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Written by 
- Format: Hardcover, 288 pages
- Publisher: Knopf
- On Sale: January 8, 2008
- Price: $24.00
- ISBN: 978-0-307-26683-5 (0-307-26683-4)
about this book
The New York Times has called her “a world-class fiction writer.” One of Britain’s most iconoclastic and highly acclaimed young writers (“If you are at all interested in contemporary fiction, this is work you must not miss”—Richard Ford)—twice selected as one of Granta’s Best Young British Novelists, winner of the Somerset Maugham Award, the Encore Award and the Saltire Scottish Book of the Year Award—A. L. Kennedy now gives us a brilliant new novel about war.
Alfie Day, RAF airman and former World War II POW, never expected to survive the war. He may not have even wanted to—choosing to be a tail gunner—exposed, alone and watchful for his skipper and his crew through night after night of bombing missions. Now, five years after the end of the war and more alone than ever, Alfie finds himself drawn to unearth those intense, strangely passionate days by working as an extra on a POW film. What he will discover on the set about himself, his loves and the world around him will make the war itself look simple.
Day is a superbly realized, emotionally charged, deeply affecting drama about the violence of modern life, and the intensity and courage to be found in the closeness of death. Blazing with Kennedy’s characteristic virtuosity, wit and narrative invention, Day is funny and moving, wise and sad, a dazzlingly original performance from one of the most gifted writers of our time.
“[An] elegant new novel. . . . Day is about the invisible, the hidden and the ways in which war alters and conceals alterations.” —The Times Literary Supplement
“Kennedy is known for her language and methodical sentence structure, and this dexterity sparkles in her narration. . . . Ingenious.” —Publishers Weekly
“A forceful, wholly achieved piece of work by a writer of enormous power [that] ought to win all the prizes going.” —The Daily Telegraph
“A. L. Kennedy is a fearless writer who inhabits the heads of her characters, structuring their meandering thoughts and catastrophic unravellings. . . . Kennedy brilliantly interweaves overwrought internal dialogue with external outrageous acts.” —The Independent on Sunday
