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Parallels and Paradoxes

Parallels and Paradoxes

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Add This - Parallels and Paradoxes

Written by Edward W. SaidAuthor Alerts:  Random House will alert you to new works by Edward W. Said and Daniel BarenboimAuthor Alerts:  Random House will alert you to new works by Daniel Barenboim

  • Format: Trade Paperback, 208 pages
  •  
  • Publisher: Vintage
  • On Sale: March 9, 2004
  • Price: $16.00
  • ISBN: 978-1-4000-7515-7 (1-4000-7515-7)
Also available as an eBook.
about this book

These free-wheeling, often exhilarating dialogues—which grew out of the acclaimed Carnegie Hall Talks—are an exchange between two of the most prominent figures in contemporary culture: Daniel Barenboim, internationally renowned conductor and pianist, and Edward W. Said, eminent literary critic and impassioned commentator on the Middle East. Barenboim is an Argentinian-Israeli and Said a Palestinian-American; they are also close friends.

As they range across music, literature, and society, they open up many fields of inquiry: the importance of a sense of place; music as a defiance of silence; the legacies of artists from Mozart and Beethoven to Dickens and Adorno; Wagner’s anti-Semitism; and the need for “artistic solutions” to the predicament of the Middle East—something they both witnessed when they brought young Arab and Israeli musicians together. Erudite, intimate, thoughtful and spontaneous, Parallels and Paradoxes is a virtuosic collaboration.


“Crammed with oversized ideas. . . . Over and over, they find the points where music touches other aspects of being alive: politics, literature, home, war.” —Newsday

“Fascinating. . . . These conversations, filled with a passionate commitment to the life of the mind and the complexities of the arts, have an intoxicating richness.” —San Jose Mercury News

“[A] genuine give-and-take between keen minds and open hearts. . . . The fluidity of their relationship, like musicians in an orchestra, is a compelling model for a world often splintered by dogma, ideology and hermetically sealed minds.” —Los Angeles Times