Subjects Freshman Year Reading African American Studies African Studies American Studies Anthropology Art, Film, Music and Architecture Asian Studies Business and Economics Criminology Education Environmental Studies Foreign Language Instructional Materials Gender Studies History Irish Studies Jewish Studies Latin American & Caribbean Studies Law and Legal Studies Literature and Drama Literature in Spanish Media Issues, Journalism and Communication Middle East Studies Native American Studies Philosophy Political Science Psychology Reference Religion Russian and Eastern European Studies Science and Mathematics Sociology Study Aids


E-Newsletters: Click here to be notified of new titles in your field
Click here to request Desk/Exam copies
Freshman Year Reading
View Our Award Winners
Click here to view our Catalogs
The Last of the Mohicans

The Last of the Mohicans

Upgrade to the Flash 9 viewer for enhanced content, including the ability to browse & search through your favorite titles.
Click here to learn more!

Order Exam Copy
E-Mail this Page Print this Page
Add This - The Last of the Mohicans

Written by James Fenimore CooperAuthor Alerts:  Random House will alert you to new works by James Fenimore Cooper
Introduction by Leslie FiedlerAuthor Alerts:  Random House will alert you to new works by Leslie Fiedler

  • Format: Trade Paperback, 400 pages
  • Publisher: Modern Library
  • On Sale: June 12, 2001
  • Price: $11.00
  • ISBN: 978-0-375-75764-8 (0-375-75764-3)

READING GUIDE

1. How do Cooper's characters, specifically Natty Bumppo and the Indian Magua, test the boundary between Indian and white cultures? What happens to these characters? How does the metaphorical racial boundary extend to that between wilderness and cultivated land, if at all?

2. What are the differences Cooper outlines between the Mohicans and the Delawares, and to what end? What role does Uncas play in the conflict between the two tribes? What is the significance of his relationship with Cora?

3. How does Natty Bumppo's view of society oppose Munro's, particularly at the novel's conclusion? How do Natty's views support or contradict his own existence, straddling two worlds as he does? How does this deep-rooted ambivalence about social and racial hierarchy inform the novel?