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Winner of the Man Booker Prize
August, 1943. In the despair of a Japanese POW camp on the Thai-Burma Death Railway, Australian surgeon Dorrigo Evans is haunted by his affair with his uncle’s young wife two years earlier. His life is a daily struggle to save the men under his command from starvation, from cholera, from pitiless beatings. Until he receives a letter that will change him forever.
Moving deftly from the POW camp to contemporary Australia, from the experiences of Dorrigo and his comrades to those of the Japanese guards, this savagely beautiful novel tells a story of love, death, and family, exploring the many forms of good and evil, war and truth, guilt and transcendence, as one man comes of age, prospers, only to discover all that he has lost.
"A masterpiece . . . A symphony of tenderness and love, a moving and powerful story that captures the weight and breadth of a life . . . A high point in an already distinguished career." —The Guardian
"The book Richard Flanagan was born to write." —The Economist
"Nothing could have prepared us for this immense achievement . . . The Narrow Road to the Deep North is beyond comparison . . . Intensely moving." —The Australian
"A novel of extraordinary power, deftly told and hugely affecting. A classic in the making . . . Masterful." —The Observer
"A devastatingly beautiful novel . . . Charged with a hypnotic power." —The Sunday Times (London)
"Exhilarating . . . Life affirming." —Sydney Morning Herald
"A supple meditation on memory, trauma, and empathy that is also a sublime war novel . . . Pellucid, epic, and sincerely touching." —Publishers Weekly
"Homeric . . . Flanagan’s feel for language, history’s persistent undercurrent, and subtle detail sets his fiction apart. There isn’t a false note in this book." —Irish Times
"The Narrow Road to the Deep North is a big, magnificent novel of passion and horror and tragic irony. Its scope, its themes and its people all seem to grow richer and deeper in significance with the progress of the story, as it moves to its extraordinary resolution. It’s by far the best new novel I’ve read in ages." —Patrick McGrath, author of Constance
"I loved this book. Not just a great novel but an important book in its ability to look at terrible things and create something beautiful. Everyone should read it." —Evie Wyld, author of All the Birds, Singing
"The luminous imagination of Richard Flanagan is among the most precious of Australian literary treasures." —Newcastle Herald
"In an already sparkling career, this might be his biggest, best, most moving work yet." —Sunday Age (Melbourne)
"An unforgettable story of men at war . . . Flanagan’s prose is richly innovative and captures perfectly the Australian demotic of tough blokes, with their love of nicknames and excellent swearing. He evokes Evans’s affair with Amy, and his subsequent soulless wanderings, with an intensity and beauty that is as poetic as the classical Japanese literature that peppers this novel." —The Times (London)
"Extraordinarily beautiful, intelligent, and sharply insightful . . . Flanagan handles the horrifyingly grim details of the wartime conditions with lapidary precision and is equally good on the romance of the youthful indiscretion that haunts Evans." —Booklist
"Despite the novel’s epic sprawl it retains the delicate vignettes that characterise Flanagan’s work, those beautiful brush strokes of poignancy and veracity that remain in the reader’s mind long afterwards." —West Australian News
"Mesmerising . . . A profound meditation on life and time, memory and forgetting . . . A magnificent achievement, truly the crown on an already illustrious career." —Adelaide Advertiser