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After the departure of the woman he loves, Frank struggles to rebuild his life among the sugarcane and sand dunes that surround his oceanside shack. Forty years earlier, Leon is drafted to serve in Vietnam and finds himself suddenly confronting the same experiences that haunt his war-veteran father. As these two stories weave around each other–each narrated in a voice as tender as it is fierce–we learn what binds Frank and Leon together, and what may end up keeping them apart.
Set in the unforgiving landscape of eastern Australia, Evie Wyld’s accomplished debut tackles the inescapability of the past, the ineffable ties of family, and the wars fought by fathers and sons.
“Haunting and brilliant.”
–San Francisco Chronicle
“This surefooted and even-handed multi-layered tale is fiction writing at its best with characters so vividly drawn, they seem to literally leap off of the printed pages.”
“Mesmerising. . . . A novel both taut and otherworldly. This adroit examination of loss, lostness and trauma is the beginning of great things [for Wyld].”
—The Independent (London)
“A gritty novel. . . . Rough and beautiful. . . . It speaks to the muscle in Wyld’s writing, which in richly telling detail describes the experiences 40 years apart of two Australian men. . . . Wyld distinguishes herself as another fine Australian novelist.”
“Written in pithy, crystal-sharp prose, this is a compelling read that uses the Australian landscape to mirror its characters’ equally unforgiving emotional terrain.”
“Wyld has a feel both for beauty and for the ugliness of inherited pain. The mood is creepy–strange creatures in the sugar cane, grieving neighbors, a missing local girl–and the sentiment is plain: ‘Sometimes people aren’t all right and that’s just how it is.’”
—The New Yorker
“A terrifically self-assured debut. . . . It’s a cauterising, cleansing tale, told with muscular writing.”
—The Guardian (London)
“A searching study of the way war-induced damage passes from fathers to sons. . . . Uniting the disparate narratives is Wyld’s brisk, atmospheric style and her fascination with men who commit appalling acts, but are not appalling people.”
—Times Literary Supplement (London)
“Just sometimes, a book is so complete, so compelling and potent, that you are fearful of breaking its hold. This is one. . . . With awesome skill and whiplash wit, Evie Wyld knits together past and present, with tension building all the time. In Peter Carey and Tim Winton, Australia has produced two of the finest storytellers working today. On this evidence, Wyld can match them both.”
—Daily Mail (London)
“A triumph of subtle, original and unsentimental writing . . . Wyld explores the restrictions and distortions in the lives of men who won’t or can’t talk through whatever is eating away at them [with] great restraint and poignancy.”