. Whenever Lydia re­trieved a returning capsule containing a customer’s correct change, she felt the cold, dry breath of the tube tickle the back of her hand. On slow days she hearkened to Gilchrist’s pneu­matic exhalations. After four years, she still marveled at the notion that money pumped through the store no less fervently than the blood in her veins.

The morning of Lydia’s first lunch with a customer, she had been standing with her back to the sales floor straightening stock when her attention was redirected by a neighboring counter girl, who whispered Lydia’s name once the gentleman had been standing a few moments unattended. The fellow was impressively dressed for someone so clearly uncomfortable in his own skin. His clothing seemed to subsume rather than en­hance his form, as if his legs were no match for worsted wool, his chest unequal to the task of imported linen. Though he was a striking man, Lydia was reminded of a child dressed with care by his mother.

Maisie does not blame Lydia for forgetting her name, as they were not particular friends–but she thinks Lydia’s mem­ory has been awfully kind to Henry Wickett. If the fellow had been a looker, Maisie would have helped him her­self.

“How may I help you?” she asked, having already deter­mined his measurements. She intended to skip straight to silk unless cotton was specifically requested, and then only cambric would do; Fridays were slow and the hardest days in which to meet her sales quota.

“Oh, but you see, you already have helped me,” the man stammered. “I wanted to thank you. The shirt you sold me? My mother liked it very much.”

Henry had not intended to speak at all. Recalling the young woman in Shirts, he had hoped only to observe her from afar. Finding her unengaged, he had ap­proached without thinking.

“Of course!” Lydia lied with professional zeal. She racked her brain for a memory of the sale; normally she was good with faces. “I suppose you’ve come for another shirt,” she of­fered. “I’ve just the thing. We received the shipment this week from Italy–they’re brand new for the season. I’m sure you’ll appreciate the quality.” She hoped to convince him to buy two.

The gentleman shook his head and looked at Lydia with such regret she wondered if she had insulted him, though she could not imagine anyone taking offense at an Italian shirt.

And here the gentle lie of Lydia’s memory is re­vealed, for had Henry’s features been distinctive she would not have for­gotten them. Vision is memory at its most fickle. It is practically impossible to retain the homeliness of unfamil­iar features once they have grown dear.

“Ah no,” he replied with a quavering sigh. “Thanks all the same, but I don’t intend to make any purchase today.” He was blushing with unusual violence. “I was hoping I might accom­pany you to lunch. To thank you. You see, my mother really did like the shirt and she is so often hard to please. You were very kind and patient, and I thought it was the least I could do.”

“You want to take me to lunch?” Lydia echoed.

Henry credits his un­characteristic boldness to the obvious pleasure the young woman in Shirts took in even the smallest aspects of her work. Such élan could not be purchased, even at Gilchrist’s.

“To thank you,” the fellow repeated. Though he appeared to be in his twenties, he had the demeanor of a much older man. “For your assistance. That is, if you’re permitted?” With her silence, his blush returned. “I’ve never done anything like this before,” he mumbled. “I’m sorry. I haven’t even intro­duced myself. My name is Henry Wickett. You can be certain of my good intentions, and if my motives prove unseemly you could easily wallop me yourself.” By this time the fellow’s voice had grown so soft Lydia could barely hear him above the bustle of the store.

From the Hardcover edition.

Excerpted from Wickett's Remedy by Myla Goldberg Copyright © 2005 by Myla Goldberg. Excerpted by permission of Anchor, a division of Random House LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.