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In these fourteen essays, Fraser focuses on women in love affairs, friendships, marriages, and families; the fairer sex is also shown in relation to one another and to the talented men who so often rendered them invisible. In Ornament and Silence we see Virginia Woolf, haunted and eventually destroyed by the sexual secrets of her childhood. We meet Flaubert's theatrically importunate mistress, Louise Colet, the one woman who could briefly slip past the master's misogyny. Fraser offers vibrant portraits of the Russian novelist Nina Berberova and the English naturalist Miriam Rothschild. And here is Fraser herself, learning her craft at The New Yorker, tending her English garden and--on every page--delighting us with the manifold felicities of her prose.
"A wonderfully idiosyncratic set of essays on women famous and unknown whose public and private lives Fraser examines with great feeling and exactitude...insight, intelligence, and grace."--Newsday
"Subtlety, fluency, candor, an agile sensate intellect--Kennedy Fraser brings all these gifts to bear on a subject that is not always contemplated so untendentiously, with such independence of mind, and from such a generous and worldly point of view."--Phillip Roth
Ornament and Silence (Virginial Woolf)
Going On (Nina Berberova)
Warmed Through and Through (Edith Wharton)
My Sister, Myself
A Normal Man (Henri Matisse and his women)
Love, Longing, and Letters (Louise Colet)
Traps and Damask Roses
Fritillaries and Hairy Violets (Miriam Rothschild)
Stones of His House (Paul Scott)
The Poet of Everyday Life (Johannes Vermeer)
Demented PIlgrimage (Germaine Greer)
There at The New Yorker: The Novel I Never Wrote for William Shawn