Subjects Freshman Year Reading African American Studies African Studies American Studies Anthropology Art, Film, Music and Architecture Asian Studies Business and Economics Criminology Education Environmental Studies Foreign Language Instructional Materials Gender Studies History Irish Studies Jewish Studies Latin American & Caribbean Studies Law and Legal Studies Literature and Drama Literature in Spanish Media Issues, Journalism and Communication Middle East Studies Native American Studies Philosophy Political Science Psychology Reference Religion Russian and Eastern European Studies Science and Mathematics Sociology Study Aids


E-Newsletters: Click here to be notified of new titles in your field
Click here to request Desk/Exam copies
Freshman Year Reading
View Our Award Winners
Click here to view our Catalogs
Juneteenth

Juneteenth

Upgrade to the Flash 9 viewer for enhanced content, including the ability to browse & search through your favorite titles.
Click here to learn more!

Order Exam Copy
E-Mail this Page Print this Page
Add This - Juneteenth

Written by Ralph EllisonAuthor Alerts:  Random House will alert you to new works by Ralph Ellison
Preface by Charles JohnsonAuthor Alerts:  Random House will alert you to new works by Charles Johnson

  • Format: Trade Paperback, 400 pages
  •  
  • Publisher: Vintage
  • On Sale: June 13, 2000
  • Price: $15.95
  • ISBN: 978-0-375-70754-4 (0-375-70754-9)
Also available as an unabridged audiobook download and an eBook.
about this book

Edited by Ellison's literary executor, John Callahan--aided by Ellison's widow, Fanny--Juneteenth is the most complete section of his much larger forty year "work-in-progress."  It is the story of the relationship between the larger work's two central characters Bliss (a.k.a. the self-named "Sunraider"), a race baiting New England senator, and his one-time adoptive father, Hickman, a black southern preacher, known to his congregation as "God's Trumpet" and to himself as "God's straight man."

After years of separation, Hickman and Sunraider's relationship is resumed when Sunraider is mortally wounded and calls out for Hickman.  During the course of the conversation that follows they journey through the past and across the gulf that separates them from both each other and their earlier selves.  They move back to a time of hope, when Sunraider was Bliss, "a little boy of indefinite race who looks white and, who...comes to be reared by a Negro minister," but they also revisit a particular Juneteenth night when something happens that causes Bliss to run away, precipitating a fall from grace that culminates in his evolution into Sunraider.  As both men's stories unfold the need and possibility of redemption become evident.

In Juneteenth Ellison draws on and employs a number of threads from America's black cultural heritage--from the antiphonal call-and-response patterns of the black churches to the riffs and bass lines of jazz.  Years after hearing him read from it, James Allan McPherson concluded: "in his novel Ellison was trying to solve the central problem of American literature.  He was trying to find forms invested with enough familiarity to reinvent a much broader and more diverse world for those who take their provisional identities from groups."  Through the interplay of the two men Ellison explores the mysteries of race, memory, identity, the need for redemption, and how, at a "deeper frequency," as Ellison would say, to be American one must also be "somehow black," as Ellison once wrote.  This crucial central part of a larger work is complete within itself and its theme, rhythms, and language are its author's abiding testament to America and its many unfinished tasks.

Praise for Juneteenth:

"Ralph Ellison's generosity, humor, and nimble language are, of course, on display in Juneteenth, but it is his  vigorous intellect that rules the novel. A majestic narrative concept."
--Toni Morrison