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Gathered and passed down over the centuries from India, Persia, and across the Arab world, the mesmerizing stories of One Thousand and One Nights tell of the real and the supernatural, love and marriage, power and punishment, wealth and poverty, and the endless trials and uncertainties of fate. They are related by the beautiful, wise, young Shahrazad, who gives herself up to murderous King Shahrayar. The king has vowed to deflower and then kill a virgin every night—but Shahrazad will not be defeated by the king’s appetites. To save herself, she cunningly spins a web of tales, leaving the king in suspense each morning, and thus prolonging her life for another day.
Acclaimed Lebanese writer Hanan al-Shaykh has selected nineteen of these stories, retold them in modern English, and knitted them together into an utterly intoxicating collection. In al-Shaykh’s hands, Shahrazad’s tales are lush and evocative, rich with humor, and utterly captivating.
“[al-Shaykh] brings the modern fiction writer's gift for psychological complexity to the rich-but-streamlined quality of the originals. . . . Read through knowing you're getting the very best of The Arabian Nights.” —The Atlantic
“Marvelously engaging. . . . These are great stories, and Hanan Al-Shaykh tells them splendidly. . . . [She] is one of Egypts’s most highly-regarded novelists, and her decision to present new translations of (some of) Shahrazad’s tales most likely raised a few eyebrows. We are fortunate, though, to have an author of her caliber to take on this project. Language in her hands is always supple and controlled, and the tales bounce merrily along with plenty of momentum and linguistic verve. . . . There’s a reason why these stories have survived so long; they’re fun and unpredictable, occasionally moving and, most of all, populated by an array of characters we still recognize on a daily basis. Al-Shaykh is to be thanked for reminding us of what’s been here, available to us, all along.” —Pop Matters
“Imaginative. . . . As one story segues into the next, effortlessly, patterns emerge that depict a Muslim world far different from the conservatism, the fundamentalism, that has hijacked so much of the contemporary Islamic world. . . . A delightful romp.” —Counterpunch
“A haunting collection of stories about women who, if not always heroic, are resilient, funny, sexual, and, above all, smart. . . . Lebanese novelist al-Shaykh takes the hundreds of stories that make up the traditional One Thousand and One Nights and with concision pares them down to 19. Focusing on tales . . . interested in how women grapple with a society that is stacked against them. . . . The beautiful language is deceptively simple: readers are in danger of being lulled into marathon reading sessions. . . . It’s no wonder al-Shaykh identifies with Shahrazad; they are very much the same. . . . For lovers of true heart, these stories are gory, lusty, and very, very good.” —Library Journal (starred review)
“The Lebanese author Hanan al-Shaykh has recast several of Shahrazad's tales in modern English, presenting them in a coherent narrative that is as spellbinding as ever. . . . The age-old conundrum regarding literature's function—is it to tickle or to teach?—is solved here, and the answer is: both. You could make the case that the clever, resourceful Shahrazad is literature's first feminist heroine, and each of her stories is filled with nuggets of simple philosophy.” —Shelf Awareness
“This new twist on The Arabian Nights by Lebanese novelist Hanan al-Shaykh, entitled One Thousand and One Nights, collects 19 of the ancient tales of lust, greed, and betrayal into one spellbinding narrative. As a young girl, al-Shaykh first heard this tantalizing tome dramatized on the radio but was forbidden to read it; later she became obsessed with the mythic storyteller Shahrazad, who invents these postcoital cliff-hangers to save her own skin. In the introduction, Mary Gaitskill calls the book ‘a fight between sacred and profane love.’ Sign us up.” —Oprah Magazine
“I’ve always been intrigued with Shahrazad’s storytelling, especially when I discovered that the real stories are not for children but instead are sexy, violent, unforgiving morality tales filled with intrigue, excitement, and wit, and beautifully rendered in this wonderful version. Who can resist a lewd demon’s lover whose mischief proves her declaration, “How great is the cunning of women!” —Louisa Ermelino, reviews director, Publishers Weekly
“Hilarious, horrifying, touching, enlightening, or revelatory, al-Shaykh’s versions of these ancient tales
remind us how story-cycles overwhelm limits of space or time or culture.” —Mary Carroll, Booklist
“Before I knew it, I had finished half of them. Like Shahrazad’s captive king, I was hooked.” —Molly Mcardle, Library Journal
“What a woman!!! What a storyteller!!!” —Marjane Satrapi, author of Persepolis
“Al-Shaykh’s One Thousand and One Nights is a treasure-box of stories.” —The Independent (London)
“Magical. . . . Bursting with jinnis and mischief.” —Donna Tartt, The Times (London)
“[F]or grown-ups interested in rediscovering the One Thousand and One Nights in all its bawdy, violent glory. It is captivating.” —Daily Mail (London)
“[A]n uplifting read, precisely because [the stories] are so fantastical and transport the reader, by flying carpet, to lands filled with jinnis, princes and concubines, and also of people making contact across divides. Some of them are surprisingly erotic. Bedtime reading, for sure.” —Time Out (London)
“Hanan Al-Shaykh’s vivid ‘reimagining’ of the One Thousand and One Nights is a treat and a trap for story lovers. Like a contemporary Shahrazad, Al-Shaykh has rendered nineteen little masterpieces into a wondrously warm, ribald and hilarious concoction, reminding us of how bang up to date these stories can be.” —Hanif Kureishi, The Guardian (London)
“A brutal, bawdy, earthy and humorous narrative where the real world and the supernatural collide. . . . Al-Shaykh’s stories are no less beguiling than their name suggests.” —Metro (London)
“The Lebanese writer Hanan al-Shaykh performs a great service in retelling [the Arabian Nights] in her new book that also features a superb introduction by Mary Gaitskill. Al-Shaykh has shifted the camera angles, as it were, and trained the spotlight on the characters–and especially the female characters. We get more of the essence of these stories, their anarchic humor and cheerful sadism, the horror and delight they all seem to take in ‘the cunning of women.’” —NPR, “Lost and Found: 5 Forgotten Classics Worth Revisiting”