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In a narrative that moves with dreamlike swiftness from India to England to Africa, Nobel Laureate V. S. Naipaul has produced his finest novel to date, a bleakly resonant study of the fraudulent bargains that make up an identity.
The son of a Brahmin ascetic and his lower-caste wife, Willie Chandran grows up sensing the hollowness at the core of his father's self-denial and vowing to live more authentically. That search takes him to the immigrant and literary bohemias of 1950s London, to a facile and unsatisfying career as a writer, and at last to a decaying Portugese colony in East Africa, where he finds a happiness he will then be compelled to betray. Brilliantly orchestrated, at once elegiac and devastating in its portraits of colonial grandeur and pretension, Half a Life represents the pinnacle of Naipaul's career.
"A masterpiece of implicitness . . . explicitly concerned with drawing out the metaphysical-private while keeping it embedded in society and history . . . The ironies in Half a Life wind like a fugue into infinity . . . Identity is an enigma . . . To make that sentiment breathe in the mouth of a living character, and then rise from the page with silent laughter, is a beautiful completion: the mark of a genius and a cause of unending delight."
—Lee Siegel, Los Angeles Times Book Review
"As disquieting as anything [Naipaul] has ever written . . . His terse prose works, as always, to imply a world in a phrase."
—Michael Gorra, New York Times Book Review
"Half a Life,the fierce new novel by V. S. Naipaul, the new Nobel laureate, is one of those rare books that stands as both a small masterpiece in its own right and as a potent distillation of the author's work to date . . .Mr. Naipaul endows his story with the heightened power of a fable. With 'Half a Life' he has given us a powerful tale of one man's journey from childhood to middle age while at the same time creating a resonant parable about the convulsions of modern history, both the dying of old inequities and the rise of new illusions, and their spiritual legacy of homelessness and dislocation."
—Michiko Kakutani, New York Times
"Naipaul's first novel in six years is another installment in the extended fictional autobiography. . . . [This novel] may tell us more about the essential Naipaul than he has ever heretofore revealed. . . . The work of a master who has rarely, if ever, written better."
—Kirkus Reviews (starred review)